REVIEWS Archives - Page 4 of 588

4Jun

By Jackie FoottitNo Comments

Yorkshire & Humber

Barnum – Hull New Theatre

Never was a standing ovation so well deserved as that given to the cast of Barnum, The Circus Musical after they thrilled a full-ish Hull New Theatre on Tuesday evening. For over two hours we were entertained with sensational singing, dancing, acrobatics, magic tricks, music from multi-talented musicians - and Jumbo, the elephant circus owner Phineas Taylor Barnum (1810-1891) once advertised as “the largest in the world” in order to draw in the crowds. It was later discovered he had enhanced Jumbo’s skeleton after the animal had died, by packing it with blocks of wood and positioning its tusks to make it look extra massive. However, the huge elephant puppet on stage on the night was one of the best I have seen in any show, so hats off to its designers, Mervyn Millar and Tracy Wall...

2Jun

By Tracey BellNo Comments

Yorkshire & Humber

2:22 A Ghost Story – Sheffield Lyceum

A ghostly entertaining, slick mind game of a production! With a sense of apprehension - due to a very active imagination - I convinced myself to review 2:22 A ghost Story on its opening night at the Sheffield Lyceum Theatre, and I survived the evening stunned but unscathed! Written by Danny Robins, the seven seasoned West End phenomenon which premiered in 2021 and went on to tour the UK and Ireland, has been seen in over thirty worldwide productions. I have to immediately note, that it is the writing by Robins that highly impressed me. The theatrical thriller is the near perfect exploration of doubt, belief and theories surrounding the controversial topic of Ghosts. It allows you to question your beliefs, your scepticism and learn some new theories to explain away the spirit world. All ...

The Good Life – Altrincham Garrick Playhouse

2Jun

By Max EdenNo Comments

North West

The Good Life – Altrincham Garrick Playhouse

The Altrincham Garrick Playhouse continues its impressive season with a feel good production of The Good Life this week, bringing Jeremy Sams’ wonderfully adapted stage version of the beloved television classic to life with warmth, charm and plenty of laughter. Set in suburban Surbiton, The Good Life follows Tom and Barbara Good as they abandon the rat race in favour of a self-sufficient lifestyle, much to the bewilderment of their next-door neighbours, Margo and Jerry Leadbetter. What follows is a hilarious clash of lifestyles, personalities and ambitions, packed with the gentle British humour that made the original series such a success. Directed by Garrick regular; Daniel Ellis, this production captures the heart and spirit of the much-loved sitcom. Jeremy Sams’ adaptation retains...

Dark of the Moon – Charing Cross Theatre

2Jun

By Paul AckroydNo Comments

London

Dark of the Moon – Charing Cross Theatre

This new musical version by Lindy Robbins, Dave Bassett and Steve Robson is the latest in a long series of versions of this piece. It was first performed as a play in 1942 and a substantially revised version transferred to Broadway in 1945. It was produced in London at the Lyric Hammersmith in 1948 and the Ambassadors Theatre in 1949. The story has not been updated. It is effectively a fairytale about a rural Appalachian community who live in close proximity to a coven of witches in the nearby Smoky Mountains. One of the witches, John (Witch Boy), is enamoured with one of the human girls, Barbara Allen, and seeks to develop a relationship with her, to the dismay of both communities. Its theme is the clash between cultures with the boy/ girl relationsh...

The Marriage of Figaro – Festival Theatre

2Jun

By Greg HolsteadNo Comments

Scotland

The Marriage of Figaro – Festival Theatre

There is a reason why Mozart's The Marriage of Figaro remains one of the most frequently performed operas in the world. More than two centuries after its premiere, this tale of lust, deception, privilege and revenge still has the power to delight audiences. The comedy remains sharp, the characters remain recognisable, and Mozart's music continues to provide one glorious melody after another. Scottish Opera's revival of Sir Thomas Allen's production arrives in Edinburgh following its run in Glasgow, conducted by Dane Lam and directed by Allen himself. It is a handsome, traditional staging that places its faith in the strength of Mozart's score and Lorenzo Da Ponte's story rather than attempting to reinvent either. The central plot remains as entertaining as ever. Figaro and Susanna ar...

The Taming of the Shrew – Traquair House

2Jun

By Greg HolsteadNo Comments

Scotland

The Taming of the Shrew – Traquair House

All the world's a stage, wrote Shakespeare, and nowhere does that feel truer than at Traquair. On a glorious Borders evening, with peacocks calling in the distance, goats grazing unconcernedly nearby, live musicians leading the audience from scene to scene, and performers appearing from every corner of Scotland's oldest inhabited house, Shakespeare's comedy becomes something far more than a play. It becomes an event. Director Kath Mansfield's production of The Taming of the Shrew is playful, joyful and bursting with life. Every corner of the estate is pressed into service, from formal gardens and winding pathways to the magnificent terraces in front of the house. Traquair itself becomes a cast member, its ancient walls, mature trees and carefully cultivated landscape providing a backdro...

30May

By Alan Stuart MalinNo Comments

London

Second Class Queer – Riverside Studios

‘Second Class Queer’ delivers an emotionally charged and deeply human exploration of identity, belonging and grief. Written, performed and produced by Kumar Muniandy, the one-person play uses the framework of a Berlin speed-dating event to unpack the experiences of Krishna, a queer Malaysian-Indian man navigating racism, homophobia and the exhausting complexities of existing between conflicting cultures. What makes this production compelling is not technical polish, but the honesty of its storytelling and writing and the charisma of Muniandy. The script confronts difficult themes without losing sight of humour or vulnerability, allowing moments of discomfort to sit alongside genuinely touching reflections on loneliness, shame and connection. Muniandy’s performance carries a quiet intens...

30May

By Stewart Who?No Comments

London

Redcliffe – Southwark Playhouse

While gay life has existed as long as humanity, the British history of homosexuality isn’t recorded in any informative detail until the 18th century. It is via court records and lurid newspaper reports from that period which give colour to London’s bordellos, ‘rent boy’ scandals and the plight of poor men who were executed and pilloried for the crime of sodomy. Anyone interested in Georgian queer life should read ‘Mother Clap’s Molly House- The Gay Subculture in England 1700-1830’ by Rictor Norton. It’s academic and brutally comprehensive, but it’s an absolute banger. It is from this arcane world of blackmail, public hangings and graphic pamphlets that Jordan Luke Gage has found inspiration for Redcliffe, his debut musical. Set in Bristol 1752-53, this eagerly anticipated production put...

29May

By Dylan MooneyNo Comments

Scotland

Once – Pitlochry Festival Theatre

Marking Pitlochry Festival Theatre’s 75th anniversary and the inaugural season of new Artistic Director, Alan Cumming, Once, the hit West End and Broadway musical, has its Scottish premiere. Bringing back the original team, including designer, Bow Crowley, and director, John Tiffany, this production is very exciting to have opening the theatre programme and start a new chapter for Pitlochry Festival Theatre. Once follows Guy, a Dublin-based musician used to playing in bars who dreams of success but is ready to abandon his hope and give up. He meets Girl, a Czech immigrant, who attempts to bring back his hope and inspires him to keep going. The pair meet a group of quirky individuals, coming together to create an album filled with Guy’s original music. From the outset of this producti...

29May

By Charles PipeNo Comments

London

Black Comedy– Orange Tree Theatre

Aspiring sculptor, social climber, and cad Brindsley Miller is supposed to be hosting both his fiancé’s well-to-do father as well as a famed art collector in his unimpressive flat, when a blown fuse plunges the entire building into darkness. What follows is a hilarious cavalcade of slapstick gags and farcical set pieces, as Miller attempts to spin more and more plates and stay on top of an ever-growing web of lies in order to keep his many transgressions from coming to light. Unlike Miller’s evening, this revival of Peter Shaffer’s farce is an absolute success. While the characters are in darkness, the audience gets a clear view of everything, thanks to Elliot Griggs’s simple-yet-effective lighting design (and a lighting desk operator with split-second-perfect timing). While the charact...