Sunday, February 16

Scotland

The Law of Gravity – Traverse Theatre
Scotland

The Law of Gravity – Traverse Theatre

Spell-binding, sublime performance by the the six-strong strings of the Scottish Ensemble, accompanied by the delicate puppetry skills of a quartet from Blind Summit, made this a night to savour at Traverse 1 tonight. Classical Music can take us places in our mind, it is surely part of the joy of the experience to close our eyes and float…. Is it wise to curate, lead or interpret that trip? Blind Summit, attempted to do that tonight, but was it a help or a hinderance, an unnecessary distraction? The jury will be pretty split on this one. There was no questioning the quality of the music from Philip Glass (Symphony No. 3(1995)) and Arnold Schoenberg (Transfigured Night(1899)) superbly, and effortlessly, led by Johnathan Morton which has the audience transfixed from note one. Iro...
These things aren’t mine (film) – Traverse Theatre
Scotland

These things aren’t mine (film) – Traverse Theatre

Gabbie Cook’s attempt to turn something rotten and corrosive from her childhood into something positive and creative, aided by director Barney White, finds form in this watchable short film at the subterranean Traverse 2 tonight. As part of the Manipulate festival, which has a deserved reputation for bringing the strange and downright absurd together, this abstract film follows the life of former gymnast turned circus artist Cook. High on imagery and low on dialogue it still manages to pack quite a punch, without perhaps finding the knock-out blow. As we now look back and grimace at the ick-inducing objectification of Miss-World or the sexism of Benny Hill or indeed the unchecked racism of Rigsby, we will undoubtedly look back in years to come and grimace at the dehumanising and brutal ...
Queen Extravaganza – Edinburgh Playhouse
Scotland

Queen Extravaganza – Edinburgh Playhouse

If you love Queen… scratch that, if you like Queen just a bit… don’t miss this. A sell-out crowd was clearly up for it but the first ‘act’ began with a peculiar, muddy version of ‘We Will Rock You’, the band in dull, pub-band regulation black and as the following two tracks travelled past the chief positive was that the sound clicked sharply into place. Though hang on, that vocal pirouette Gareth Taylor dropped at the end of ‘Somebody To Love’ was a bit special, wasn’t it? Then came ‘Under Pressure’, a lump in the throat reflecting that this was written before mental health was a thing; we all had stuff going on, it just wasn’t ok to talk about it. Except that David, Freddie and the band did, producing an epic four-minute pop song that resonates more heavily every single year si...
Moments – The Studio
Scotland

Moments – The Studio

In the classic time-loop film Groundhog Day, tv reporter, Phil (Bill Murray) attempts over and over again to create the perfect day, a series of carefully choreographed ‘moments’, with his attractive producer Rita (Andie MacDowell), in an attempt to win her heart. Only to be thwarted, often at the last moment, hilariously, time and time again. Some fans calculate the time-loop at 12,403 days! Theatre Re bring their own, thankfully shorter, time-loop to The Studio tonight to wordlessly consider, and reconsider, the powerful bond between a father and a son, and the ‘casting off’ which marks the end of one generation and the beginning of the next. Twelve and a half years after Theatre Re, premiered their particular brand of thoughtful and thought provoking theatre at Pleasance Dome...
Pretty Vacant: The Story of Punk and New Wave – Usher Hall
Scotland

Pretty Vacant: The Story of Punk and New Wave – Usher Hall

Punk was never about perfection, and Pretty Vacant – The Story of Punk and New Wave definitely stuck to that ethos. Hitting the stage at Edinburgh’s Usher Hall on the 28th of January, the show set out to celebrate one of the most rebellious, game-changing movements in music history. And while the music absolutely delivered, the rest of the production felt a little basic—fun, but not quite as explosive as it could have been. The best thing about the night was, hands down, the setlist. From The Sex Pistols and The Clash to Blondie and The Ramones, the show was packed with classics. Hearing God Save the Queen and London Calling live—well, as live as a tribute show gets—still gave me chills. And when they launched into Blondie’s Heart of Glass, it was a perfect shift into the smoother, more...
Mary Poppins – Festival Theatre
Scotland

Mary Poppins – Festival Theatre

In P.L. Travers’s book, ‘tossed and bent under the wind’, Mary is thrown ‘bag and all, at the front door’ by an east wind, at which ‘the whole house shook’. Here (as in the film), despite the proximity of Storm Eowyn, her arrival and appearance are ‘practically perfect’*, all spit-spot and efficiency. Which pretty much describes this abundant sweetshop of a production; it dazzled, shone, all slick, gloss and polish, which, given its producers (the hyper-successful Cameron Mackintosh and Disney Theatrical Group), was not surprising. Which can be an issue with these huge shows where the creative team includes no less than two responsible for ‘set design adaptation’ and two whose remit is ‘illusions’. Technically, everything (and the kitchen sink) is thrown in, from small prop details like...
The Merchant of Venice – Royal Lyceum Theatre
Scotland

The Merchant of Venice – Royal Lyceum Theatre

The Theatre for a New Audience production of William Shakespeare's The Merchant of Venice is, of course, not set in Venice. Instead, we are in an American city in the near future, though the play's fidelity to Shakespeare's script largely confines this setting to its physical set, designed by Riccardo Hernandez (a brutalist concrete set of steps before two rectangular doors and a circular window), the presence of costume designer Emily Rebholz' suits and mobile phones and, of course, the Jewish characters being portrayed by Black actors (the link between two different intolerances aided by the fact the play has racist as well as antisemitic portions). This limits what the play can do to what Shakespeare did with it and, unfortunately, Shakespeare by today's standards is an antisemite. I...
Rocky Horror Show – Edinburgh Playhouse
Scotland

Rocky Horror Show – Edinburgh Playhouse

Midway through its UK tour, The Rock Horror Show is a franchise which retains its cult appeal and an ardent band of followers despite being over fifty years old. And there were no complaints here from the almost full audience, who cheered and bayed and provided the necessary responses at the appropriate times, and also plenty of unnecessary responses at inappropriate times! This time around, ex-Neighbours star, 56-year-old Jason Donovan takes on the alien, transvestite scientist lead role as the mercurial Frank-N-Furter. Donovan’s Frank is a languid, louche and limp-wigged affair, more aging aunt than sexy vamp. This is Dame Edna in stockings and suspenders, and for me at least, it doesn’t entirely pay off. Given the look and the speed of delivery, which is generally a slow, eye-rollin...
PASS Double Bill – Traverse Theatre
Scotland

PASS Double Bill – Traverse Theatre

The BA Dance and Drama students from PASS showcase their artistry in two ensemble pieces, created in collaboration with Dance Base. First up, the cryptically titled YGNEREME. The blurb in the programme talks about grief, collective action and emergency. A single dancer, Clara Browning, moves playfully in a spotlight, but then something changes and she is swept away by the collective. Assimilated, if you like. There is a pulse-driven techno soundtrack which enhances the feeling of ritual, and of not being quite what one was before – the sounds being machine-like. The rituals we use to navigate grief have ancient roots, and their comfort comes from following a well-established path. The movements emphasise rhythm and are all about the collective: there are few moments where individu...
The Nutcracker – Festival Theatre
Scotland

The Nutcracker – Festival Theatre

Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker. It's a wonderful escape on a sub-zero evening. The orchestra is superb and Daniel Parkinson’s musicians deliver Tchaikovsky’s  score with aplomb and tenderness in turn. The corp de ballet and the principals effortlessly float and gracefully swirl as if the demanding choreography were simple. The layered, cosy set is like a warm hug. It draws you in and cradles you in its dreamworld. Within this cocoon, enjoy the antics of dizzy old Aunts, the swish of crinoline and the magic of Christmas presents, friends and family before transitioning to Clara’s dreamworld. Photo: Andy Ross Lighting by George Thomson adds greatly. Set, lighting and costumes support and showca...