Monday, October 19

Scotland

Death of a Salesman – Festival Theatre
Scotland

Death of a Salesman – Festival Theatre

Arthur Miller’s iconic treatise on the American Dream, often studied, but rarely performed, is brought to glorious life tonight on the Scotland’s biggest stage in front of a packed and almost reverential audience. It is a simple enough tale of an ordinary man, Willie Loman, who has worked all his life to live up to his, and America’s, idea of what a man should be; strong, dependable, financially stable and unexceptional – an automaton – A Salesman. We enter Willie’s world just as he seriously begins to question his life and whether it has been a success. He has begun to have lapses of concentration which might point towards the onset of dementia, which are now even affecting his ability to drive safely and ultimately be able to continue working. A life insurance policy of $20,000 feels ...
Eliza Carthy and Jennifer Reid – Traverse Theatre
Scotland

Eliza Carthy and Jennifer Reid – Traverse Theatre

Jennifer Reid performs nineteenth-century Lancashire dialect and Victorian broadside ballads. She comes from Rochdale, “but I admit it”. Reid sings unaccompanied throughout the evening but provides percussion for one of Carthy’s songs in the form of clog dancing. Eliza Carthy describes herself as a “modern English musician”. She sings centuries-old traditional songs, and more modern pieces including her own compositions. She mostly sings unaccompanied and occasionally brings out her fiddle. Carthy hails from Yorkshire, and a few good-natured cross-Pennine insults are exchanged over the course of the evening. Reid is a fantastic storyteller, bringing life to some memorable characters such as “Frolicksome Kay”, a good Lancashire lass who is disappointed by her new boyfriend from Yo...
Seven Drunken Nights: The Story of the Dubliners – Usher Hall
Scotland

Seven Drunken Nights: The Story of the Dubliners – Usher Hall

Perfectly timed for St Patrick’s Day, ‘Seven Drunken Nights: The Story of the Dubliners’ stopped off at the Usher Hall on their 2025 UK Tour. As the name suggests, this concert-style show tells the story of Ireland’s famous folk group, the Dubliners, with songs such as ‘The Irish Rover’, ‘Tell Me Ma’ and ‘Dirty Old Town’. The show was created with O’Donoghue’s pub where the original group used to perform. The performance is made up of a talented group of musicians who bring the Dubliners’ greatest hits to life while also serving as narrators, teaching the lively audience how the group started out 50 years ago. The stage makes use of three different locations - a traditional Irish pub, a recording studio set and a section at the front left clear for the performers to come closer to the a...
Wild Rose – Royal Lyceum Theatre
Scotland

Wild Rose – Royal Lyceum Theatre

Rose-Lynn Harlan loves country music and is pretty good at singing it too.  Her burning ambition is to sing at The Grand Ole Opry in Nashville.  The trouble is, she’s just been released from prison and has a tag on her ankle.  Whilst Rose-Lynn was incarcerated, her mother has been looking after her two children and now thinks her family deserve her presence and attention.   Set in Glasgow, it turns out that Glasgow has its own Grand Ole Opry, (who knew?) and Rose-Lynn gets a job as a cleaner.   The rest is fairly standard and predictable.  Mother give Rose-Lynn the money to go to Nashville, Rose-Lynn realises what’s really important and the final song, “Glasgow (no place like home)” says it all. But this show isn’t about the narrative, it’s about the music, and if you like country m...
Chef – Traverse Theatre
Scotland

Chef – Traverse Theatre

Once again, The Traverse champions fresh, accessible writing; this time with Sabrina Mahfouz’s one-woman play Chef.  Set in a prison kitchen, the head chef walks us through her dream menu with a story to accompany each dish.  We see glimpses of the chef’s life and significant events which led up to her arrest; her troubled relationship with her father, the first kitchen she ran, illegal dealings with her seedy ex-boyfriend, living on a boat.  While the chef recounts her memories, her second-in-command in the kitchen acts as a BSL interpreter.  This immersive style of interpretation was refreshing to see, giving a character to the interpreter - including her rather than seeing her as a distraction.  Without the interpreter this play would somehow not be as poignant ...
The Land That Never Was – The Studio, Edinburgh
Scotland

The Land That Never Was – The Studio, Edinburgh

Starting life as an idea broached on a Scratch night for budding theatre makers a year ago, Liam Rees brings a fascinating true story of financial fraud to fruition to a packed house tonight. Imagine a country so bountiful in flora and fauna, set in the warm rejuvenating waters of Central America, a tropical paradise, where you would be lord of all you surveyed. This is the dream that Stirling man (Sir) Gregor McGregor sold to over 300 Scots in 1820. The country was Poyais, it had its own currency, parliament, honours system and coat of arms, all described in loving detail in an illustrated 350-page guidebook. But the book, like the story was fake, as was the currency which padded the wallets of the hopeful on their long and perilous journey. The actual destination for the unfortunate S...
Pricilla Queen Of The Desert – Edinburgh Festival Theatre
Scotland

Pricilla Queen Of The Desert – Edinburgh Festival Theatre

Pricilla Queen Of The Desert is a campy and energetic story of self-acceptance, queer love and learning that whilst not everyone will like or get you, the ones who do are the most important. We follow three drag performers as they travel from Sydney to Alice in order to perform an important gig for Anthony’s wife. Here we get all the fun bickerings of a group of drag queens as well as a not so nice look into the stigmas and hate that comes within the role. It’s not all glitz and glamour and between all the catchy musical numbers (and there’s a lot) we can find an insight into the troubles of those within the drag scene, from transphobic comments to parental struggles and even violence. Our cast is headed by the wonderful Greg McCafferty playing the role of Tick, a character strugglin...
Piece of Work – Traverse Theatre
Scotland

Piece of Work – Traverse Theatre

This is a one man show about suicide, but with much wit and good humour and a blizzard of Shakespearean soliloquies you would hardly think it. Till later. Unfolded on the floor are tattered maps of Britain, The World, Greater Manchester and the tiny village where James Rowland paddled in the river. Standing on or hovering over these, master storyteller Rowland unfolds himself, all hands and mouth and sparkling eyes, creased and tattered and a bit ragged at the edges but still intact. His purpose, by way of many a Bard quote is not just to lay out a road map of his own ‘little life’, sustained by chicken burgers, but also to make us seriously consider our own and the sometimes very tenuous line that tethers us all in place. To be or not to be, is indeed the question, but it is one whi...
Scottish Opera: The Strauss Collection – Usher Hall
Scotland

Scottish Opera: The Strauss Collection – Usher Hall

Delivering once again a powerful and meticulous performance, Scottish Opera presented a collection of Richard Strauss’ finest works at the Usher Hall.  Led by musical director Stuart Stratford, we were taken on a journey filled with melodrama and sly wit that still translates to the modern-day audience.  To begin the concert we were presented with the Prologue of Ariadne auf Naxos - a surprisingly self-referential piece where we see an opera take place within the opera - very meta (mise en abyme if you’re fancy).  Helena Dix takes the role of Prima Donna by storm with sass and self-assurance, reminding us that opera is not all doom and gloom.  Hanna Hipp and Rhian Lois made for a dynamic duo, both with a stunning clarity to their voices.  The contrasting roles H...
The Testament of Gideon Mack – Traverse Theatre
Scotland

The Testament of Gideon Mack – Traverse Theatre

‘The Testament of Gideon Mack’ tells the story of a Church of Scotland minister who doesn’t believe in God.  However, his dismissal of the supernatural is challenged, particularly when his life is saved by someone Gideon believes is the Devil. This is a fascinating play based on James Robertson’s acclaimed novel, published in 2006. Matthew Zajac’s stage adaptation is enthralling: a captivating piece of theatre which is often moving, sometimes funny and occasionally very painful to watch. Moreover, profound questions are asked about faith, belief, the suppression of feelings, love, grief, death, hypocrisy and the meaning of life. And the play also throws light on the dramatic way religious beliefs in Scotland have changed in a generation. The play is intriguing, leaving some unanswe...