REVIEWS Archives - North West End UK

16Jun

By Carole GordonNo Comments

London

Stereophonic – Duke of York’s

David Adjmi's extraordinary play, Stereophonic, won five Tony Awards in 2024, including the award for Best Play following its hit run on Broadway. It's not hard to see why it was so successful, with its unique style, captivating storytelling and the brilliant performances of the cast. In a recording studio in 1976, a five-piece band are on the cusp of superstardom. The up-and-coming group are in the process of recording their second album. The atmosphere is claustrophobic and chaotic, as a toxic mix of drugs, booze, exhaustion and sexual tension exacerbates divisions within the group. They write songs and bicker, row about creative conflicts and suffer emotional rifts. With two couples (one American, one British) plus the manager/drummer, trying to navigate...

15Jun

By Greg HolsteadNo Comments

Scotland

Hidden Door – Edinburgh Paper Factory

Looking like a set from Blade Runner, lit up with coloured lasers and strobe lighting, the gigantic Paper Factory, out near the airport, is Hidden Door’s most ambitious project yet, and quite possibly it’s final resting place, and why not? This architectural maze is a sprawling series of wide-open spaces, culminating in the cathedral grandeur of The Crane Shed where you have to break your neck to see the ceiling. The Factory Floor is open plan on a vast scale and will take your breath away. Grimy, grungy and littered with looming hulks of dead machines, illuminated from within by carefully placed coloured LEDs, this is a steam punk’s fever dream come to life. Hidden Door is the Capital’s five-day yearly arts and music festival, known for transforming unique often overlooked spaces i...

15Jun

By Gill LewisNo Comments

North West

Rum – Shakespeare North Playhouse

Grafting through the grief, a beautifully vulnerable, and nuanced portrayal of the psychology rooted in working-class masculinity. Max Emmerson Productions present a deeply authentic portrayal of working-class masculinity—its constraints, contradictions, and quiet vulnerabilities. Joe Mallalieu’s brilliant solo performance is raw, emotive, and powerful. Over the course of an hour, we are deeply drawn into a part of society rarely given such unflinching, unapologetic, and compassionate focus on stage. Under Tess Seddon's astute direction, Mallalieu writes a piece that is not only theatrically engaging, but also socially urgent. Mallalieu, a former plasterer himself, brings a lived-in truth to his performance. His presence is magnetic—naturalistic, grounded, and emotionally nuanc...

14Jun

By Paul AckroydNo Comments

London

Steel – Park Theatre

Written by Lee Mattinson and first performed at the Theatre by the Lake in Keswick, Steel centres around two teenage boys from the depressed ex-industrial town of Workington. They are informed that one of them is unexpectedly the beneficiary of an inheritance, from a distant relative, of one mile of British rail track estimated to be worth £1 million. However, there is a catch; the original copy of the contract for the purchase of the track has to be delivered by midnight that same day. This improbable scenario sets the scene for a frantic series of encounters by the beneficiary with almost forgotten relatives, and old school friends with whom he has lost contact. This leads him to relive parts of his earlier life and re-evaluate his relationship with the Lake District and realise what is ...

A Taste of Funny – St Hilda’s, Hunts Cross

14Jun

By NewsdeskNo Comments

North West

A Taste of Funny – St Hilda’s, Hunts Cross

Woolton Drama Group’s inaugural ten-minute play festival in Liverpool, ‘A Taste of Funny; served up five fresh pieces of work, all being performed for the first time, tickling many a funny bone judging by the audience’s reaction throughout the night. An eclectic evening commenced with A Ghost on Penny Lane written by Zoe Marras & Adam Wareing and directed by Marras. Self-centred scouser Billy (John William Reynolds) is visited by a Beatles-obsessed ghost from the 1960s in need of his urgent help. Will Lucy (Ife Babatunde) be able to convince him to do the right thing, or will he just continue to wallow in misery? A humorous tale of relationships and reminiscing. The Morning After written by Kathryn West and directed by Alan Morris introduces us to Brian (Elliot Ross) and Eliza (H...

14Jun

By Dave SmithNo Comments

London

…Earnest? – Richmond Theatre

Celebrating 130 years of Oscar Wilde’s masterpiece The Importance of Being Earnest, Say It Again, Sorry? offer up their own chaotic twist - part homage, part catastrophe. Oscar Wilde meets The Play That Goes Wrong - a heady blend of farce, improv, and gentle audience manipulation. ...Earnest? begins as normal: a servant considers it rude to listen to the piano, then cucumber sandwiches - but then the doorbell rings and Earnest is loudly announced… Yet now, the door stays closed and no one arrives. A quick interruption from the director fills some time while the cast of the play-within-a-play try to figure out how the show will keep going. The answer is simple: an audience member will join them on stage to stand in for the missing actor. When funny, ...Earnest? is hilariously funny. ...

Quentin Crisp: Naked Hope – Shakespeare North Playhouse

14Jun

By Kevin EcclestonNo Comments

North West

Quentin Crisp: Naked Hope – Shakespeare North Playhouse

Actor and writer Mark Farrelly’s portrayal of Quentin Crisp is mesmerizing. Under Linda Marlowe’s careful direction, Farrelly delivers a 75-minute performance that is both insightful and engaging. His ability to embody Crisp’s unique mannerisms, voice, and flamboyant style transforms this solo act into an intimate and deep theatrical experience. Naked Hope depicts Crisp at two phases of his remarkable life, firstly alone in the 60’s in his Chelsea flat convinced that life had passed him by and thirty years later as a celebrity who has conquered New York. Crisp, born Dennis Pratt was known for his sharp wit, and Farrelly makes sure these one-liners hit with the right mix of humour and emotion. From the funny yet bittersweet line, “Sex is the last refuge of the miserable; if we do not suf...

14Jun

By Jessie MartinNo Comments

Scotland

Soundhouse: Sian – Traverse Theatre

With tales of criminals, swan hunters, and torrid affairs, folk-group Sian had the audience of the Traverse in awe. Presented by Soundhouse, we were blessed with yet another live folk performance at the Traverse Theatre. Sian is a three-piece group of folk singers, performing exclusively in Gaelic and accompanied by Innes White on electric and acoustic guitar. Composed of Ceitlin Lilidh, Eilidh Cormack, and Ellen MacDonald, this is a group that celebrates its Hebridean roots—featuring songs that tell the traditional stories which have stood the test of time, having been passed down through the ages in areas around Skye and Lewis. The vocal agility and control of Sian is astounding, as they sail through the lilting nature of the pieces with ease. They uphold the rich history of the songs...

14Jun

By Zain RussellNo Comments

London

King of Pangea – King’s Head Theatre

King of Pangea is a new musical produced by Jerry Mitchell that takes audiences on an emotional journey through the challenges of growing up, family bonds, illness, and grief. It tells a moving story about a boy named Sam Crow, who grows up in a loving household only to face the devastating impact of cancer—not once, but twice. The musical begins with Sam watching his mother battle and survive cancer. Later, as a university student, he is confronted with a similar situation—but this time, it ends in loss. The narrative powerfully explores how grief reshapes a person's world. Sam Crow is played by Alfie Blackwell, with Tayt Joshua Silvester-Stoller portraying his younger self. Both deliver compelling performances, capturing the deep emotional struggle of processing trauma at a young a...

13Jun

By David S ClarkeNo Comments

North West

Finding Nemo Jr. – The Forum Theatre

This show was performed by the NK Theatre Arts junior youth theatre members (all 85 of them!) and I cannot remember ever seeing such an enthusiastic bunch of children, many of whom were taking part in their first ever stage show. I must say at the outset that HUGE congratulations must go to Hannah Thomas who in addition to directing the show also took on the role of musical director and choreographer and she excelled in all of these disciplines. I have to say that, going back many years, this must be just about the best production I have seen that Hannah has taken charge of. She really does excel in bringing out the talents of the youngsters in her charge. The storyline of the production is based on the 2003 Pixar animated film of the same name. Living on the great barrier reef off ...