Thursday, May 28

REVIEWS

The Rapping Princess – Polka Theatre Wimbledon
London

The Rapping Princess – Polka Theatre Wimbledon

This beautifully crafted adaptation of the book The Rapping Princess by Hannah Lees and Allen Fatimaharans’ tells the story of “Shiloh, a princess with a big love for music. But she’s got one problem, she cannot sing”. Through her dismay and her parents’ disappointment Shiloh embarks on a journey of discovery to only find that she has another hidden talent that not even she expected. With a cast of two performers, they take you on a journey of song through the genres, beat box and rap. Anu Akinseye (once on this Island, Into the woods) plays Shiloh she is joined by Grace Venus (Stalled, Sleeping Beauty) as the Queendom Storyteller, who also voices the King, the Queen, Doctor Grump, DJ Princess Kenya, and various princes. This play incorporates purposeful interaction to encourage the...
Mean Girls – Hull New Theatre
Yorkshire & Humber

Mean Girls – Hull New Theatre

On what is being called “the hottest May Day ever”, it was a relief to enter the relative coolness of the Hull New Theatre, on Monday night. The Mean Girls were in town and I was curious to know if this stage version would live up to both the original 2004 movie, starring Lindsey Lohan, and the 2024 remake. Notes in the glossy programme inform us the Mean Girls transition from movie screen to stage was not a decision taken lightly; among the successful transitions mentioned are Dirty Dancing and The Bodyguard, that both “pulled in people who might not otherwise be willing to try the theatre”. Well, on Monday the venue was pretty full of theatregoers of all ages - no mean feat (pun intended) for a Bank Holiday night when folk usually have other activities on their agendas. The s...
Baby Mash-Up: What on Earth Are You Doing? – Traverse Theatre
Scotland

Baby Mash-Up: What on Earth Are You Doing? – Traverse Theatre

Sally Hobson’s Baby Mash-Up, What On Earth Are You Doing? Is a bold, strange and undeniably ambitious new work that often resists easy interpretation even as it reaches towards moments of startling emotional beauty. Presented by stillpoint at the Traverse Theatre and directed with restless invention by Nicholas Bone, the production unfolds across a collage-like structure of some twenty-five scenes, veering wildly between absurdist comedy, philosophical speculation, domestic intimacy and moments of piercing lyrical reflection. At first, the play feels almost deliberately destabilising. The audience is bounced from one surreal encounter to another, unsure whether to laugh, think, analyse or simply surrender to the flow of ideas washing over them. Yet gradually, beneath the theatri...
The Harder They Come – Stratford East
London

The Harder They Come – Stratford East

Here’s the truth. I reviewed The Harder They Come at Stratford East when it opened last autumn. It got an enthusiastic five stars. It deserved every one of them. Spoiler alert- it’s getting five stars again. The fact that I jumped at the chance to repeat the experience is another testament to this show’s joyful power. Jimmy Cliff died at the age of 81, last November, adding a certain poignancy to this welcome comeback. This musical is based on Perry Henzell’s seminal 1972 film The Harder They Come. While casting the movie, Henzell asked Jimmy Cliff, ‘Do you think you could write some music for the movie?’ ‘What do you mean, do I think?’ replied Cliff. ‘I can do anything.’ Cliff’s swaggering confidence not only won him the lead role of Ivan, but he also wrote much of the legendary sou...
Churchill’s Urinal – King’s Head Theatre
London

Churchill’s Urinal – King’s Head Theatre

Imagine a zombie Winston Churchill, slobbering and drunk, delivering one of his trademark rousing speeches to you through a hole in a half-destroyed urinal. You’d have a fairly good idea of what it is like to be an audience member in Rosie Holt’s Churchill’s Urinal. The show is 70 minutes of non-stop chaos as the protagonist, played by Holt and heavily inspired by first female Chancellor Rachel Reeves, simultaneously deals with an overbearing boss, incompetent assistant, and indifferent soon-to-be-ex-husband, all while a mob gathers outside her office, calling for her head. The cause? Her wish to remove a urinal from the Chancellor’s private bathroom which was once used by Sir Winston Churchill and is thus classed a national treasure. This sets the stage for a sharply scripted satire...
End of the Rainbow – Soho Theatre
London

End of the Rainbow – Soho Theatre

Jinkx Monsoon takes on the role of Judy Garland in End of the Rainbow, delivering a performance that is both captivating and emotionally devastating. Best known by many for their drag artistry and sharp wit, Monsoon proves themself to be an exceptional dramatic performer, embodying Garland with remarkable precision. From the mannerisms and vocal delivery to the emotional vulnerability beneath every scene, the portrayal feels deeply authentic and heartbreakingly human. The production itself is brilliantly written, refusing to romanticise Garland’s final years. Instead, it presents an unflinching look at a beloved icon struggling with addiction, exhaustion, and the crushing pressures of fame. At times, the show is genuinely difficult to watch, not because it lacks quality, but because it ...
We Will Rock You – Northwich Memorial Court
North West

We Will Rock You – Northwich Memorial Court

We Will Rock You performed by TMTC at the Northwich Memorial Hall was an electrifying triumph from start to finish. From the moment the auditorium doors opened on opening night, there was an undeniable buzz of excitement throughout the packed venue, with audiences eagerly awaiting a night of Queen’s legendary rock anthems brought spectacularly to life. What followed was a breathtaking production that delivered visually, vocally, and emotionally on every level. Written by Ben Elton and featuring the iconic music of Queen, We Will Rock You tells the story of a dystopian future where individuality and live music have been banned by the all-powerful Globalsoft corporation. Musical instruments are forbidden, originality is crushed, and society is controlled by conformity. At t...
Stand & Deliver: The Lee Jeans Sit-in – Traverse Theatre
Scotland

Stand & Deliver: The Lee Jeans Sit-in – Traverse Theatre

The Bryant & May Matchgirls strike in 1888 in Bow. Fords in Dagenham and the fishing industry champions, the Women Of Hessle Road, both in 1968. The Grunwick dispute in Dollis Hill in 1976. Fast forward to 1981, the Lee Jeans factory in Greenock, a fading town west of Glasgow once vibrant with ‘ships & sugar’. Maggie T is attempting to drag the UK out of the dismal 70’s, with, as they say, scant regard for the horses. Cue the factory’s American owners, having availed themselves of some generous government assistance in Greenock in the first place, are having their heads turned by similar enticements in N Ireland. 240 jobs, predominantly for local women, hang in the balance. The story was exhaustively researched by local journalist and broadcaster Paul English and written by...
Even These Things – Royal Exchange
North West

Even These Things – Royal Exchange

Anniversaries are the central plank of this season at the Royal Exchange in Manchester, with both the celebration of 50 years since the theatre was established and three decades since June 1996, when the explosion of the largest bomb in mainland Britain since WWII devastated the heart of the city centre. The latter is commemorated with Even These Things, a new piece of writing by Irish Mancunian Rory Mullarkey which seeks to place the bombing within the cultural identity of Manchester’s history and explain its part in the renaissance of the modern city. As with the city it celebrates, Even These Things is a complex creation: beautiful in individual parts, but one that does not always work together as a cohesive whole. The play comprises three acts — 110 minutes without an interval — spa...
Sunny Afternoon – Liverpool Empire
North West

Sunny Afternoon – Liverpool Empire

Sunny Afternoon captures the spirit of The Kinks with grit, energy, and undeniable heart, delivering a musical that feels both raw and deeply human. Rather than presenting a polished version of the band’s rise to fame, the production leans into the tensions, frustrations, and contradictions that shaped the music, giving the show an authenticity that resonates throughout, directed by Edward Hall. What makes the musical particularly effective is how closely the songs reflect real life. Tracks such as “Waterloo Sunset,” “Days,” and “You Really Got Me” emerge naturally from the emotional struggles of Ray Davies and Dave Davies, revealing the loneliness, ambition, and family conflict beneath the swagger of the 1960s rock scene. There is something wonderfully unvarnished about the production ...