Monday, July 20

REVIEWS

Tender – Bush Theatre
London

Tender – Bush Theatre

Haunted houses aren’t just the decaying, cobwebbed old mansions we’ve seen in popular culture for decades. In a similar vein (and even colour scheme) to A24’s hugely successful 2026 horror movie Backrooms, Eleanor Tindall’s Tender explores the fear that can lurk in the walls of even the most seemingly ordinary spaces. Part psychological thriller, part queer love story – with sprinkling of body horror for good measure – Tender tracks the lives of young women Ivy (Nadi Kemp-Sayfi) and Ash (Francesca Amewudah-Rivers) as they become intertwined after a chance encounter on a night out. Ivy’s existence looks perfect from the outside, admitting to herself that “everything is in place” – the nice flat, the stable boyfriend, the pleasant job running an overpriced cafe. But from the offset we kno...
Heathers – The Arts at Marble Arch
London

Heathers – The Arts at Marble Arch

Based on the cult film from 1989, Heathers the Musical has returned to London ahead of a wider UK tour. Dealing with teen mental health and the pressures of high school, the show is billed as the ‘darker, dirtier cousin’ of High School Musical. However, it's much more of a precursor to Mean Girls, with three popular girls, all called Heather, transforming Veronica (Gerardine Sacdalan) from likeable nerd into a member of their clique, until she realises the mistake she’s made. In Heathers, however, her revenge takes the form of murder staged to look like suicide, encouraged by her angst-ridden boyfriend, JD (Louis Hearsey). Awash with examples of toxic males and females, the musical attempts to inject some humour into its gritty subject by turning the characters into caricatures. Fathers...
Waitress – Winter Gardens Blackpool
North West

Waitress – Winter Gardens Blackpool

Tonight’s review comes from Blackpool Winter Gardens and viewing the tour of Waitress starring Les Dennis as Old Joe and Carrie Hope Fletcher as Jenna. Jenna is a waitress in Joe’s cafe that sells 27 pies, all of which are of Jenna’s creation influenced by her mother. She is the cog in so many people’s lives that people go to for advice and a slice of the daily special. However, behind closed doors Jenna is trapped in an abusive relationship with her husband Earl (Mark Willshire) who takes her money and mentally manipulates her. Jenna often day dreams of a better life and makes up pie names in the process. As the show develops she becomes sick and after a pregnancy test it becomes positive. She’s unsure what to do about the baby especially as home life isn’t the perfect place to bring u...
Princess Sparkles – Museum of Comedy
London

Princess Sparkles – Museum of Comedy

If Disney ever collided with a psychological breakdown, the result might look something like ‘Princess Sparkles’. Lily Maryon's debut solo show is gloriously unhinged, unapologetically absurd, and one of the most confidently bonkers princess character comedies I've seen in quite some time. The premise is deceptively simple, Princess Sparkles is a princess-for-hire expecting a room full of excited five-year-olds. Instead, the audience becomes those children, willingly swept into an increasingly chaotic birthday party as reality slowly unravels beneath the glitter. Her repeated insistence that she is "definitely not a Disney princess", something that is totally believable, only makes the comparison even funnier. Maryon demonstrates remarkable command of the room throughout the hour...
Shanay Holmes in Concert – Cadogan Hall
London

Shanay Holmes in Concert – Cadogan Hall

Shanay Holmes' first solo concert proved to be a considerable success, her powerful voice presenting a repertoire of well-known musical theatre classics and the songs that have formed part of her own theatrical story. From Oliver! which garnered her the Best Female Lead award in a Musical at the Black British Theatre Awards, to Rent, Annie, The Sound of Music, West Side Story, Miss Saigon and Sweeney Todd, Holmes' clear soprano created an entertaining evening.  She hasn't appeared in all these shows, but has chosen songs which she loves and been moved by, as well as those she's performed.  And mostly these are great choices which perfectly match her impressive range. Initially slightly nervous, she quickly settled into the roles and the emotional characters in the songs, interspe...
Spamalot – Portobello Town Hall, Edinburgh
Scotland

Spamalot – Portobello Town Hall, Edinburgh

There are some shows where you spend your time analysing every directorial choice, every dramatic beat and every performance. Then there are shows like Spamalot, where after about ten minutes you simply surrender to the sheer joy of it all. Happy Sad Productions' latest musical is exactly that kind of evening. Based on the classic Monty Python and the Holy Grail, the musical lovingly embraces absurdity, gleefully mocking both the original film and the conventions of musical theatre itself. It's a show that positively encourages performers to throw caution to the wind, and this company responds with infectious enthusiasm. One of the production's greatest strengths is its scale. A large ensemble fills the stage with energy throughout, ensuring that even the smallest roles have ...
Grease – The Forum Theatre
North West

Grease – The Forum Theatre

Well, seeing as this is one of the most iconic shows ever produced, I don’t think there is much point in my writing a synopsis of this except to say, “Welcome to Rydell”! This is actually by way of a swansong for many of the seniors at NK as a large number will be leaving to go onto further education, whether in the musical theatre forum or in alternative areas of study. I am proud to say that I have followed the journey that many of these young performers have been on for the past 12 years plus and have seen them grow from little 5-year-olds to super confident performers who have developed into outstanding young men and women who all have an amazing stage presence. A nice touch was the section of the programme devoted to the memories of the leavers, where they could each come up wi...
This Machine Kills Fascists – The Empty Space
North West

This Machine Kills Fascists – The Empty Space

The words “This Machine Kills Fascists” emblazoned across Woody Guthrie’s guitar have become one of the defining images of American protest culture. In David Dunn’s spirited musical—ending a short UK tour as part of the Greater Manchester Fringe—that slogan becomes both mission statement and challenge, asking whether songs still possess the power to confront intolerance, inequality and authoritarianism in an increasingly polarised world. A musical biography of Guthrie could easily descend into reverential myth-making. Dunn wisely resists that temptation. Instead, he presents a man of extraordinary talent, fierce conviction and deeply uncomfortable contradictions. Guthrie’s loathing of racism and exploitation is rooted in a childhood overshadowed by poverty and by a father whose prej...
Fun Home – Royal Exchange Theatre
North West

Fun Home – Royal Exchange Theatre

In the same month that Something Rotten! delights audiences with its joyous Shakespearean irreverence at the Opera House, Manchester welcomes another long-awaited Broadway success whose journey across the Atlantic was delayed by the pandemic. Almost a decade after its Tony Award-winning run, Jeanine Tesori and Lisa Kron’s adaptation of Alison Bechdel’s groundbreaking graphic memoir finally reaches the Royal Exchange, joining a growing wave of American musicals—including Dear Evan Hansen, Come From Away, Jagged Little Pill and next month’s London premiere of Kimberly Akimbo—that have reshaped the genre by favouring emotional realism over escapism. Its arrival continues the Royal Exchange’s renewed commitment to musical theatre. After years in which the genre appeared only occasionally in...
Disney’s Beauty and the Beast – Montgomery Theatre
Yorkshire & Humber

Disney’s Beauty and the Beast – Montgomery Theatre

In the sweltering heat the audience of Woodseats Musical Theatre Company’s production of Beauty and the Beast blazed into Sheffield town and the Montgomery Theatre, inviting us to be there guests and subsequently delighted all. With an impressive creation team - book by Linda Woolverton, Music by Alan Menken and Lyrics by Howard Ashman and the legendary Tim Rice. Woodseats did a fine job without the big budget set and scenery to create a beguiling ‘Tale as old as time’. As Director/Musical Director Rowan Alfred does a good job to steer the production’s legendary tale - this was no mean feat at times with nothing more than limited back projection and a rear dais with a central set of four steps. The actors were very much carrying the entire storytelling and did so with a very strong prin...