Kathleen Mansfield, Author at North West End UK

16Aug

By Kathleen MansfieldNo Comments

Scotland

Showtime! – C Venues, C Aurora

EM The Master Productions Showtime! is a tough one. Conceptually, it works, (an exploration of seeking fame at all costs) but there is so much effort that it feels desperate, which is an uncomfortable place to put your audience … which is, no doubt, deliberate. The tale is about extremes of emotion and extremes of effort and, so, it was unremitting and manic. A few moments of calm would have given the audience time to digest and would have counterbalanced the wrecking ball. It is a small venue and yet the performer wears a mic. This may be an artistic choice, as it couldn’t possibly be necessary. Was it to suggest the trappings of performance? One needs the kit to be good? We jump from piano, ego and alter ego and sound bites of angst. Costumes go on and off, hair comes dow...

16Aug

By Kathleen MansfieldNo Comments

Scotland

The Outrun – Church Hill Theatre

Amy Liptrot's 2015 memoir of a generation lost to trivia and over-consumption certainly struck a chord. A film of the book is released this year plus this co-production between Edinburgh International Festival and Royal Lyceum Theatre Edinburgh. The Outrun is beautifully staged. Milla Clarke works some artistic magic, along with a collection of talented creatives from Lewis den Hertog on video (superb), Lizzie Powell on lighting, Michael Henry and Kev Murray on music and sound. The piece is cleanly directed by Vicky Featherstone. Vicki Manderson’s chorus opening as waves is very atmospheric and intriguing. Set partially in Orkney, waves are relevant. Additionally, a wave can knock us off our feet and fighting a wave can prove fruitless. Metaphorically, the waves work for this pie...

16Aug

By Kathleen MansfieldNo Comments

Scotland

Sinatra: Raw – C Venues, C Aurora

Richard Shelton is marvelous in his portrayal of that ol’ crooner, Sinatra. Set in 1971, Sinatra: Raw recreates a 2 am show in Palm Springs. Here, Frank is opinionated, open, honest and enjoying Jack Daniels on ice. He is, of course, singing. Shelton is from Wolverhampton originally. He now lives in LA. Seven years ago, this particular Edinburgh Fringe show set him up for life, and he has since performed it in London, New York and Los Angeles to great acclaim. In fact, he is so well-liked that he was gifted one of Sinatra’s own dinner jackets which fits him to a tee. If you are a Sinatra fan, get yourself along to see this recreation of Ol’ Blue Eyes and hear about the Rat Pack, the love affairs, the unfairness of life with its ups and downs. Shelton has cracked Sinatra’s voice a...

Kai Humphries: Gallivanting – Just the Tonic Nucleus

15Aug

By Kathleen MansfieldNo Comments

Scotland

Kai Humphries: Gallivanting – Just the Tonic Nucleus

Isn’t it a joy, after a busy day at the Edinburgh Fringe, to be treated to effortless entertainment as a sparkling, inventive mind takes you gallivanting? That’s you, Kai Humphries. And thank you. Kai Humphries writes his own material and once got grilled by border security in a foreign land where writers (i.e. journalists) were not welcome. They didn’t understand the word “joke” and soon decided he wasn’t worth their time. He is definitely worth your time. He’s a funny writer and tells a good story. I loved his opening where he explored different cultural ways of greeting one another and his existential response to “What’s happening?” He had the audience in the palm of his hand right from the moment he introduced himself off-stage. A Geordie, Humphries exploits both his...

13Aug

By Kathleen MansfieldNo Comments

Scotland

Don Quixote – Assembly Rooms

Clowning around, Finnish-style (remember they like naked saunas), includes a tiny bit of acrobatic bum exposure and a splash of front bottom gymnastics. So, if bottoms are off the table for you, give this one a miss. However, I liked it. Not the bum cheeks (or the dangly bits) in particular. I liked the whole thing. There was certainly a lot of energy from the two performers, Timo Ruuskanen as Don Quixote and Tuukka Vasama as his side-kick Sancho Panza. Red Nose Company combines physical comedy, live music and witty gags. They create a warm welcome with their painted faces, red curtains and interactive banter. Their commitment to their audience and their story is clear to see. The duo has been on tour since 2008. They perform in four languages: English, Swedish, Spanish and Finni...

Oedipus Rex – National Museum of Scotland

13Aug

By Kathleen MansfieldNo Comments

Scotland

Oedipus Rex – National Museum of Scotland

Set in the National Museum of Scotland with the full Scottish Opera orchestra, this one-hour Stravinski/Cocteau spectacular soared to fill the great dome of the beautiful Museum Hall. Conductor, Stuart Stratford, must have gone home buzzing along with his musicians. The instrumentalists were fabulous, as were the vocals. This is the first time, to my knowledge, that an opera has been staged in the Museum. It is a great space and allowed the audience to choose whether to watch from above, along with the ornately costumed gods, or mingle with the chorus below and feel part of the production. It is theatre in the round and that brings benefits and difficulties. You feel closer to the action but then again, you might miss bits. I looked down from “the gods” but would want to go again to ...

13Aug

By Kathleen MansfieldNo Comments

Scotland

Coleridge -Taylor of Freetown – C Arts

Taylor Aluko, a former Liverpool architect, is originally from Nigeria. He is an intelligent, politically and socially conscious individual. He also has a good voice. His morning show at The Quaker House, Coleridge-Taylor of Freetown, is a bid to bring to the light the recent history of Sierra Leone’s oppressive regime. He depicts the former cowardly diplomat, George Coleridge-Taylor, whose uncle was the renowned early twentieth century composer who lived in Croydon, Samuel Coleridge-Taylor. In so doing, he uses some of the latter’s music, played live by Kristin Wong and he sings powerfully to the room. The pianist is part of the staging and therefore part of the visual landscape which tells the story. Because of the technical requirements of reading music, Wong’s intense concent...

9Aug

By Kathleen MansfieldNo Comments

Scotland

The Last Laugh – Assembly George Square

A standing ovation at a Fringe show speaks volumes. Paul Hendy's (writer and director) The Last Laugh deserves loud applause and whoops of appreciation. It is funny and touching. The set is perfect, the lighting spot on and the performers are wonderful. Bob Golding as Eric Morecambe has that lovely little bounce perfected; Damien Williams channels the late Tommy Cooper brilliantly and Simon Cartwright’s Bob Monkhouse looks and sounds just like the man himself, right down to the mahogany tan. The warm-up music is a sound bath of Bernard Cribbins, which my neighbour joyously sang along with. Songs about a man digging a hole or Ernie and his horse and cart … there are few silly comedy songs these days, if any. Aimed at a predominantly baby boomer audience with money to spare and...

9Aug

By Kathleen MansfieldNo Comments

Scotland

Breathe – Pleasance Dome

The creative ingenuity in this show is outstanding. The staging is slick; the voices beautifully melded and the music is perfectly crafted, demonstrating terrific inventive scope for blending human creativity with clever technology in an open and transparent way. I was enamored of the clicking fingers that translated into rainfall so that the fungi danced to the drum of nature. It was a transition evoking a touch of pixie dust! Louisa Ashton (co-founder of Sparkle and Dark Theatre Company) is an adept puppeteer and, together with Darcey O'Rourke and Peter Morton, they front this accessible, intelligent and astonishing work. Breathe is an intriguing journey with a sleepy acorn seed who has to survive the winter. It is full of imagination, multifunctional models and storytelling...

Margolyes & Dickens: The Best Bits – Pleasance at EICC

9Aug

By Kathleen MansfieldNo Comments

Scotland

Margolyes & Dickens: The Best Bits – Pleasance at EICC

Seventy minutes with an 83-year-old who’s got all her marbles and oodles of talent besides was one brilliant way to spend a rainy afternoon in Edinburgh. Playing to a full house of 1200 capacity, Miriam Margolyes’ fan-base is younger than her which, of course, didn’t matter a jot to this outspoken and wonderfully entertaining woman. She had the crowd in the palm of her hand right from the get-go. There were Margolyes followers in their twenties upwards, the younger members presumably fans of her outings in the Harry Potter series of films. My favourite Margolyes performance was the fabulous Italian nurse she played in Baz Lurhmann’s Romeo and Juliet. She was deliciously nuanced and funny in that role, bringing it to life as I’d never seen it before or since. We listened to Sachmo...