Kathleen Mansfield, Author at North West End UK

Spring Serenade Concert with students from the Royal Conservatoire of Scotland – Carlops Village Hall

3Mar

By Kathleen MansfieldNo Comments

Scotland

Spring Serenade Concert with students from the Royal Conservatoire of Scotland – Carlops Village Hall

Oodles of talent poured forth at a humble village hall in the Scottish Borders on Sunday afternoon. The Royal Conservatoire of Scotland’s young talent got themselves organised and created a programme of music which was a delight. Eighteen-year-olds, Maria McMaster (voice) and Lena Błotnicka (Cello) and nineteen-year-olds, Michael Gemmell on piano and Kristie MacKenzie on flute are all first-year students at the Conservatoire. Today’s performances showcased just how they earned their places at this prestigious establishment. They filled the packed hall with beautiful, touching and amusing pieces and they received well-deserved, rapturous applause and many shouts of delight at the end. Gemmell organised this event with his former teacher, accomplished pianist and examiner, Lauren G...

The Makropulos Affair – Festival Theatre

2Mar

By Kathleen MansfieldNo Comments

Scotland

The Makropulos Affair – Festival Theatre

As ever, Scottish Opera delivers sumptuous sets, great lighting, singers who can act, and a wonderful orchestra that never disappoints, but this English rendition of The Makropulos Affair, by Leoš Janàček jarred my senses with its modern-day, casual lexicon. Words, such as F*ck somehow don’t marry comfortably with the impassioned, heightened music and traditional, elegant, and beautiful costumes. It was, no doubt, a deliberate choice. Creating a grating cacophonous lexicon - the use of brutal Viking words rather than those of Latin derivatives gives the opera an earthy groundedness - and caused me a headache. I wanted to lose my sense of reality for an hour or two. I was denied the option. Single syllables and short sentences (translation by David Pountney) reflect the sheer en...

11Jan

By Kathleen MansfieldNo Comments

Scotland

The Nutcracker – Festival Theatre

Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker. It's a wonderful escape on a sub-zero evening. The orchestra is superb and Daniel Parkinson’s musicians deliver Tchaikovsky’s score with aplomb and tenderness in turn. The corp de ballet and the principals effortlessly float and gracefully swirl as if the demanding choreography were simple. The layered, cosy set is like a warm hug. It draws you in and cradles you in its dreamworld. Within this cocoon, enjoy the antics of dizzy old Aunts, the swish of crinoline and the magic of Christmas presents, friends and family before transitioning to Clara’s dreamworld. Photo: Andy Ross Lighting by George Thomson adds greatly. Set, lighting and costumes support and showca...

27Nov

By Kathleen MansfieldNo Comments

Scotland

Cinderella – Festival Theatre Edinburgh

Yes, Sir, you can boo me - oh no, you can’t and all that jazz … Cinderella at the Festival Theatre is a feast for the eyes and a laugh-a-minute musical extravaganza. Featuring wicked stepmother, Grant Stott, endearing Fairy May (Allan Stewart), Jordan Young as a brilliant Buttons, Clare Gray and Gail Watson as Vindicta and Manipulata Fortuna, Amber Sylvia Edwards as Cinderella, Will Callan and his beautiful voice as Prince Charming and Iain Stuart Robertson as Baron Hardup, this line-up is a sure-fire hit. What a team! They delivered a fantastic evening’s distraction for the people of Edinburgh and beyond. The audience participation was wonderfully entertaining in the safe hands of Allan Stewart and the surprise elements were magical. The writing was a collaborative affair. It wa...

12Nov

By Kathleen MansfieldNo Comments

Scotland

Don Pasquale – Festival Theatre

General Director, Alex Reedijk, has spent the last nineteen years building Scottish Opera into a force to be reckoned with. This latest production is a reprisal of a 2014 creation by Renaud Doucet and André Barbe of Donizetti’s Don Pasquale. It is a frivolous affair, thankfully without the tra-la-las of which Mozart was so fond. The concept is bright, clever and amusing, giving the production so much more than the score and libretto. For that reason, this particular creation has been touring successfully in Italy, Canada and the United States. Guy Simard’s lighting supports the comedic storyline and the characters. His choice of colours and detail are spot on. A prolific force, Simard has collaborated with Doucet and Barbe for the last twenty five years. I particularly enjo...

Only Fools and Horses the Musical – Edinburgh Playhouse

6Nov

By Kathleen MansfieldNo Comments

Scotland

Only Fools and Horses the Musical – Edinburgh Playhouse

Nothing compares with a theatre full of supportive fans who love what is going on up there on the stage. So, it was with Only Fools and Horses and the West End cast performing in Edinburgh. The jokes are wonderfully familiar, the characterisation excellent and the musical interludes perfectly pitched. This show is an out and out winner for Del Trotter fans and Rodney’s fellow aspiring art students. Co-written by Jim Sullivan (the original writer, John Sullivan’s son) and the prolific, Paul Whitehouse, this show hits the target again and again. It is played for fans of the long-running television sit-com which hit our screens in 1981 and, if my dad was still alive, he’d have loved it! The set works fluidly and looks ideal, thanks to Alice Power’s design. The ensemble dancing an...

Men Don’t Talk – The Eastgate Theatre, Peebles

28Oct

By Kathleen MansfieldNo Comments

Scotland

Men Don’t Talk – The Eastgate Theatre, Peebles

New theatre writing is always welcome and Clare Prenton’s Men Don’t Talk, produced by Genesis Theatre Productions, tackles an interesting and topical subject: male suicide statistics and how men cope with life when it gets tricky: where are their support systems? How do you cope without turning to pub culture and liver damage? Men Don’t Talk is a one-act play supported by Creative Scotland Touring Funds. It blends tenderness, small talk, heartfelt revelations and huge dollops of laughter. The three actors, Billy Mack (Jimmy), Greg Powrie (Tom) and Dougal Lee (Ken) create a welcoming atmosphere as they interact with the audience, extending to sharing a cuppa as they “chat”. A scattering of sawdust to sop up spilled milk and the set would be perfect. It was perfectly apt that the s...

24Aug

By Kathleen MansfieldNo Comments

Scotland

After the Silence – Festival Theatre

In Brazil, the award-winning novel, Torto Arado has sold more than 800,000 copies. Spotlighting historical and contemporary slavery, injustice and inequality, this is perfect fictional material for Christiane Jatahy to blend with her journalistic techniques. The novel’s characters relate incidents from Torto Arado with the documentary history of João Pedro Teixeira, a militant peasant who was murdered in 1964 and the perpetrators never punished. Jatahy emphasises the root of fiction is in fact. Her objective always is to raise awareness and to connect the past and the present in immersive projects that include the audience. After the Silence works on several levels. The cast, Caju Bezerra, Aduni Guedes, Julaina França and Gal Pereira interact with the huge film screen, showing real ...

Assembly Hall – Edinburgh Festival Theatre

23Aug

By Kathleen MansfieldNo Comments

Scotland

Assembly Hall – Edinburgh Festival Theatre

Assembly Hall by the Kidd Pivot company is curiously absorbing. Depicting an AGM of a historical reenactment group, this piece marries quick-fire dialogue, precision dance, a great sound design (Owen Belton, Alessandro Juliani and Meg Roe), mime and terrific ensemble work. This ailing reenactment troupe in love with paying homage to chivalric romance takes us on a journey inside the minds of its members, with their dreams, fantasies and illicit affairs. The cartoonish mannerisms that illustrate the dialogue are exaggerated and aptly fit the battling excesses of a living history group. The compulsion to create long-lost hand-to-hand battle with clanking armor and heavy swords is intoxicating, indeed - almost an addiction which is hard to give up. Reenactment groups avidly research and ma...

17Aug

By Kathleen MansfieldNo Comments

Scotland

Hamlet – Royal Lyceum Theatre

An international festival ought to end in carnival fashion, and this blended version of Hamlet did just that. It was an explosion of success, rejoicing, a knees-up and warm audience participation. Teatro La Plaza from Lima, Peru, has created a feast of a show using back projection (Lucho Soldevilla), music, thoughtful lighting (Jesūs Reyes), a simple set and a fabulous cast of Downs Syndrome adults. This adaptation of Hamlet is both funny in itself and wonderful as a piece of art for showcasing the unquestionable talents of a marginalised sector of society. Written and directed by Chela De Farrari, a founder of the company, the intention is to entertain as you ask questions which help us better understand the contemporary world and, in this instance, the world of the Downs person in...