Wednesday, June 3

Author: Kathleen Mansfield

The Wars of Patie Crichton – Duns Play Festival
Scotland

The Wars of Patie Crichton – Duns Play Festival

The HotTrod Theatre Company was commissioned by The Wilson’s Tales Project to deliver a new dramatic rendering from the bank of Scottish Borders tales which once appeared weekly in the Berwick Advertiser. They were so popular they were reprinted for a century and found favour as far away as Australia and America. These stories, some based on real events, were all the rage and a recent initiative is working to republish them all in modern-day language so as not to lose this cultural body of work. Nichol’s reworking resulted in The Wars of Patie Crichton. Writer and performer, John Nichol, fuses two tales to create a warm, homely story featuring two actors and a chair. It was greatly appreciated by the full house at the Duns Play Fest. A couple’s misunderstanding results in misery for the...
May Day Rapid Response to our Times – Central Hall
Scotland

May Day Rapid Response to our Times – Central Hall

May Day traditionally heralds the arrival of spring, new buds, hope and fertility. In more recent years it is the bank holiday associated with international worker day - a celebration of solidarity, the power of the people and the value of working for the common good. Hannah Lavery and Cora Bissett did a marvelous job in creating a themed variety show of great Scottish and international talent for this rapid response to our times. Important issues were unwrapped like a selection box of bite-size entertainment which touched the funny bone, elicited tears and were always thought-provoking.  Just for one night, this show drew a rapturous crowd. Live theatre is like nothing else - it is a moment in time; a flame flickering and then extinguished; a shared experience which brings hear...
Animated Documentary Shorts – Edinburgh Film House
Scotland

Animated Documentary Shorts – Edinburgh Film House

It is good to be back in the Filmhouse after the crowdfunded rescue and a beautiful refurbishment. Run by a new charity, Filmhouse (Edinburgh) Ltd, the staff are welcoming, the decor contemporary and warm on this cold winter night. The bus stops right outside and, inside, the bar serves hot food and drink. Seeing the nineteenth Manipulate Festival, which specialises in animation, puppetry and visual theatre from the plush new seating is a treat. On this night, there were eight animated short films. Other nights included short horror films and a daytime dance workshop for over 14s at Dance Base led by two outstanding Italian improvisational breakdancers. The festival runs from 4th - 10th February. Within the eight short animated documentaries, you are gripped by the psychological trau...
A Night at the Musicals – Peebles Orchestra
Scotland

A Night at the Musicals – Peebles Orchestra

Peebles Orchestra was founded by Claire Garnett, MBE, in 1976. Claire was its guiding spirit for forty-two years before she handed over this tremendous pool of talent to the chair, Chris Dubé. Claire has been fundamental in establishing a solid musical base in Peebles. She founded Peebles Players for people with disabilities and music for dementia in care homes. Her legacy does her proud. A Night at the Musicals was Peebles Orchestra’s latest offering on Saturday evening. Chris Dubé, his hard-working vice-chair, Annelies van den Bogaard and the entire orchestra relished the opportunity to partner with local youth and adult groups: Stardust, InChorus, Nomad Beat, and two gifted young soloists, Gregor Scott, fifteen, and Erika Rae Franssen, seventeen. Conducted by Ross Gunning, this ensem...
The Seagull – Royal Lyceum
Scotland

The Seagull – Royal Lyceum

The Seagull is the complete package thanks to James Brining's direction. The casting is perfect; the set sumptuous; the costumes tip-top and the adapted script a true delight. Mike Poulton, the witty script adaptor, praises The Lyceum as “a theatre and a company Chekhov would have loved.” The cast of eleven certainly warm your heart, being consistently strong across the board. There is humour, tenderness, spite and selfishness aplenty. The Seagull offers a study in human folly, with each of us striving for originality and acknowledgement in a world where our relationships and the perspective of “the other” tarnishes and corrupts our pure intentions. The human experience is presented with simplicity. The tragedy of despised love and our willingness to accept crumbs, or nothing at a...
Kismet – Festival Theatre
Scotland

Kismet – Festival Theatre

Kismet means destiny or fate and this premiere of two works, the brand new Gallery of Consequence (Dutch choreographer and director, Emma Evelein) and B.R.I.S.A. (Johan Inger - first performed in 2014 by NDT2) present a thought-provoking and intriguing set. The cacophonous movements portrayed personal insecurities and discomfort alongside our outer masks, our human ingenuity and our propensity to gather tribally. Each set offers a robust, confident and energetic take on modern life within our engineered world. Are we fated to exist overshadowed by computer screens and to find the carpets upon which we walk consume us? It's clever. The creative team for Gallery of Consequence knocks it out of the park. AMIANGELICA’s visuals are key aspects of the narrative as is the lighting (Ryan Jos...
Peebles Orchestra Concert – Peebles Burgh Hall
Scotland

Peebles Orchestra Concert – Peebles Burgh Hall

Weber Overture, Preciosa, J. 279 Mozart Minuet in C, K.409 Haydn Piano Concerto No. 11 in D, Hob. XVIII:11 (with guest pianist, Pawel Szulc) Mendelssohn Symphony No. 5 in D, Reformation, Op. 107 This evening, Peebles Orchestra, conducted by the inimitable Robert Dick (“one of the most sensitive and least clichéd conductors I have ever worked with.” - Nicola Benedetti) produced its trademark hum, buzz and bravado to a full house of appreciative music lovers. Robert Dick is an accomplished musician with a plethora of credits to his name and a host of international engagements. He freelances with the Scottish Chamber Orchestra, the Scottish Concert Orchestra and the National Symphony Orchestra of Scotland. It is a credit to Peebles Orchestra that he regularly conducts this talente...
Living With the Dead – Augustine United Church, Edinburgh
Scotland

Living With the Dead – Augustine United Church, Edinburgh

Writer, Cossette Bolt, creates a homage to humanity with this script. The sensitive subject (set in a funeral home where the dead are finally prepared for their send-off) is a tribute to the lives each body recently encompassed. Bolt says: This story exists because tragedy exists. [A] staggering number of lives [are] lost as a result of natural disasters, human disasters, and the pandemic. I recognized the normalcy with which people tossed around numbers of dead in the hundreds and thousands but seemed scandalized by smaller-scale tragedies. A young American, who has completed her post-graduate MFA Acting for Stage and Screen at Napier University, Bolt relishes the Edinburgh vibe and creative flow. Paired with the youthful, Not so Nice! theatre company (headed up by Matthew Attwood) Bol...
Pride and Prejudice* (*sort of) – Festival Theatre
Scotland

Pride and Prejudice* (*sort of) – Festival Theatre

Accomplished Scottish writer, actor and director, Isobel McArthur, has taken the old adage, while the cats away the mice will play and crafted an absolute winner in Pride and Prejudice* (*sort of). It is hilarious and superbly performed by an ensemble of talented actors. Costume changes happen as if Houdini were channeled (or maybe Derren Brown with his clever psychology and hypnotism). Characters leave the stage and re-enter at the speed of light, transformed into a newly minted persona! It is brilliant! It is funny! It is hugely entertaining and modern. Of course, the occasional black-out and the odd bit of glitter ball dancing all elevate the fun, thanks to the lighting designer, Colin Grenfell. The cast can sing, dance and act their socks off and when this is combined with an...
Down The Hatch – Pleasance Theatre
Scotland

Down The Hatch – Pleasance Theatre

What began as slightly self-conscious soon developed into a showcase of joy for this young collection of enthusiasts. The premise was simple: a tavern with a collection of characters who told their stories through song and dance. It reminded me of Jim Cartwright’s TWO but the stories were somewhat thinner, each tale being bound by the lyrics of a particular song. My favourite was the traditional Irish ballad, Aililiú Na Gamhna, sung by second-year, Lily Hodge. It was pitch-perfect and filled with tender anguish. The blocking enhanced the sentiment of the piece. Ewan Robertson has a fine, sweet voice living within the body of a construction worker - tall, wide and muscular. He concluded the first half with a stunning lift of Elham Khosravipour who seemed anomalous in her belly-dancing...