Tuesday, October 20

Tag: Traverse Theatre

A Play, A Pie & A Pint: Contact by Jonny Donahoe – Traverse Theatre
Scotland

A Play, A Pie & A Pint: Contact by Jonny Donahoe – Traverse Theatre

Contact is an hour-long exploration of unresolved pain, blame and a yearning for love amid the messy realities of today’s nuclear family. It is caustically funny, filled with bathos and yet heart-felt as we peel away the characters’ anguish. A dysfunctional parent-child relationship is adeptly presented by Blythe Duff (Mother) and Mark Barrett (her adult son). Duff’s depth of expression, conveyed with minimalist physicality and restrained vocal range is hugely engaging. She is cold, verbally acerbic and cruel, yet her tears of frustration and pain are heart-rending. Some might call her descent into grief contrived. Yet, it was moving. Barrett plays the adult child (who feels the urge to build bridges, but ultimately, is as cruel as his mother in a more nuanced way) with an uneasiness th...
A Play, a Pie and a Pint: Whaur’s Yer Wullie Shakespeare Noo? – Traverse Theatre
Scotland

A Play, a Pie and a Pint: Whaur’s Yer Wullie Shakespeare Noo? – Traverse Theatre

Whaur’s Yer Wullie Shakespeare Noo is a comedic reenactment debating not just the Scots Enlightenment in the mid-1700s, but also the value of pure entertainment and man’s inclination to cling to traditional modes of thought. Writer and Director, Brian Logan is currently the Artistic Director of A Play, a Pie and a Pint. He has returned to his homeland from a sojourn in London where he championed The Camden People’s Theatre for thirteen years. Clergymen and thinkers, David Hume and Alexander Carlyle join John Witherspoon (a Scottish Presbyterian Minister and Founding Father of the United States) and Hume’s cousin, John Home, in a fictional recreation of the real men behind several ideas which carry through to today’s society. Actors, Gavin Jon Wright (so good looking), Kevin Lennon (c...
The Void – Traverse Theatre
Scotland

The Void – Traverse Theatre

There are moments in The Void when I genuinely believe I have boarded the Nostromo, and for someone whose youthful infatuation with Sigourney Weaver remains largely undiminished, that is no small achievement. The extraordinary set presents us with an exploded view of the nose cone of a spacecraft, its outer sections peeled back like the petals of some enormous mechanical flower, exposing the industrial structure within. At its centre, a vast circular surface doubles as a rear-projection screen, providing the focus for much of the production's remarkable imagery. But what makes this design particularly impressive is how successfully the whole of Traverse One becomes part of the spaceship. The exposed air-conditioning plant, overhead gantries and cage-like structures of the t...
Tandem at Ten: A Festival of Words – Traverse Theatre
Scotland

Tandem at Ten: A Festival of Words – Traverse Theatre

Tandem is a writing collective established and run by playwrights Jennifer Adam, Amy Hawes and Mhairi Quinn. This new writing showcase celebrates their tenth anniversary, featuring a varied, thoughtfully curated selection of pieces including plays, poetry, prose and music. As we enter Trav 1, musician Gillian plays her own hauntingly melodic compositions on the piano, creating an atmosphere of expectation. Cunnison plays transition music between each piece as well. The showcase opens with a short play called The Will of the People, written by Charlotte Smith. A politician (Nicola Roy), and her bodyguard (Jenny Hulse) are waiting for hospital staff to identify a mystery substance thrown at them by a protester. As the scene unfolds, the limits of democracy are exposed. It’s a thoug...
Balisong – Traverse Theatre
Scotland

Balisong – Traverse Theatre

Short but perfectly formed, Balisong occasionally comes perilously close to feeling like a public-information film about the dangers of knives. But perhaps that is hardly surprising. Jennifer Adam's play was originally commissioned by No Knives Better Lives, produced with Fast Forward and developed in consultation with young people. It was subsequently recommissioned twice and, between 2017 and 2019, toured schools in every local authority in Scotland. And yet, sitting in the Traverse, I can't help being affected by it. Isn't that, after all, one of the points of theatre? To write something with purpose, with an allegory; something that seeks not merely to entertain but perhaps to make a difference? Its timing is particularly poignant. A few miles away in Leith stands t...
Little Animals – Traverse @ Lyceum Studio
Scotland

Little Animals – Traverse @ Lyceum Studio

Paul Ready is a familiar face to television audiences, notably as the wonderfully beleaguered Kevin in Motherland and the considerably more sinister Lee in Utopia, alongside an extensive stage career including work at the National Theatre and Shakespeare’s Globe. Perhaps those credentials are part of the draw behind the sell-out interest in Little Animals. The question is what happens when Ready strips almost everything away and stands alone in a room with a story to tell. Conceived, written and performed by Ready, and directed by Caroline Steinbeis, Little Animals is ostensibly about his best friend Richard. Ready tells us almost immediately that Richard is dead. He is no longer here. Dead. From that stark beginning, he starts piecing together the life of ...
The Singer – Traverse Theatre
Scotland

The Singer – Traverse Theatre

There is a lovely irony running through The Singer. This is a show fascinated by the importance of finding the flow in music, yet it is a production which repeatedly struggles to find its own. Perhaps that is entirely intentional. Life is messy. Creativity is messy. Relationships are certainly messy, and the relationship between Joe, a profoundly Deaf songwriter, and Andy, a musician whose own career has fallen apart, was never going to travel in a conveniently straight line. So perhaps the stops, starts and sudden changes of direction are part of Cora Bissett's design. But that raises another question. Is the mess what an audience actually wants, or do we still crave the simplicity of a story which knows where it is taking us? There is an enormous amount to admire here. J...
After Party – Traverse Theatre
Scotland

After Party – Traverse Theatre

Imagine inviting the family round for your 80th birthday, pouring the drinks, cutting the cake and then announcing that you intend to be dead tomorrow. That is the grenade Vivienne Blackwood throws into the celebrations in Morna Young’s After Party. A celebrated former actress, Vivienne has terminal cancer and has decided that she will determine the manner and timing of her own death. She wants her fractured family around her when she does it. You could hardly ask for a more combustible theatrical premise. What is surprising is how rarely After Party allows it to explode. This Traverse Theatre production, in association with Paines Plough and the Belgrade Theatre and directed by Katie Posner, initially treats the gathering remarkably broadly. The first half freq...
Mrs Stern Wanders the Prussian State Library – Traverse Theatre
Scotland

Mrs Stern Wanders the Prussian State Library – Traverse Theatre

The cell door opens, and a terrified woman is bundled into a dingy, dimly lit basement. A uniformed police officer aggressively tells her to give him her handbag and empties its contents on a table. He orders her to take off her coat and raise her arms, then frisks her. The interrogation starts. This is the dramatic start to ‘Mrs Stern Wanders the Prussian State Library’, Jenny Lyn Bader’s fascinating play which recently had its premiere Off-Broadway in New York and is now being seen for the first time in Europe in the Traverse’s studio theatre. The play is inspired by the real-life experience of Hannah Arendt, the political theorist and philosopher, who was briefly imprisoned by the Nazis. It is 1933. The previous year the Nazis had become the largest party in the Reichstag, and ...
Bog Witch – Traverse Theatre
Scotland

Bog Witch – Traverse Theatre

A few branches and linen-looking sheets, fresh air and husbandry, home produce and homemade felt. How simple! Here’s permaculture, with a touch of children’s story narration, a one-eyed cat and some fine song and dance, all amid the beautiful changing seasons. How sweet! NOT when it is Bryony Kimmings’ take on the reality of uprooting for love, being a mackerel out of water, having a huge personal hole to fill, and a bog calling you to surrender to the witch. Bryony Kimmings’ exploration of life and climate changes makes the sweet saucy and the simple complex. Bog Witch - showing Kimmings’ own reluctant move to the country - is fantastically full of cynical city-slick humour, hilarious and highly adept physicality and wit, and strange rural practices. The unexpected is peppered w...