Traverse Theatre Archives - North West End UK

3Oct

By Tom ScottNo Comments

Scotland

Ruckus – Traverse Theatre

Jenna Fincken’s revival of her one woman show, which premiered during the Edinburgh Festival Fringe in 2022, is timely. Violence against women was recently declared a ‘national emergency’. Two million women a year are estimated to be victims of violence by men. Nearly 1.4 million women are victims of domestic violence. Fincken has written and performs this intriguing, thought-provoking drama. We in the audience are her confidants, and she promises to tell us ‘everything’. She starts with 824 days ‘to go’ and this is emphasised by the projection of a countdown clock. Lou is a primary school teacher in her late 20s. She meets Ryan at an engagement party for her friend, Jess. Ryan is a manager at a homeless charity. He seems a really great guy, charming and considerate. When Lou gets dr...

20Aug

By Greg HolsteadNo Comments

Scotland

A History of Paper – Traverse Theatre

World Premier Set in a different time, on the eve of the millennium, before the dawn of the paperless office, Oliver Emanuel’s, A History of Paper, started life as a radio drama. Then in 2016, song writer and composer Gareth Williams contacted the playwright to suggest that it might make a ‘good musical’. Tragically, Emanuel passed away from brain cancer in December 2023, aged just 43, so sadly never got to see the finished product. Which is a real shame, because it is a sweet thing. Emma Mullen, and Christopher Jordan-Marshall play journalist and would-be writer as an unnamed couple who sing their relationship into existence. Whilst he is a hoarder of paper memories, she couldn’t care less. He has a boxful of tickets and lists and menus and plane tickets, and a half finish...

18Aug

By Greg HolsteadNo Comments

Scotland

A Knock On The Roof – Traverse Theatre

World Premier A Knock On The Roof, a brand new, and very current, one-person play written by and starring Khawla Ibraheem, which takes us to Gaza as young mother, Mariam, prepares for war along with her mother and 6-year-old son, Noor. The title refers to the, so-called, humanitarian practice of dropping small warning bombs on residential buildings in Gaza, giving civilian tenants five to fifteen minutes to evacuate before a much bigger rocket hits. Whether this happens in reality is anyone’s guess. The family live at the top of a seven-storey tower block, which is good and bad. Good because they will hear the knock on the roof first, but bad because they will have a long way to run to escape the carnage that is coming. Mariam decides to train for the possibility of this Knock...

My English Persian Kitchen – Traverse Theatre

15Aug

By Greg HolsteadNo Comments

Scotland

My English Persian Kitchen – Traverse Theatre

World Premier A unique play involving the live creation (and ultimate consumption) of a popular Iranian soup dish, ash-e-reshteh, which is, we are told, dished out on the streets of Iran every day, as common as Ice cream. Cultural differences are at the centre of this story by award-winning writer Hannah Khalil. Adapted from the real life story of Atoosa Sepehr as she flees from Iran to escape an abusive husband, and her subsequent journey to settle in England. Isabella Nefar (Salome, National Theatre) welcomes us into Traverse 2 as though to a dinner party, smells of chopped onions, herbs and spices waft through the space. There is a buzz of conversation. Food, a bridge of the senses, cultures, the very essence of our being, and within the ceremony of sharing food, the hand of f...

14Aug

By Greg HolsteadNo Comments

Scotland

In Two Minds – Traverse Theatre

Joanne Ryan’s delicately observed portrayal of a mother-daughter relationship complicated by mental illness is beautifully brought to life by Pom Boyd (The Dry), as Mother and Karen McCartney (A Very Old Man with Enormous Wings) as Daughter. In Two Minds finds insight in the darkness, humour in the pain, and tenderness in difficult family dynamics. But don’t expect dramatic revelations or grand gestures, its simply not that kind of play. Sarah Jane Scaife’s unhurried production for Dublin’s Fishamble is light and practical and dwells on the ordinary rather than the extraordinary, a semi-autobiographical scenario, of Ryan’s relationship with her own mother. Set during the extension of her house, Mother has to share a small studio flat with her grown up Daughter for howev...

14Aug

By Greg HolsteadNo Comments

Scotland

BATSHIT – Traverse Theatre

BATSHIT is an unexpectedly funny, but also deeply intimate story of female madness. Created and performed by Leah Shelton (AU) and directed by Olivier award-winning performance artist Ursula Martinez (UK), this is a portrait cum-memoir of Leah’s grandmother Gwen, who was incarcerated for seeking personal independence from her husband in 1960s Australia. It looks like Gwen just didn’t like her husband very much anymore, but in this era that constituted a mental illness which required serious medical interventions. Using Gwen’s actual medical records from the period, real voice over clips, video clips and television interviews, this highly technical show transports the audience back in time to consider what now seems clear, from this evidence, the sexual inequality, of a deepl...

Natalie Palamides: WEER – Traverse Theatre

14Aug

By Greg HolsteadNo Comments

Scotland

Natalie Palamides: WEER – Traverse Theatre

Clown princess Natalie Palamides has become a force to be reckoned with, scoring huge acclaim with her first Edinburgh outing, Laid, in 2017, which won her Best Newcomer award, and Nate (Netflix special 2020). Last year she directed Bill O’Neill’s superb The Amazing Banana Brothers, a Fringe highlight. Any new work by this performer is now very much on the radar. So, it was an absolute delight to see that the 34-year-old LA-based performer was returning this year with a solo show to world premiere at the Traverse. The show does not disappoint. It’s a hilarious hot-mess of clown mayhem in the style of a ’90s-style romcom, which stars Palamides as a pair of star cross'd lovers, having a quarrel at a party cabin in the woods, before midnight as the millennium fast approaches. Y2K ma...

13Aug

By Greg HolsteadNo Comments

Scotland

Cyrano – Traverse Theatre

European Premier Virginia Gay writes and stars in this acclaimed Aussie deconstruction of the classic romance. Portrayed as a gen-Z, gender-flipped take on Edmond Rostand’s classic story of a shy poet who lends his words to a handsome young man to woo Roxanne, the object of both their desires. The first act of this play promises much, as the chorus, a hilarious double act of Tessa Wong and David Tarkenter, play their unnamed roles like an attentive PA and an aging thespian on his way to a King Lear rehearsal, to a tee. The talented and versatile Tanvi Virmani also wanders onto the stage at one point like a deer in the headlights. The trio are highly amusing as they never leave the stage and query what they are doing in this play, bickering continuously or offering unhelpful advi...

13Aug

By Greg HolsteadNo Comments

Scotland

The Sound Inside – Traverse Theatre

Bookish brilliance! The new Dead Poets Society. Nominated for six Tony Awards, this UK premiere of Adam Rapp’s spellbinding play stars Merchant Ivory’s Madeleine Potter and The Kite Runner’s (Broadway) Eric Sirakian. From director of Psychodrama Matt Wilkinson. Beverley Baird is the unmarried and childless, cat lady, Yale creative writing professor, who tells her students to write with economy and let the reader’s imagination do the heavy lifting. Writing that your character has the ‘eyes of a star-faced mole’, or ‘a mean mouth, like a half-healed axe scar’, will tell your reader more than a page and a half full of flowery description. In reality, she is resigned to the fact that creative writing is all but dead and that her students are more interested in social media than Dostoe...

12Aug

By Greg HolsteadNo Comments

Scotland

So Young – Traverse Theatre

World Premier From the celebrated writer of Decky Does a Bronco and I Can Go Anywhere, Douglas Maxwell’s So Young is an often hilarious, but equally pathos-tinged coming-of-middle-age tale. 40-somethings Davie, Liane, Milo and Helen were once inseparable, three of them studied at teacher training together, but that all changed when Helen died from COVID. Set up as a classic sitcom, like a latter-day kilted Abigail’s Party, nicely constructed traditional sets transport us, with the swish of a curtain, from the bedroom of long-time married couple Liane (Luciano McEvoy) and Dave (Andy Clark) to the faux-chic lounge of recently bereaved pal Milo (Nicholas Karimi) and his new, much younger, girlfriend Greta (Yang Harris). The cliché of the older man’s ch...