Traverse Theatre Archives - Page 2 of 20

10Aug

By Greg HolsteadNo Comments

Scotland

Cathy – Traverse Theatre

Tommy never appears, we don't see him alive, in flashback or even in a photograph. Yet by the end of Eilidh Loan's beautifully observed new play, I felt I knew him. That is quite some trick. Tommy is dead before the story begins, leaving Cathy to negotiate that peculiar new country called widowhood. Elaine C. Smith, making a heroic return to the Traverse stage after 26 years, gives us a woman whose stoicism is matched only by her capacity to find humour in the darkness. And Cathy is surprisingly, wonderfully funny. Not polite theatrical chuckling, but genuine laugh out loud funny. Loan understands something fundamental about grief and perhaps about Scottish families: sometimes you laugh because the alternative is crying. During this performance, plenty of people did both. T...

8Aug

By Greg HolsteadNo Comments

Scotland

For Dolores – Traverse Theatre

Two larger-than-life women. One very small lift. Sparks are inevitably going to fly. Eva O’Connor’s For Dolores throws Réaltín, a little Irish star with an inexhaustible capacity for storytelling, together with Mo, a gloriously forthright Glaswegian, in a broken-down lift. What follows is surely one of the great encounters of this year’s Fringe. Lara McDonnell as Réaltín and Catriona Faint as Mo make a classic double act, and an unusually refreshing all-female one. Réaltín embellishes and romanticises, Mo punctures and corrects. When Réaltín recalls romantically “coming off the boat” from Ireland, Mo reminds her that she actually got off a £19.99 Ryanair flight. That rhythm drives the play. A joke becomes an insult, an insult becomes affection, and affection occasionally revea...

8Aug

By Greg HolsteadNo Comments

Scotland

Water Colour – Traverse Theatre

There is something very frustrating about a play centred on a painter that never quite convinces you that its protagonist actually paints. Written by Milly Sweeney and directed by Sally Reid, Water Colour arrives in Edinburgh with considerable acclaim and an impressive collection of awards behind it, which makes my reaction to it all the more surprising. I found the writing naive, the storytelling resolutely linear and the theatrical world surrounding its central character’s art strangely unconvincing. The structure is very much: this happened, then this happened, then this happened. Events accumulate but rarely seem to deepen. Molly Geddes as Esme, the young artist at the centre of the story, and Ryan J Mackay as Harris give perfectly reasonable performances, but the writing rarely ...

8Aug

By Greg HolsteadNo Comments

Scotland

Supposing – Traverse Theatre

Supposing you fell down a hole. Supposing, shortly afterwards, you began hearing voices, seventeen of them in fact, a kind of Greek chorus taking up residence inside your head. And supposing you became convinced that falling down that hole had somehow allowed you to see into the future. Written and directed by Zinnie Harris, Supposing takes this curious premise and turns it into a clever, funny and increasingly unsettling examination of reality, marriage and what happens when nobody believes what you believe to be true. At its centre is Nicole Cooper as Sally, married for fifteen years to Richard, played by Richard Conlon. Cooper establishes an immediate connection with the audience, helped enormously by one of Harris's simplest and most effective theatrical devices. On Alisa ...

Ordinary Elephant – Edinburgh Traverse Bar

28Jul

By Roger JacobsNo Comments

Scotland

Ordinary Elephant – Edinburgh Traverse Bar

There are Banjo jokes too numerous – and withering – but after an evening with Ordinary Elephant, in the apt setting of the Traverse bar, erstwhile gag-writers might be forced to revise their material. In the hands of Pete Damore are revealed hitherto unknown sensitivities and tasteful textures, a perfect complement to the soaring vocals and gentle guitar strumming of Crystal Hariu-Damore. It’s atmospheric and dreamy yet with an edge courtesy of insightful, well-observed lyrics, reminding one instantly of The Delines. ‘…born to be a bigot… don’t mean that I am one…’ from ‘Scars We Keep’ appears to hit home with every member of the audience. And the thing one quickly forgets is that it’s just them, husband and wife, with lushly matched vocals and a stringed instrument each. There’s nothing ...

Catriona Macdonald & Annbjorg Lien – Traverse Theatre

2Jul

By Greg HolsteadNo Comments

Scotland

Catriona Macdonald & Annbjorg Lien – Traverse Theatre

It was, as one might expect, a famously fiddly evening at the Traverse Theatre, as Shetland’s Catriona Macdonald and Norway’s Annbjørg Lien brought together a programme rich in Scandinavian and Shetland tunes, shared history and extraordinary musicianship. Presented as the final concert in this season’s Soundhouse series, the evening was built around the musical relationship between two players who first met when they were barely teenagers. That history mattered. This was not simply a meeting of two virtuosos, impressive though both undoubtedly are, but a conversation between traditions, between islands and sea routes, and between generations of musicians passing music from one hand to the next. Macdonald was open, warm and generous throughout, speaking movingly about returning h...

26Jun

By Greg HolsteadNo Comments

Scotland

The Table – Traverse Theatre

Community theatre often faces a challenge that professional theatre rarely has to confront. The desire to include everyone can sometimes come at the expense of dramatic momentum. Large casts, varied abilities and an understandable determination to give every participant their moment in the spotlight can result in productions with enormous heart but limited theatrical drive.The Table, a collaboration between Curious Seed, Lung Ha Theatre Company and Lyra, tackles that challenge head on and comes remarkably close to overcoming it.Directed by Christine Devaney, Maria Oller and Jo Timmins, this ambitious and highly inclusive production brings together professional performers, young people, disabled and non-disabled artists in a work that sits somewhere between dance theatre, live music event a...

11Jun

By Greg HolsteadNo Comments

Scotland

Portable Infinity – Traverse Theatre

A packed Traverse 1 on a Monday night is no small achievement for a contemporary jazz ensemble. Yet Portable Infinity's appearance at the Traverse felt entirely at home in the theatre's largest space. Eighteen months ago the group played the Traverse bar. Now they return at the conclusion of a major European tour to a full house, a testament both to the growing reputation of the band and the enthusiasm of Edinburgh's jazz audience.The evening stretched to around one hour and forty minutes without an interval, a format that might have tested a lesser audience. Instead, the capacity crowd remained rapt throughout, drawn into a performance that was as intellectually engaging as it was emotionally rewarding.What immediately struck this reviewer was the honesty of the music. There were no backi...

Baby Mash-Up: What on Earth Are You Doing? – Traverse Theatre

26May

By Greg HolsteadNo Comments

Scotland

Baby Mash-Up: What on Earth Are You Doing? – Traverse Theatre

Sally Hobson’s Baby Mash-Up, What On Earth Are You Doing? Is a bold, strange and undeniably ambitious new work that often resists easy interpretation even as it reaches towards moments of startling emotional beauty. Presented by stillpoint at the Traverse Theatre and directed with restless invention by Nicholas Bone, the production unfolds across a collage-like structure of some twenty-five scenes, veering wildly between absurdist comedy, philosophical speculation, domestic intimacy and moments of piercing lyrical reflection. At first, the play feels almost deliberately destabilising. The audience is bounced from one surreal encounter to another, unsure whether to laugh, think, analyse or simply surrender to the flow of ideas washing over them. Yet gradually, beneath the theatri...

Stand & Deliver: The Lee Jeans Sit-in – Traverse Theatre

21May

By Roger JacobsNo Comments

Scotland

Stand & Deliver: The Lee Jeans Sit-in – Traverse Theatre

The Bryant & May Matchgirls strike in 1888 in Bow. Fords in Dagenham and the fishing industry champions, the Women Of Hessle Road, both in 1968. The Grunwick dispute in Dollis Hill in 1976. Fast forward to 1981, the Lee Jeans factory in Greenock, a fading town west of Glasgow once vibrant with ‘ships & sugar’. Maggie T is attempting to drag the UK out of the dismal 70’s, with, as they say, scant regard for the horses. Cue the factory’s American owners, having availed themselves of some generous government assistance in Greenock in the first place, are having their heads turned by similar enticements in N Ireland. 240 jobs, predominantly for local women, hang in the balance. The story was exhaustively researched by local journalist and broadcaster Paul English and written by...