Thursday, November 21

Tag: Liverpool’s Royal Court

Twelfth Night – Liverpool’s Royal Court
North West

Twelfth Night – Liverpool’s Royal Court

“Twelfth night” is a comedy written by William Shakespeare and it’s believed to be dated back to 1601. Today, in the grand old year of 2022, ‘Old Fruit Jar Productions’ bring you their own interpretation of his historic piece of theatre, in the quaint studio of Liverpool’s Royal Court. The cast caught our attention straight away as when we arrived, the fascinating “Sir Toby” was residing in my designated seat, warming it up for me while he snored and drunkenly moaned like a forgotten stag on Matthew Street! Luckily some of the theatre staff woke up this sleeping beauty, so I could take my seat. Toby managed to stagger from the chair to the stage, where he collapsed in another drunken heap and the show hadn’t even started- a clear sign of things to come! Being honest, ‘Shakespeare’ is...
Twelfth Night – Old Fruit Jar Productions at Royal Court Studio, Liverpool
NEWS

Twelfth Night – Old Fruit Jar Productions at Royal Court Studio, Liverpool

Twelfth Night – Old Fruit Jar Productions at Royal Court Studio, Liverpool Old Fruit Jar Productions have well and truly ripened with their upcoming production of Twelfth Night at Liverpool’s Royal Court Studio this August, and it was a delight to catch up with director Alex Carr and cast members to discover what they have in store. Shakespeare is often perceived as off-putting, mainly because of how poorly it is taught in schools, and something that people look forward to escaping from but in the right hands, one can delight at the continued relevance of work from over four hundred years ago and its ironic examination of the human character: plus ça change, plus c'est la même chose… OFJP have embraced the challenge and chosen to reset the play, one of Shakespeare’s more famous co...
Blackbird – Liverpool’s Royal Court
North West

Blackbird – Liverpool’s Royal Court

David Harrower’s controversial, award-winning 2005 play about historical sexual abuse has been revived by Southport-based company, Roots Theatre – and enabled by hundreds of supporters through crowdfunding – and it still packs a punch; if anything, the passage of time has increased its potency. Fifteen years after their relationship, 20-something Una appears at Ray’s place of work, tracking him down to challenge him about their relationship and why he abandoned her: the shock is that Una was 12 at the time & and Ray 40. The real-time, one act drama is fraught with tension, dynamism & repressed fury as the damaged characters reminisce and reveal their pain - not simply of abuse but of abandonment, betrayal and jealousy, which caused The New York Times to say when the play was ...
The Royal – Liverpool’s Royal Court
North West

The Royal – Liverpool’s Royal Court

Last night I was invited to review The Royal, and before you say, no I don’t mean the NHS hospital. It’s a show that is currently playing at The Royal Court Theatre. The show is a comedy starring Lindzi Germain a Royal Court regular and a true comedy Liverpool icon. Lindzi is also one of the show’s writers. Before the show opened, she came out with her dressing gown on and rollers in the hair to say hello and why she wrote the show. It all started after a trip to the Royal Hospital. She wasn’t the patient, but she was with her mum and dad, and it was her dad that did you should write a show about The Royal and so she did. From the get-go the laughter erupted within the theatre. There were times for people myself included had to gasp for breath before the next joke which all came thic...
The Scouse Sleeping Beauty – Liverpool’s Royal Court
North West

The Scouse Sleeping Beauty – Liverpool’s Royal Court

Coming to the Royal Court Liverpool is always a delight and tonight I had the privilege of seeing ‘The Scouse Sleeping Beauty’ in all its glory. Liverpool’s Royal Court host their annual pantomime which emphasises ‘don’t bring the kids!’ as it loosely uses a panto storyline to create their usual crazy, amusing and fun night of adult entertainment. As I left the theatre tonight, there was no denying the extraordinary atmosphere of Christmas merriment and good humour and it was clear that this theatre company really know how to throw a party! We first meet Maleffluent (Lindzi Germain) and her trusty sidekick Crow (Andrew Schofield) who nastily cast a spell on baby Ora (Jamie Clarke). Ora’s father is the King of Poundland (Liam Tobin) and he promises to protect young Ora from any ‘pricks’ ...
Three Nights of Ground-breaking New Theatre
NEWS

Three Nights of Ground-breaking New Theatre

Following on from the success of their event at 81 Renshaw Street in July 2019, the Lantern Writers collective were all set to soar again last April until – well, we all know what happened next. But time flies, the world moves on, and so better late than never, they reconvene to deliver another three nights of ground-breaking new theatre at Liverpool’s Royal Court this November. The premise remains the same with twelve pieces of original writing delivered across three evenings with plays typically ranging in length from 15 minutes to half-an-hour, although this time round an hour-long piece opens the proceedings. Covering a wide variety of genres, audiences are guaranteed a diverse mix each night with comedy and drama intermingled to provide an entertaining showcase. One of the gr...
Homebaked the Musical – Liverpool’s Royal Court
North West

Homebaked the Musical – Liverpool’s Royal Court

The doors of Liverpool’s much loved Royal Court Theatre are back open and tonight we witness a new show “Homebaked the Musical” which has been produced by Liverpool’s Royal Court alongside Red Ladder Theatre Company. Written by Boff Whalley, ‘Homebaked the Musical’, is a new piece of theatre based on the well-known bakery that borders Anfield and Everton. It celebrates the historic and heroic story of the Liverpool residents who fought to save their local bakery from demolition and evolves into a huge inspiring project that brings the whole community together. Boff Whalley has done a fantastic job in writing something funny, heart-warming and emotive. The music is both touching and humorous which blends perfectly into the script. I particularly enjoyed the choral sound of ‘we rise’, ...