Peter Kinnock, Author at North West End UK

1Jul

By Peter KinnockNo Comments

West Midlands

Hamilton – Birmingham Hippodrome

Battling over who becomes the next American president took place twice last week. Once as two white men - one stumbling inarticulately, the other lying shamelessly - battled on TV, the second as a vibrantly talented and culturally diverse cast of astonishing performers retold the tale of the early days of America and its constitution. The former making me weep for the future of our planet, the latter filling me with hope for the future of our species. “Hamilton” is Lin-Manuel Miranda’s barn-storming, hip-hop, rapping Broadway smash which has enchanted the world for nearly a decade. And though, the rapping occasionally narrows the bandwidth of what is possible in a musical, this is undoubtedly a writer aware of his theatrical heritage. Listen carefully and you’ll hear traces of Gilbert a...

28Jun

By Peter KinnockNo Comments

West Midlands

Twelfth Night – Stafford Gatehouse

For those of you not around for the premiere in 1601 you missed a belter. The Bard’s buoyant and feisty tale of shipwrecked twins rent asunder amidst a fearsome tempest (not to be confused with the other Tempest by the same writer) to be finally washed up on the shores of the lyrical land of Illyria has held audiences enthralled for decades and, if this production is anything to go by, will for many more. Music is, indeed, the food of love in this sparkling new production at the Stafford Gatehouse it’s a fulsome menu of tasty titbits served by kitchen full of Michelin-starred chefs. Sean Turner’s unique interpretation of the play fizzes with invention, joy and bright new ideas - though relocating the play to a Cornish fishing village in 1958 does strip it of its usual pastoral idyll it ...

6Jun

By Peter KinnockNo Comments

West Midlands

The 39 Steps – The Alexandra

“What are the 39 Steps?” is the key line on which the entire narrative pivots in Hitchcock’s 1935 adaptation (featuring the engaging Robert Donat) of John Buchan’s 1915 tale of daring-do, high-jinks and military secrets. Mr Memory, of whom the question is asked, happily reveals his answer before meeting a very unhappy end. (Ooops, plot spoiler. Though I think that only happens in that version.) It’s a story riddled with twists, turns and near misses making it ideal fodder for cinema where it’s evolved into no less than four incarnations plus innumerable TV versions and uncountable radio dramatisations. Clearly a hot title which has kept us intrigued for 90 years. I first saw Patrick Barlow’s version (which evasively credits Simon Corble & Nobby Dimon as “From an original concept by” - ...

28May

By Peter KinnockNo Comments

West Midlands

Mind Mangler – Alexandra Theatre

‘From the comedic minds behind “The Play That Goes Wrong” and “Peter Pan Goes Wrong”’ boasts the poster. Featuring two of the original “Play Goes Wrong” creators - Henry Lewis and Jonathan Sayer, both accomplished and veteran go-wrongers, with impressive CVs of chucklesome achievements and each with an enviable comedic reputation. The stakes and standards are high. Will the expectations and the boasts be met? Add into the alluring mix a couple of familiar names from the world of sleight of hand - Penn and Teller, though neither are present, their influence is felt. A perfunctory sniff around the branding and website would suggest a comedy magic show with a dollop of mind-reading leading to, as they used to say in the Radio Times, hilarious consequences. “The Play That Goes Wrong” was a daz...

22May

By Peter KinnockNo Comments

West Midlands

Come From Away – Birmingham Hippodrome

I’d never heard of Gander and I probably couldn’t put my finger on Newfoundland without Google Maps but in the week following the 911 in attacks in 2001 38 planes were redirected from their intended destination and landed there instead. 7000 passengers unexpectedly arrived on the island and this is their story. Not the most obvious subject for a musical or is it…? “Come From Away” opened in San Diego in 2015 and, after moving to Broadway, went on to win Best Musical, Best Original Score, Best Book, Best Actress and Best Direction - quite clearly the ideal subject for a musical, then. In the safe hands of composer/lyricist Irene Sankoff and husband, David Hein, both of whom where in New York when the twin Towers fell, “Come From Away” has proved itself a heart-warming and humbling work whic...

15May

By Peter KinnockNo Comments

West Midlands

Withnail and I – Birmingham Rep

“We want the finest wines available to humanity, we want them here and we want them now!” You either know this cult film tottering on the brink of its fortieth anniversary or, like me, you’ve remained blissfully unaware of its merits over that period. But as the big 40 approaches perhaps it’s time to acquaint myself with it, doff my cap and say hi. It seems this version, ably helmed by Sean Foley, embellishes and only slightly strays off the beaten path of the film, but this is not a bad thing. In 1987 Richard E. Grant and Paul McGann, both unknowns tottering on the brink of stardom, undertook the roles of two unemployed actors in a tale loosely adapted from the life of writer/director Bruce Robinson. The film found a following which soon coalesced into a cult and has remained so ever s...

1May

By Peter KinnockNo Comments

West Midlands

Blood Brothers – Birmingham Hippodrome

It’s not surprising that two of the greatest, and longest-lasting, touring shows in the history of the British theatre (“Blood Brothers” and “Joseph”) have outlasted the producer of both, Bill Kenwright. It was his acumen as well as his insight which spotted their potential for longevity - and he was certainly proved right. Not only was Kenwright a powerhouse of theatre production for many years, but the progenitor of numerous solid, lucrative tours giving work to hundreds, if not thousands, of actors, singers and dancers. It’s with these two shows Kenwright will be synonymous, and both have toured forever without a conclusion in sight. “Joseph” has lasted pretty much continuously for forty years with “Blood Brothers” trailing behind with a mere thirty or so under its belt. Where “Joseph” ...

24Apr

By Peter KinnockNo Comments

West Midlands

Life of Pi – Wolverhampton Grand

I remember reading Yann Martel’s dazzling Booker-prize-winning novel “Life of Pi” in a youth hostel in San Francisco and being so consumed with it I nearly missed a trip to the Golden Gate Bridge. It really is a cracking novel and such a wonderful whirl of magic realism and bright, laugh out loud comedy. I dodged the film when it came out in case it spoiled my memories of the book, so it was with some trepidation I approached the stage version. I needn’t have worried. Piscine “Pi” Patel is the son of a Pondicherry zoo keeper who tells a tall, but convincing, tale of surviving days adrift in open sea with only a Bengal tiger for company. A Bengal tiger named Richard Parker, no less. The playwright Lolita Chakrabarti takes the story and deftly reassembles the narrative into a spectacular ...

The Drifters Girl – Birmingham Hippodrome

17Apr

By Peter KinnockNo Comments

North West

The Drifters Girl – Birmingham Hippodrome

Faye Treadwell, born in Arkansas in 1926, owned and managed the Drifters following the death of her husband George Treadwell in 1967 and since then navigated their careers and oversaw many legal battles over the use of the name. She made history as one of the first African American managers in show business and created a reputation as a hard-headed businesswoman. Plus, she gave the world the Drifters! For those of us brought up in the seventies the great American songbook was filling up nicely with much loved numbers by tunesmiths who’d long since packed away their music stands and headed for swimming pool filled retirement, but not Miss Treadwell and not the Drifters. They were still touring well into the eighties and beyond with Tina Treadwell taking over her mother’s musical mantle a...

28Mar

By Peter KinnockNo Comments

West Midlands

Minority Report – The Rep, Birmingham

Science fiction doesn’t work on stage. There I’ve said it. Someone had to. What was the last great science fiction stage play you saw? No, me neither. It’s a genre born of, and best suited to, cinema. From Metropolis to Dune sci-fi’s visual imagery has played equal part to its plots and philosophy. Sadly, no matter how dexterous and inventive the stage design, it’ll never quite capture a cinematic experience. Though, without doubt, one of the more outstanding elements of this production is Tal Rosner’s ethereal digital design perfectly evoking the virtual world of the near future. The play, based of Phil K.Dick's short story riddled with Cold War paranoia, is about pre crime. The capacity to identify a murderer before they commit a murder and arrest them. Whilst this is explained by the...