Saturday, October 5

Author: Peter Kinnock

Diary of a Magician – C Arts, C Aquila
North West

Diary of a Magician – C Arts, C Aquila

In my years on this planet, I have discovered people fall into two categories - those who love magic and those who loathe it. Magic at the Edinburgh festival falls into two categories - vibrant, exciting and interesting and pretty poor. I was delighted to find out this production at C Arts Aquila falls into the former category. It is an intriguing, exciting mix of magic some parts have never been seen before. I've been watching magic for a long time now and I continue to be beguiled and enchanted but there were tricks and turns in this piece, which I've never encountered before, which I'd never known of so was delighted to see. It’s certainly not the best venue at Edinburgh. It’s a rather damp, dark day, but the sun shines as soon as our magician comes onto stage and intrigues us...
Sisyphean Quick Fix – Pleasance Courtyard
Scotland

Sisyphean Quick Fix – Pleasance Courtyard

Sisyphean Quick Fix is an intriguing, beguiling and enchanting story of addictive and alcoholic father cared for by his two children, Krista and Pip. Bettina Paris play perfectly captures the family rivalry within the group and finely demonstrates the dangers of addiction. Bettina Paris appears as Krista with Tina Rizzo. Both provide impressive and intriguing performances as the family finds its way through the trauma of their predicament. The characters and writing unfold and display something perceptive and intelligent and the production is finely executed and mounted and would certainly would benefit from a substantially larger audience. It’s undoubtedly a funny, comic thought-provoking play about the pressure and impact of alcoholism on a family and the almost insurmountable Sis...
Circa Humans 2.0 – Underbelly Circus Hub
Scotland

Circa Humans 2.0 – Underbelly Circus Hub

Wow, wow, wow! My second circus of the festival (with two more to come) Circa Humans 2.0 offers a stunning piece of theatrical circus with a physicality and choreography, unlike anything I have seen before. It is a high energy, high octane, high silk infusion of circus and humanity with truthful seam running through the middle. Circus is hard enough with all the skills and abilities it entails, but then to lay on top an artistic aesthetic which makes us go away thinking not only of the turns and the tricks but of the humanity underneath is certainly an impressive feat. And talking of impressive feats the show was full of them. Against an ululating, pulsating, stamping, stomping soundtrack a gaggle of black clad acrobats, gymnastics and aerialists rotate, rock and revolve in a tho...
Scotland

The Chaos That Has Been and Will No Doubt Return – Summerhall

“16 years on this planet and it comes to this…” Sometimes at the Edinburgh Festival amidst all the half-conceived artistic debris, the broken dreams and the ill-informed attempts at theatre, sometimes you stumble across a gem, a highly polished and presented piece which shines out, head and shoulders above the rest - such as the case in “The Chaos That Has Been And Will No Doubt Return” at Summerhall which takes as its narratological background Luton - not the most inspiring of cities in the United Kingdom, but in the hands of Chalk Line theatre company it becomes a fascinating youthful and exuberant place in a production riddled with the joyous exuberance of youth and the concomitant chaos which follows. The play, by a gifted Sam Edmunds, has a vibrant energy that is both engagi...
Out of the Blue – Assembly George Square
Scotland

Out of the Blue – Assembly George Square

Out of the Blue, as always and forever, parade a cacophony of happy harmonies, joyous jingles and merry melodies. They stem from Oxford university, and they’ve been coming annually year in, year out to the Edinburgh festival to raise money for their chosen charity. It is an explosion of joy and a wonderous, marvellous experience. 20 young guys with perfect harmonies, a great sense of joy, a great sense of fun and a vibrancy that makes the building shake. The tone, the attitude, the approach is irresistible, endearing and beguiling. These guys know what they're doing. They've been residents of the festival for years. I first saw them in 2007 and was blown away. It's simple. It's clean. It's family fun with joyous songs from across the years and a smorgasbord of music! And the voca...
La Clique – Underbelly Circus Hub
Scotland

La Clique – Underbelly Circus Hub

So the Edinburgh festival fringe may not be the hubbling, bubbling, hustling, bustling fest of the years gone by – post Covid it's quieter slower and not as hectic, but tonight we're at the circus! We’re down in the Meadows where two huge circus rings (one wooden one) sit before us in a multi-effusion of colour. We’re trap trap trap trapping  to see what La Clique has added to their production, how their programme has developed and changed over the years. It’s three years since I was last under their canvas so I’m delighted to be here again to see it once more. What wonders will this wooden O hold? Tumblers, fumblers, bumblers? And a happy ending of course? Let’s wait and see … And what we're missing in weather is more than made up for in enjoyment, fun and excitement as the...
Pericles – Swan Theatre
West Midlands

Pericles – Swan Theatre

We all have our off days and I think, amongst learned academics, we can safely agree Shakespeare was having one when he wrote “Pericles”. Not only is it a ramshackled, riotous romp of a plot with some unfathomable coincidences, it also seems Bill is not the only name on the poster. George Wilkins, who I’m sure I don't need to remind you, was a victualler, panderer (Google it), dramatist and pamphleteer, who dripped his quill in the ink pot, too. People better informed then I seem to think the Bard was responsible for the first half before handing over his parchment. Rarely is the play performed, so it’s a gamely director who’ll have a stab at it and the director on this occasion is new RSC co-AD, Tamara Harvey who, eighteen years after the previous production, clearly thought it was time t...
The Wizard of Oz – Wolverhampton Grand
West Midlands

The Wizard of Oz – Wolverhampton Grand

“There’s no place like Wolves!” Well, there certainly isn’t as Dorothy Gale and her little dog, too, land their wooden house on the stage of the Grand Theatre which they’re calling no place like home for the next few days. “The Wizard of Oz” is, undoubtedly, an iconic, kaleidoscopic, psychedelic trip into the mad and inventive mind of L. Frank Baum who, eager to create a new style fairy tale for a new, burgeoning nation, let his eyes drift to his library index cards one day where the letters O-Z jumped out and he was off down his yellow brick road to literary success. His unstoppable quill knocked out a dozen or so Oz titles within a few years with further volumes being penned by other authors. Baum, being no slack capitalist, exploited his work in all media - books, stage and film. Way...
Hamilton – Birmingham Hippodrome
West Midlands

Hamilton – Birmingham Hippodrome

Battling over who becomes the next American president took place twice last week. Once as two white men - one stumbling inarticulately, the other lying shamelessly - battled on TV, the second as a vibrantly talented and culturally diverse cast of astonishing performers retold the tale of the early days of America and its constitution. The former making me weep for the future of our planet, the latter filling me with hope for the future of our species. “Hamilton” is Lin-Manuel Miranda’s barn-storming, hip-hop, rapping Broadway smash which has enchanted the world for nearly a decade. And though, the rapping occasionally narrows the bandwidth of what is possible in a musical, this is undoubtedly a writer aware of his theatrical heritage. Listen carefully and you’ll hear traces of Gilbert a...
Twelfth Night – Stafford Gatehouse
West Midlands

Twelfth Night – Stafford Gatehouse

For those of you not around for the premiere in 1601 you missed a belter. The Bard’s buoyant and feisty tale of shipwrecked twins rent asunder amidst a fearsome tempest (not to be confused with the other Tempest by the same writer) to be finally washed up on the shores of the lyrical land of Illyria has held audiences enthralled for decades and, if this production is anything to go by, will for many more. Music is, indeed, the food of love in this sparkling new production at the Stafford Gatehouse it’s a fulsome menu of tasty titbits served by kitchen full of Michelin-starred chefs. Sean Turner’s unique interpretation of the play fizzes with invention, joy and bright new ideas - though relocating the play to a Cornish fishing village in 1958 does strip it of its usual pastoral idyll it ...