Peter Kinnock, Author at North West End UK

23Jul

By Peter KinnockNo Comments

West Midlands

The Last Laugh – Alexandra, Birmingham

I was in Morocco once (hold on - this’ll make sense) and came across a market stall selling fezes. The stall holder asked me where I was from. I said, “UK” where upon he put on a fez and said, “Just like that!” I asked him if he knew what that meant. He shrugged and said, “No, but everyone who comes from UK puts on a fez and says, “Just like that!’” And we still do. Forty years after the death of the comic we’re imitating. Such is the impression he made and the impressions being made tonight at the Alexandra will surely be spoken for the same length of time. Three stalwarts of comedy who dominated the light entertainment landscape for many years are here evoked with uncanny accuracy by three comedy stalwarts who have to be seen to be believed. Tommy Cooper, Eric Morecambe and Bob Monkh...

Delusions and Grandeur – Anthony Burgess Foundation

20Jul

By Peter KinnockNo Comments

North West

Delusions and Grandeur – Anthony Burgess Foundation

The best fringe moments are discovering something unexpected and brilliant. World-renowned cellist Karen Hall’s Delusions and Grandeur is both. A thought-provoking, inventive and emotional hour of storytelling that is bursting with talent. The blurb isn’t quite clear, though. “Come for the music, stay for the existential crisis,” it suggests. Audiences are told to expect a “classical cello recital” that “plays out like a piece of performance art run by a masterly jester”. Its one of those examples of marketing that makes total sense after the event. Hall’s one-woman show is, essentially, a recital of Bach’s famous Suite No. 1, interspersed with part monologue, part audience dialogue that tells her own musical story and poses some fascinating questions. What does it reall...

19Jul

By Peter KinnockNo Comments

North West

Daddy’s First Gay Date – Waterside Arts

After the success of BI-TOPIA, writer and performer Sam Danson has once again collaborated with legendary director Rikki Beadle-Blair for a new show about the bisexual experience. Daddy’s First Gay Date is Danson’s first full-length play for multiple cast members and is set to tour the UK after an initial couple of dates at Sale’s Waterside theatre. Much like BI-TOPIA, the show focuses on a slice of queer life that is sadly often underrepresented in mainstream culture. Danson takes the audience on an interesting and, often, unexpected journey. Ben (Danson) and Helen (Megan Edmondson) are celebrating their 15-year anniversary at the local restaurant. Well, Helen thinks she is there to celebrate. To celebrate and to enjoy Ben popping the question. Ben, on the other hand, thin...

19Jul

By Peter KinnockNo Comments

West Midlands

Mary Poppins – Birmingham Hippodrome

P.L.Travers, by all accounts, cried at the opening of the Disney adaptation of her famous children’s novel - and not in a nice way. She was a stickler for accuracy and precision and wanted her book recreated almost exactly as she had envisioned it - Disney had other plans. Disney often did. In reinventing her novel (and ignoring Traver’s demands) he gave the world one of its most beloved family films which has woven itself in the DNA of our shared culture for over sixty years. It gave us those indelible Sherman Brothers songs coupled with an endearing, cute plot and one of the worst cockney accents committed to celluloid. So when Cameron Mackintosh landed on the idea of staging the show he not only took on the behemoth of a cultural icon, the might of Disney but, perhaps most intimidatingl...

The Addams Family – Birmingham Hippodrome

13Jul

By Peter KinnockNo Comments

West Midlands

The Addams Family – Birmingham Hippodrome

Photo: Jay Brooks With its familiar theme song (click, click) and enduring characters (click, click) the Addams Family has established its own gruesome niche in the global comedy/horror market (click, click). Since it emerged from the fetid and grim brain of Charles Addams way, way back when horror was in black and white both in film and print and his cartoons adorned the pages of the New Yorker it has, like the many creatures it apes, transformed, transmuted and transmogrified and spawned many and varied offspring. Famously a TV series which evolved from the simmering depths of the ABC network in 1964 (not to be confused with “The Munsters” which sprung from the same gothic horror tropes with a similarity bordering on plagiarism, but shown on an entirely different channel), which then ...

The Great Big Dinosaur Show – Midlands Arts Centre

3Jun

By Peter KinnockNo Comments

West Midlands

The Great Big Dinosaur Show – Midlands Arts Centre

“Never work with children and dinosaurs” is a paraphrased old showbiz adage and a well-worn warning passed down the years to caution well-meaning performers against the inconsistent vagaries of both - you never know what children may do and dinosaurs tend to go extinct. So it takes a strong poet and his gecko to face the daunting two-headed hybrid of the Dinokid, but in the reliable hands of both Simon Mole and his buddy, Gecko, who, I was disappointed to discover, was not a gecko, these old showbiz platitudes can be safely tossed aside. “The Great Big Dinosaur Show” emerged from the primordial soup of the combined imaginations of these two talented performers via Mole’s 2023 book, “A First Book of Dinosaurs” from Walker Books illustrated by Matt Hunt and evolved into something unique, ...

13May

By Peter KinnockNo Comments

West Midlands

Peter Grimes – Birmingham Hippodrome

For many, opera is another country; they do things differently there. Images of armour-clad Rheinmaidens and vain bass baritones with over-inflated girths and egos have permeated popular iconography for decades and not without reasons - in some places those stereotypes have and do exist, but not tonight, not at the WNO. The Welsh National Opera Company is peopled with performers, creatives and technicians clearly with their feet on the ground intent on delivering work which is accessible, engaging and truthful - and a prime example of this is tonight’s offering “Peter Grimes” which, on paper, could read as a dreary, sodden coastal tract but on stage is dances with wit, insight, and perception. The opera, I’m sure I don’t need to remind you, has a libretto by Montagu Slater (a name itsel...

The Marriage of Figaro – Birmingham Hippodrome

9May

By Peter KinnockNo Comments

West Midlands

The Marriage of Figaro – Birmingham Hippodrome

So what have Eddie Murphy and the Welsh National Opera got in common? Give in? I’ll tell you - the famous music at the beginning of his movie “Trading Places” is the overture to The Marriage of Figaro presented tonight by Welsh National Opera. See? We’re all connected in little ways and it only goes to show the manner in which Mozart has permeated our cultural DNA on nearly every level. I’m sure there are many other examples of his music seeping into films, TV and commercials, because they are a) cracking tunes and b) out of copyright. Mozart took up his quill in 1786 to match his music to the words of the eccentric Lorenzo Da Ponte (who himself deserves an opera all about his life) and between them presented a solid gold, 100% perfect classic full of melodies you don’t know you know but y...

6May

By Peter KinnockNo Comments

West Midlands

An Inspector Calls – The Alexandra

There are not many of these old theatrical war-horses left, you know. Those familiar, reliable, well-made plays which stomped across the provinces for year in, year out have now been replaced by newer, younger models targeting the cutting-edge, ground-breaking yoof market. There are fewer and fewer Agatha Christies, Ray Cooneys and hardly any Terence Rattigan. And no one has touched JB Priestley for years. Apart from Stephen Daldry. Priestley’s dour, northern wordy world has been given a fresh new slant in this production which itself is knocking on a bit having premiered way back in 1992 yet feels a fresh as a daisy - which is oddly the name of a character in the play. It’s appropriate that a play about social responsibility and the evils of capitalism should have started in Russia in ...

27Mar

By Peter KinnockNo Comments

West Midlands

Dragons – Birmingham Hippodrome

Set amidst an effusive of silver piping which wouldn’t look out of place in an industrial park, “Dragons” is a bright, engaging and slightly potty amalgam of dance, movement and physicality which, despite lacking plot, character and much we can get a grip on, proves itself a shining and engaging piece of theatre. South Korean choreographer, Eun-Me Aha, who’s company’s first appearance in the UK this is, presents herself as a book-ended sage opening and closing the show between which six buoyant young dancers carry the bulk of the performance - Gaon Han, Deokyeong Kim, Hyekyoung Kim, Seven Kim, Doohee Lee, Hyeonseo Lee and Yongsik Moon. The energy is palpable and the joy tangible as we are presented with a fluctuating series of vignettes rooted in ancient dance culture but living very much ...