Traverse Theatre Archives - Page 5 of 9

The Grandmothers Grimm – Traverse Theatre

2Nov

By Greg HolsteadNo Comments

Scotland

The Grandmothers Grimm – Traverse Theatre

Having just finished a quick nine reviews at the too-short Edinburgh Horror Festival, it was somewhat ironic that my next outing, The Grandmothers Grimm, had its premiere in Edinburgh at the very same event some six years previously. The show, written and directed by Emily Ingram in association with, Some Kind Of Theatre, has been on my radar for the last few years, doing the rounds in Scotland and further afield. I have always, somehow missed it, so I was doubly delighted to finally track it down, and to corner it in one of my favourite viewing spaces, Traverse 2. Expecting great things from what must surely be a polished pebble of a show, six years old, a lifetime in theatre land, I settled back expectantly to view proceedings. The first scene, probably my favourite of the whole pl...

Dead Dad Dog/Sunny Boy – Traverse Theatre

2Nov

By Roger JacobsNo Comments

Scotland

Dead Dad Dog/Sunny Boy – Traverse Theatre

It’s a shame circumstances prevented us seeing ‘Sunny Boy’, the sequel to ‘Dead Dad Dog’, but, 35 years on from its debut in the late 80’s, with the luxury of hindsight, the original play delivered some unexpectedly poignant twists and turns. The historical context more clearly defined, the father/son relationship represented not just the uneasy shift between generations, but also the seismic changes affecting Scotland as ‘Thatcherism’ took the entire UK down and up a new capitalism rollercoaster designed to replace the coal, steel and shipbuilding industries finally forced to give in to global economic pressures. Traditional pubs faced the threat of imported concepts like ‘Brasseries’ and the ‘Smoked Sausage Supper’ was besieged by a thing called Broccoli. ‘Looks like unripe cauliflower’,...

30Oct

By Wendy McEwanNo Comments

Scotland

Moorcroft – Traverse Theatre

This tale of male friendship and football is based on writer / director Eilidh Loan’s own memories of growing up in a working-class community in Renfrewshire, and the stories that her dad told her. The play begins as Garry (Martin Docherty) turns 50. He’s grown weary over the years, and he starts to reminisce about his glory days, in the 1980’s, and the friends he played football with back when he had fire in his belly. As narrator, Garry establishes that the story is about working-class men, and will not feature “big bits of furniture falling from the sky”, or sparkly costumes, because “life is so boring and shite” where he comes from. Everyone needs an escape from life’s hardships, and these men find it in their grassroots football team, Moorcroft. The characters are well dra...

28Oct

By Wendy McEwanNo Comments

Scotland

Battery Park – Traverse Theatre

Andy McGregor’s show, about a short-lived Indie band in the early nineties, includes an album’s worth of original songs, so it’s a lot like seeing a play and a gig at the same time. In the present day, Older Tommy (Chris Alexander) is approached by student Lucy (Chloe-Ann Taylor), who multi-roles as Tommy’s girlfriend, Angie, back in the nineties. Lucy is writing a dissertation on indie music, and she wants to know why Battery Park crashed and burned just before they made it big. In the nineties, Tommy’s (Stuart Edgar) brother Ed (Tommy McGowan) has just been fired from his dead-end job, and his pal Biffy’s (Charlie West) band has split up because one of the members got grounded for failing higher maths. They happen to hear Tommy playing a song on his guitar, and agree to form a band...

22Oct

By Greg HolsteadNo Comments

Scotland

Woman Walking – Traverse Theatre

This two women play by Sylvia Dow ends its three week tour of twelve Scotland venues at the hot and stuffily subterranean Traverse 2. Ironic perhaps, given that the setting is (supposedly) a breezy mist covered mountain top. As solo hill walker Cath, played by Pauline Lockhart, in hiking boots and sporting an infeasible large rucksack stops for a chocolate break, she finds she is not alone. And yet there is no surprise, no shock as she chats with the tweed-clad and grey-streaked Nan Shepherd, played by Fletcher Mathers. At the heart of the problems with this production is the lack of drama, of shock, of revelation. The narrative is linear and pedestrian and with a minimal set you might just as well be overhearing two post menopausal woman moaning about life in a Tesco car park. &n...

18Oct

By Roger JacobsNo Comments

Scotland

I, Daniel Blake – Traverse Theatre

It’s too glib to simply give this a theatrical review. Yes, it’s well-acted, well-lit, commitment and emotion running through the production from top to bottom, but to thoughtlessly term it ‘entertainment’ would be to miss the point entirely. Roughly eight years after a financial crash laid bare the clandestine, labyrinthine world of modern finance, providing a golden, once-in-a-generation opportunity to reform the rotting edifice, the film ‘I Daniel Blake’ was released, illustrating by how far this opportunity had been missed. Mysteriously, by 2016, many of the architects of the 2008 disaster were somehow richer than they’d ever been. Clearly there was still wealth-a-go-go in the country; it just kept winding up in the same pockets while ‘austerity’ persisted unabated, resulting in cut...

And…And…And – Traverse Theatre, Edinburgh

8Oct

By Tom ScottNo Comments

Scotland

And…And…And – Traverse Theatre, Edinburgh

Isla Cowan’s beautifully written new play is a gem. It focusses on the relationship between two young women in their last year at school whose lives are overshadowed by the climate emergency. The play opens on a beach where the two seventeen year olds are collecting litter (including a lot of plastic items). Their characters are brought to life by Caroline McKeown (Cassie) and Tiana Milne-Wilson (Claire). Those two very talented actors are totally convincing as the best friends. They have a very relaxed natural rapport but as the play develops and they seem to be growing apart, their emotionally charged scenes are perfecting pitched, and engrossing. Two wonderful performances. Cassie and Claire are both concerned by the climate crisis, but it is Cassie who is the activist. She wants ...

3Oct

By Wendy McEwanNo Comments

Scotland

One of Two – Traverse Theatre

Jack Hunter tells the story of his Scottish childhood, with pre-recorded content from his tenacious twin sister, Bec. Jack and Bec both have cerebral palsy, and Bec, in particular, has really had to fight to make her way in life. Jack is a multi-talented performer: an actor, a writer, and a poet. His humour is playful and acerbic, but there is also a deep anger and a determination to change things. Cerebral palsy affects every person differently. Jack walks with a limp and can’t tie his shoelaces; Bec is a full-time wheelchair user. At high school, they were forced to seek refuge from the other kids in the Base, a dingy “bunker” full of dilapidated furniture decorated with “ancient phallic hieroglyphs”. The playground was not a safe place for them. A teacher rages at Bec for...

22Aug

By Greg HolsteadNo Comments

Scotland

Heaven – Traverse Theatre

This play is a compelling duel monologue between a wife and her husband during the weekend of a spirited wedding celebration in a small town in the Irish Midlands. The dialogue alternates between Janet Moran’s Mairead, a 50-something social worker with a fiery temper, and Mal, her mild-mannered teacher husband who has somehow managed to suppress his homosexual leanings for the last thirty years, but suddenly, with the littlest of pushes, finds a calling to action them. Meanwhile, Mairead finds her own passions reignited in an old flame who she hasn’t seen since she was 20. Beautifully written by Eugene O’Brien, and sensitively delivered with a light Irish brogue, direct to the audience, has everyone leaning in and laughing or smiling knowingly. The set and lighting design are exquis...

After The Act (A Section 28 Musical) – Traverse Theatre

21Aug

By Greg HolsteadNo Comments

Scotland

After The Act (A Section 28 Musical) – Traverse Theatre

A law existed until very recently which refused to acknowledge that gay and lesbian existence was normal. Between 1988 and 2003 a local government act was introduced which decreed that councils and schools throughout the United Kingdom be silent on homosexuality and not spend time in lessons discussing or acknowledging let alone normalising its existence. This production by Breach Theatre, written by Ellice Stevens and Billy Barrett, with an original score by Frew, After The Act takes as it’s starting point the Danish children’s book Jenny Lives With Eric and Martin, which caused such an uproar when it was launched into schools in the early 1980’s. Set against the suddenly rising AIDS epidemic, people panicked, burned the books, protests against teaching same-sex relationships in school...