Traverse Theatre Archives - Page 4 of 18

16Nov

By Dylan MooneyNo Comments

Scotland

Òran – Traverse Theatre

From the fantastic minds of Wonder Fools comes Òran, a contemporary retelling of the famous greek myth of Orpheus. Fresh from its 2024 Edinburgh Fringe Festival run, this piece, written by Owen Sutcliffe and directed by Jack Nurse, has embarked on a new tour. Òran (Robbie Gordon) has a difficult relationship with his parents, particularly heightened by the loss of his older brother. Alone, he strikes up a strong friendship with Liam. However, as two young boys living in the modern age of social media, this friendship soon goes awry as indecent images are shared by the young boys in an immature attempt at revenge. Like the Greek myth, Òran heads into the underworld to make amends with Liam, who serves as a Eurydice-esque character. Robbie Gordon performs the poetic, spoken word-in...

8Nov

By Greg HolsteadNo Comments

Scotland

Arlington – Traverse Theatre

The most visually remarkable production to grace the Traverse Stage in years, Arlington. This new Shotput production of Enda Walsh’s dystopian fable is a feast for the eyes, ears, and the darker corners of your brain. It is strange, unsettling, sometimes hilarious, and very occasionally infuriating, but it is never dull. The set earns its own applause. Designer Anna Yates places Isla, our imprisoned heroine, on a raised metal platform, roughly level with the third or fourth row of Traverse 1, surrounded by the cold glow of surveillance screens. Behind her, a full wall of projection blooms with shifting images, ghostly fragments, data streams, and hints of an outside world, or what might once have been. The stage picture is technically dazzling, a precise marriage of lighting, sound...

Kathryn Tickell & The Darkening – Traverse Theatre

29Oct

By Roger JacobsNo Comments

Scotland

Kathryn Tickell & The Darkening – Traverse Theatre

Kathryn Tickell is one of Folk’s superstars, though it’s a title she’d probably toss over her shoulder in embarrassment. Prolific and eclectic from an early age she’s delivered albums of her own too numerous to mention since 1985 while collaborating with artists ranging from The Penguin Café Orchestra to Sting to Andy Sheppard. And most points in between, staying resolutely modest and self-effacing. Tonight, she performs with a slightly altered line-up of The Darkening, a creation inspired by twilight, or, as the French put it, ‘Entre Chien et Loup’, that time of day when a certain magic – both exhilarating and malevolent - is in the air. Together they perform what’s been dubbed ‘Ancient Northumbrian Futurism’ and while it’s an accurate description it’s also worth learning from one of Kath...

27Oct

By Dylan MooneyNo Comments

Scotland

So Young – Traverse Theatre

Off the back of its Edinburgh Fringe run, Douglas Maxwell’s So Young returns to the Traverse Theatre, directed by Artistic Director, Gareth Nicholls. Milo (Robert Jack) is in his forties and has recently lost his wife, Helen. Struck down with grief, he invites his friends, married couple Liane (Lucianne McEvoy) and Davie (Andy Clark) for an evening of food, drinks and reminiscing. However, he also invited his new partner, Greta (Yana Harris), who is 20 years younger than him. It isn’t long before tensions rise, and feelings are made known between these life-long friends. So, Young explores the different ways in which grief affects people as well as the struggles of getting older. Maxwell approaches his themes with his notorious wit, providing the audience with many laughs throughout ...

24Oct

By Greg HolsteadNo Comments

Scotland

Batshit – Traverse Theatre

There’s a certain audacity to a one-person show. One performer, one story, one mind in charge of the entire evening. Batshit, created and performed by Leah Shelton, turns that control into both its subject and its triumph. In a world quick to label women “mad”, Shelton calmly, stylishly, and with extraordinary precision, takes charge of her own narrative, and everyone else’s for that matter, for sixty taut minutes.When you enter the tight Traverse 2, the first thing that hits you is the bank of LED strips looming above the stage like a silent judge. It’s no decorative flourish: throughout the show, that strip becomes an emotional metronome, pulsing and flickering in unnervingly close rhythm with the sound design. The coordination of light and sound, operated, I assume, from a pre-programme...

10Oct

By Jessie MartinNo Comments

Scotland

Cheapo – Traverse Theatre

Cheapo, brought to the Traverse Theatre by Play, Pie and a Pint, follows schoolboy Jamie (known as “Sheldon” to his bullies, played by Testimony Adegbite) as he sets up his travel chess board in KFC, ready for his usual match. Expecting to meet the same friend he plays with every week, Jamie is instead greeted by Kyla (Yolanda Mitchell), one of his bullies. Kyla has a proposition: she wants Jamie to retract his witness statement to the police. In return, her boyfriend and his friends will spare him a beating. As their chess game unfolds, it becomes clear that Kyla is not as cruel as she initially seems—she is frightened, afraid of the consequences of going to court. Likewise, Jamie fears the repercussions of withdrawing his statement, particularly in light of how the police treat young ...

6Oct

By Jessie MartinNo Comments

Scotland

HER – Traverse Theatre

What would you do if you knew explicit photos of a young schoolgirl were being leaked? Would you do anything? Have you done anything? We’ve all witnessed situations like this before—it’s an all-too-common scenario, so common in fact that most people wouldn’t bat an eye. HER, produced by Strange Town and written by Jennifer Adam, confronts the audience directly, urging us to stand up and take action. The play insists that there is no such thing as an innocent bystander. Fast-paced and quick-witted, we are swept into the heart of the school by our two schoolkid narrators, B1 and B2, played by Zara-Louise Kennedy and Alex Tait. The pair move deftly through a multitude of characters, from teenage bams to ostentatious patrons of the fancy restaurant where HER (Eleanor McMahon) works. While t...

26Sep

By Dylan MooneyNo Comments

Scotland

Man’s Best Friend – Traverse Theatre

The acclaimed Douglas Maxwell’s new play, Man’s Best Friend, opened at the Traverse Theatre having previously played at the Tron in Glasgow. Directed by the Tron’s Artistic Director, Jemima Levick, and starring Jordan Young, a rising star in Edinburgh’s famous panto, this play is both laugh-out-loud hilarious and also beautifully emotive. Ronnie (Young) is a dog walker tasked with walking his neighbor’s beloved pooches. However, when the belt holding their leads breaks, the dogs are left running free into the woodlands of the local park. Alone, Ronnie is left with his thoughts as he navigates through the trees, searching for the runaway canines. And his mind begins to wander, perhaps it's answers and understanding he’s looking for also. From the outset, Young crafts a natural and...

25Sep

By Wendy McEwanNo Comments

Scotland

FEIS – Traverse Theatre

FEIS is a story of ambition, intergenerational discord and Irish dancing, with a side order of chaos. Deirdre (Louise Haggerty) is seriously over-invested in her daughter Aiofe’s (Leah Balmforth) dance career. Grandmother Maura (Julie Coombe) is delectably unhinged. Deirdre secretly makes ends meet by creating online Irish dance-themed adult entertainment. Family secrets come to light as Aiofe seeks to understand who she is. Anna McGrath’s mercurial script energetically captures the love and battles between three generations of women. Director Laila McGrath keeps the pace just right, giving the actresses space to really go for it with the larger-than-life characters. The belly laughs come from the heart of the story, as the characters raise the stakes to outdo each other. Haggerty an...

17Sep

By Roger JacobsNo Comments

Scotland

Our Brother – Traverse Theatre

The horrific events that took place in Democratic Kampuchea (Cambodia) under the Khmer Rouge between 1975 – 79 are well documented, but writer Jack MacGregor has - to good effect -dramatised a true, less well-known incident from 1978. An idealistic Scots professor, simply referred to as ‘Stranger’ (played by Bobby Bradley) managed to grab 15 minutes with Pol Pot, or ‘Brother No 1’ (David Lee-Jones). With him was ‘American’ (Nicole Cooper), armed with enough knowledge of the atrocities to remain somewhat less effusive. This piece explored the (chiefly Marxist) motivation and ambition shared, initially, by Stranger and Brother, the notion that there was a way to create an egalitarian, agrarian utopia. Upon a simple platform covered in white sheets the three actors performed this inten...