Traverse Theatre Archives - Page 3 of 15

Standing In the Shadows of Giants – Traverse Theatre

2Aug

By Greg HolsteadNo Comments

Scotland

Standing In the Shadows of Giants – Traverse Theatre

You get the feeling that the substantial metal frames, the chunky lighting rig and mirror -walled set surrounding Lucie Barât on her oh-so-shiny red stage are all compensating for the flimsy mental scaffolding that supports her own psych, It teeters like a five-storey bamboo structure. The show begins with Lucie launching into a song, she has a clear and powerful voice, before signing cut to the sound desk. She interrupts herself to talk directly to the audience and give us a bit of personal history. Lucie always wanted to be an actor. But, from Drama School golden girl to dole queue drop out she fell, to call-centre fill-in, to failed STD advert auditionee and the very occasional paid acting job. A low point occurs in the earlie naughties when she throws up on the open-toed sandals ...

A Gambler’s Guide to Dying – Traverse Theatre

2Aug

By Greg HolsteadNo Comments

Scotland

A Gambler’s Guide to Dying – Traverse Theatre

Well, no surprises, it’s brilliant! The endlessly Gallus (dictionary definition – Bold, daring, cheeky person bordering on arrogant. Derived from the Latin word for cockerel or rooster) Gary McNair does it again. The wee big yin puts a smile on everyone’s face with a masterclass in storytelling, and makes it all look incredibly, infuriatingly, easy. But, having loved his five star ‘Dear Billy’ tribute last year at The Assembly Rooms, I had rather been primed to expect excellence. This year, the globe-trotting Scotsman serves up a tale of a young boy and his gambling-obsessed grandad in his attempt, against the odds to reach the year 2000 and win a fortune off the bookies. Like a kilted, David Walliams creation, if you can overlook the odd sweary word, this is Roy-of-the-rovers...

2Aug

By Greg HolsteadNo Comments

Scotland

Rift – Traverse Theatre

The stage is sparse in the underground black box of Traverse 2, just a plain table, two folding plastic chairs and a bright red bag of Doritos. A projector advises, keep hands in plain view, the unmistakable soundscape of prison echos through the small space before the projected image starts counting off the years of incarceration. 1, 2, 3… The play starts at year 4. The tight three-sided seating focuses on a spotlight which focuses on the bag of Doritos, two men enter. The story follows two half-brothers one a white supremacist convicted murderer, the other a rising young ‘woke’ writer over the course of 20+ years as they meet at various intervals. A relationship broken apart by lies and mistrust tries and tries again to be re-glued with their shared blood like an intricate Kintsugi...

2Aug

By Greg HolsteadNo Comments

Scotland

Red Like Fruit – Traverse Theatre

Good sex, bad sex, wrong sex. What’s the difference? And does it really matter? Why struggle to articulate something that no one wants to hear anyway…? When a Canadian investigative journalist starts researching a high-profile domestic violence case, it leads her to relive and reconsider some of her own life experiences, the results are disarming and disturbing. This beautifully constructed two hander from the pen of Hannah Moscovitch has Lauren’s (Michelle Monteith) story being delivered as a deliciously hypnotic monologue by Luke (David Patrick Flemming). Flemming’s voice control and delivery are the real star of this show, a symphony of tone and indent, emphasis and half-finished sentence are a joy to the ear. @RILEYSMITHPHOTO Lauren sits on a raised Dias, swaying or head in...

Nick Costley-White Quartet – Traverse Theatre

25Jun

By Jessie MartinNo Comments

Scotland

Nick Costley-White Quartet – Traverse Theatre

Although small in number, they certainly weren’t small in sound—Nick Costley-White and his band absolutely rocked the Traverse with their unique jazz sound. Pulling inspiration from Brazil, West Africa, Malta, and more, Costley-White has curated a full-on hubbub of sound with an inventive and experimental flair. Those pieces which used these multi-cultural influences all began with a distinctive fusion sound. However, as improvisations took over from the pre-written work, we lost those cultural distinctions, falling into patterns and conventions that are perhaps more stereotypical to the traditional western jazz sound. It would have been exciting to hear the themes and ideas presented at the beginning of each piece carry over into the solos. Nonetheless, the quality of the solos was unq...

24Jun

By Jessie MartinNo Comments

Scotland

RANT – Traverse Theatre

With yet another instalment of Scottish traditional music, RANT brought their lively fiddle quartet tunes to an even livelier audience at The Traverse. Comprised of Bethany Reid, Anna Massie, Lauren MacColl, and Gillian Frame, RANT are a powerhouse of a band, bringing an energy to their music that finds your toe tapping involuntarily. Having attended many a music night at The Traverse, never have I seen an audience in such high spirits as I did at RANT. Starting off as a rather coy but enamoured crowd, after Anna Massie came to introduce the next tune, the audience were soon whooping, clapping and stamping. It is quite a skill to evoke that kind of energy from an audience—especially given that the demographic of most of The Traverse’s music nights are of an older, very well-mannered gen...

23Jun

By Tom ScottNo Comments

Scotland

The Stars and After – Traverse Theatre

Ten actors stand silently with bowed heads as the audience enters the auditorium. In the dim blue lighting we can make out pieces of corrugated iron and large machine cogs. This is a gloomy dystopian land. In this world of the future, there are two classes of people: the citizens who live above ground and live a comfortable life; and the workers who live below ground, leading a miserable existence. The citizens’ light, power and their whole lifestyle depend on the efforts of the workers. It’s a hundred years since the city of Goliath was founded. Citizens live a good if unexciting life. They are largely unaware of how they are manipulated into docility by their Leader. Above ground there is no darkness and no natural light, but citizens have the benefit of powerful lights. However...

21Jun

By Greg HolsteadNo Comments

Scotland

In The Cult of Work – Traverse Theatre

Edinburgh Youth Theatre charity, Strange town, return to the Traverse this week with three shows and this is the second of them. On stage tonight are the Tuesday 14 – 18-year-olds and they certainly put on a spirited and well rehearsed show, with no obvious line blunders, a well-drilled cohort who are a credit to director Catherine Ward-Stoddart. I’ve seen a few shows by Strange town over the years and what always comes across is the unbridled enthusiasm and commitment to the creative process from all involved. It’s always great to see the acting youth of Edinburgh taking over one of the best performance spaces in the Capital. Writer, Daniel Orejon was tasked with producing a short play on the theme of, Nobody wants to work anymore. In the centre of the stage a poster pronounces, ‘Ou...

14Jun

By Jessie MartinNo Comments

Scotland

Soundhouse: Sian – Traverse Theatre

With tales of criminals, swan hunters, and torrid affairs, folk-group Sian had the audience of the Traverse in awe. Presented by Soundhouse, we were blessed with yet another live folk performance at the Traverse Theatre. Sian is a three-piece group of folk singers, performing exclusively in Gaelic and accompanied by Innes White on electric and acoustic guitar. Composed of Ceitlin Lilidh, Eilidh Cormack, and Ellen MacDonald, this is a group that celebrates its Hebridean roots—featuring songs that tell the traditional stories which have stood the test of time, having been passed down through the ages in areas around Skye and Lewis. The vocal agility and control of Sian is astounding, as they sail through the lilting nature of the pieces with ease. They uphold the rich history of the songs...

12Jun

By Jessie MartinNo Comments

Scotland

Firelight Trio – Traverse Theatre

Presented by Soundhouse, Firelight Trio take us on a journey through European folk music, finding unity in the sounds of a myriad of cultures from klezmer to polka. Working in partnership with the Traverse as well as other venues around Edinburgh, Soundhouse is a charity organisation with the aim of promoting live music in Edinburgh. Firelight Trio are featured as a part of Soundhouse’s Summer lineup at the Traverse which holds focus on showcasing the talents of upcoming folk artists. With weird and wonderful modifications to their instruments, an adept knowledge of their craft and a passion to share it, it is clear that Firelight Trio’s music is created with deep intentionality and expertise. The trio are highly credited, with Ruth Morris (who plays the Swedish ...