Latest Articles - Page 513 of 645

10Nov

By Paul DownhamNo Comments

Yorkshire & Humber

Parade – Sheffield Theatre Deli

Parade by Jason Robert Brown is probably one of the most underrated musicals ever written. It is totally captivating from beginning to end with a powerful score and gripping storyline, the only down side is that it is not performed very often in this country. The musical is a dramatization of the 1913 trial, imprisonment and subsequent lynching, of Jewish American Leo Frank in Georgia. Tonight, Cutting Edge Productions brought this story to Theatre Deli in Sheffield where it continues until Saturday (13th November). https://www.cuttingedgetheatreco.com/ The lead role of Leo Frank requires an accomplished actor to play him, and tonight Dylan Lambert shone. His attention to detail in the role was impressive, he portrayed an introverted character with an inner determination to get perso...

The Legend of Sleepy Hollow – Edinburgh King’s Theatre

9Nov

By Oliver GigginsNo Comments

Scotland

The Legend of Sleepy Hollow – Edinburgh King’s Theatre

In The Legend of Sleepy Hollow, Ichabod Crane arrives in the eerie world of secrets and unsettling tradition of Sleepy Hollow to become the town teacher. But not all is as it seems, for Ichabod Crane harbours his own dark secret.... The play is based on the 1820 gothic story by American author Washington Irving, contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Though the story is commonly accepted as having popularised the use of the pumpkin head at Halloween (replacing the turnip), it might be more familiar to most through its 1949 Disney adaptation and Tim Burton gothic nightmare. No, not the Dumbo remake. The Adventures of Ichabod and Mr. Toad (1949) adapted The Legend into a half-hour short packaged with an adaptation of ...

9Nov

By Peter KinnockNo Comments

West Midlands

Groan-Ups – Wolverhampton Grand

It’s probably an apocryphal tale and often attributed to, among others, Edmund Kean, that on his deathbed he is asked how he feels to which he replies, “Dying is easy. Comedy is hard.” And it is a wise aphorism borne out by tonight’s performance of “Groan-Ups” presented to us by Mischief Theatre who you will immediately recognise from “The Play that Goes Wrong” and TV’s hugely successful “Goes Wrong Show” - very familiar faces. Since giving us the first of those shows which was a smash hit in the West End they have travelled to Broadway and, having seen its original production, I can say it was undoubtedly one of the funniest evenings I have ever spent in a theatre in my life. Ever. So you’re probably wondering why this one has only earned two stars. Here goes… It explores familiar grou...

9Nov

By Jackie FoottitNo Comments

Yorkshire & Humber

Chicago – Hull New Theatre

Whose idea was it to place a 10-piece band centre stage throughout the production of Chicago, which came to the Hull New Theatre on Monday night? The programme credits a John Lee Beatty as being responsible for “scenic design”. So, Mr Beatty - I doffs my cap, it was a genius move on your part. The musician backdrop was a major part of this amazing spectacle and wouldn’t have been the same if such talents had been hidden away in an orchestra pit. All the action takes place in 1920s Chicago, America, as we follow the shenanigans of two prison cellmates - Roxie Hart and Velma Kelly. Roxie (Faye Brookes) and Velma (Djalenga Scott) are streetwise “broads” and murderers who use their feminine wiles to try to convince a jury to find them innocent. Of course, they need the services ...

9Nov

By Johanna RobertsNo Comments

North West

Rajesh and Naresh – Unity Theatre

Seventy minutes, two actors, one set. That’s all that is needed to tell this touching story of how two men, with different backgrounds, different experiences, and different personalities, make a connection that changes their lives. The play opens with Rajesh (Brahmdeo Shannon Ramana), who works in a financial firm in London, and Naresh (Madhav Vasantha), who makes cricket bats in Mumbai, sitting on chairs on separate halves of the stage – the one in London and the other in Mumbai. Their initial actions as they prepare for the day clearly and concisely convey their personalities. Rajesh – young, good-looking, and seemingly self-confident – presents a sharp contrast to the 42-year-old Naresh, who focuses only on what he considers to be his faults. The action continues to develop separa...

Leeds Playhouse’s Rio Matchett talks about the return of their Furnace Festival after a two year break

8Nov

By Paul ClarkeNo Comments

Interviews

Leeds Playhouse’s Rio Matchett talks about the return of their Furnace Festival after a two year break

There is always a joy in watching fully formed work, but there is equal satisfaction being able to watch artists develop new pieces, which is where a safe space like the Furnace Festival at Leeds Playhouse comes in. Artists often talk about learning as much from failing as what works so Furnace offers them a year-round development programme which the Playhouse says is their development engine offering a place to play and learn as pieces come to life. The Playhouse use their Furnace brand to describe all of the work they do to generate and create new performance work that supports the local creative community Usually that work is showcased in an annual live programme where artists present their work in all sorts of stages of development but last year was cancelled for obvious reaso...

Footfalls & Rockaby – Jermyn Street Theatre

8Nov

By Caroline WorswickNo Comments

London

Footfalls & Rockaby – Jermyn Street Theatre

Writer Samuel Beckett wrote ‘Footfalls’ between March and December 1975. It premiered at the Samuel Beckett Festival in 1976 at the Royal Court Theatre, when he directed the play himself. From the amount of stage directions written for this play, it is clear that Beckett had a very strong vision of how these plays should be presented. ‘Rockaby’ was written and performed later in New York in 1981. The accurately titled ‘Footfalls’, is aptly titled. A woman called May is pacing the floor with a need to hear her footfalls as she paces. It’s as though the rhythmic sound helps her to make sense of her thoughts. We hear May’s mother’s voice in the background, talking and occasionally counting the steps before May wheels around and begins pacing in the opposite direction. Beckett stipulated in...

Boss New Plays (Saturday) – Royal Court Studio

8Nov

By Lou SteggalsNo Comments

North West

Boss New Plays (Saturday) – Royal Court Studio

Liverpool Lanterns’ annual showcase of up-and-coming writing and acting talent in Merseyside came to a close with five new pieces from some of Lanterns’ veteran writers. As these are short pieces and in varying stages of development, it’s unfair to ‘rate’ them but there is still plenty for us to get our teeth into as an audience. There’s no easing into tonight’s showcase with our first piece, Banter, written by Darren Anglesea. The moment the lights go down there is an explosion of swearing and scuffling, as we are introduced to Tony, an angry young man accused of assault, which he swears is just ‘banter’ that got out of hand. When he sees that his duty solicitor Martin is black, he makes it plain this is an issue and it’s up to Martin to help his client understand how much trouble h...

Boss New Plays (Friday) – Royal Court Studio

8Nov

By Jenn McKeanNo Comments

North West

Boss New Plays (Friday) – Royal Court Studio

The Lantern Writers hold an annual showcase of new writing from semi-professional and amateur writers, at various stages of development. It is held over three night and the second night of new writing definitely stood up to the showcases’ name ‘Boss New Plays’. The first of the four pieces was ‘It's Not The Coughing That Carries You Off’, written by Mark Murphy. This is a comedy play, that uses a doctor’s surgery to bring comedy into everyday life. We’ve all been in a waiting room and overheard half of a phone conversation that could easily been misconstrued; or had that person next to us that can’t sit quietly for their turn and Murphy takes us to these moments and allows us to see the comedy in them. It is cleverly written and takes you on a rollercoaster of emotions throughout the ha...

The Girl Who Was Very Good at Lying – Omnibus Theatre

5Nov

By Alice RoseNo Comments

London

The Girl Who Was Very Good at Lying – Omnibus Theatre

The Girl Who Was Very good at Lying written by Eoin McAndrew is a quick, intelligent piece dipping into a moment of a young woman’s daily life but today was different- today she met an American man. Catorina lives in a small Irish town where she must come home every day and tell her mum everything that she’s done, listing the most mundane of tasks. She works in a pub; she likes watching TV and she likes to light matches. When this mysterious man walks in, very aware of the accent she forms a plan to guide him around the town- as she is obviously very interested in History and knows the story of everything in this place, or at least she’s very very good at lying about it. We follow the pair throughout the day, each lie getting more bizarre although you wouldn’t know with her confidence i...