Monday, September 21

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Emma or Emily – Cockpit Theatre
London

Emma or Emily – Cockpit Theatre

Emma or Emily, written and directed by Moon Kim, with music by Ábel Misha Gille Esbenshade, is an experimental play-opera that brings together spoken theatre, live opera, movement and multimedia. Emily Carmichael plays Emily, a failed opera singer who has retreated into domestic life as a housewife, who’s carefully maintained world begins to unravel when her old friend Emma, played by Alexandra Achillea Pouta, arrives. Her encounters with Emma draws out the parts of herself she has suppressed, and the boundary between the life she has chosen and the life she once imagined for herself becomes increasingly blurred. The opera singer she has tried to silence begins to resurface, bringing her artistic ambitions, insecurities and unresolved sense of identity back into the room. The most strik...
A Brief Case of Crazy – Hull Truck Theatre
Yorkshire & Humber

A Brief Case of Crazy – Hull Truck Theatre

On Thursday evening, I sat for an hour at the Hull Truck Theatre, watching three performers who never uttered one word - and I laughed from start to finish. The three - writer, director and producer Rowan Armitt-Brewster as Thomas, Samuel Cunningham as Simon and Lennie Longworth as Daisy - mimed all the way through a production of A Brief Case of Crazy; I never knew miming could be so energetic. Their shenanigans took place in the theatre’s small Godber Studio amidst a stage setting featuring a large orange filing cabinet, orange seating on wheels, a static painting of colourful buildings on the right, plus a huge round light centre stage which I took to be a railway tunnel, as a lot of the action takes place in and around what could be the Tube (that’s how I saw it, anyway). Not for...
Mamma Mia! – Sheffield Lyceum Theatre
Yorkshire & Humber

Mamma Mia! – Sheffield Lyceum Theatre

Take a chance on the fantastic touring production of Benny Andersson and Björn Ulvaeus’ ‘Mamma Mia!’, which features, what I would argue to be, the most phenomenal vocal talent I’ve had the pleasure of seeing live this year. Under Phyllida Lloyd’s watchful direction, this is certainly a show you shouldn’t let slip through your fingers! Mamma Mia! is set on a Greek island and follows Sophie Sheridan and her mother Donna as they prepare for Sophie’s wedding to Sky, with a soundtrack based on ABBA. What Donna doesn’t yet know is that, in Sophie’s desire to find out her father’s identity, she invites 3 of Donna’s lovers from years ago to her special day. Will this end in a long-lost love being reignited, or a shipwreck, when all is said and done? Jenn Griffin as Donna Sheridan was certai...
Some Explicit Polaroids – The Tower Theatre
London

Some Explicit Polaroids – The Tower Theatre

Some Explicit Polaroids, written by Mark Ravenhill and directed for Tower Theatre by Nick Edwards, was first performed in 1999. The play follows Nick, a political activist released from prison after 15 years, returning to a Britain that has changed considerably in his absence. He encounters Helen, his former partner, and a younger generation of Nadia, Tim and Victor, whose lives are shaped by sex, drugs, consumerism, identity and the search for belonging. Across these encounters, Ravenhill examines connection, disconnection and the changing social and political landscape of Britain at the turn of the century. There is something fascinating about encountering a play written at the end of the 1990s and seeing how its questions around identity, desire, consumerism and connection resonate t...
Sufficient Merit – Canal Café Theatre
London

Sufficient Merit – Canal Café Theatre

Sufficient Merit is a new play by Emma Paige Baker. This short play focusses in on four actors Tess, Emma Baker, Eleanor, Alia Lahlou and Ted, T’ai Hartley and their landlord Bob played by all three characters. Oh, and a fictional Chihuahua; whose lives are entwined through their work, their living arrangements and a shared desire to create the next best play. Their world is turned upside down when Bob delivers the bad news, the not so bad news and the good news to the trio. Their home, and theatre company is under threat from an external investor, AI creatives that could replace everything they had ever known. The foundation of this play is centred around the real challenges faced by the actors of trying to put on a play “which keeps getting roadblocked” by bad news. So, they decide...
Fences – Leeds Playhouse
Yorkshire & Humber

Fences – Leeds Playhouse

Last night I had the delight of being invited along to the wonderful Leeds Playhouse to review the press night performance of “Fences”, a play by August Wilson directed by the brilliant Daniel Bailey. Fences is a brilliantly real story. Set in 1957 we follow the character of Troy Marxson and his family in a changing world. We see the ups and downs for the family, from Troy receiving a promotion to his infidelity getting discovered and all the emotional twists and turns in between.  Photo: Tyler Fayose Ray Fearon leads the cast as Troy Marxson. Fearon is phenomenal in this role. He is wonderfully real, with real emotions manifesting themselves in real ways. He had just a touch of menace to his portrayal but completely appropriate for a father in this period. The monologues Fearon...
Deep-Heat Rivalry – The Other Palace
London

Deep-Heat Rivalry – The Other Palace

This is a farcical musical parody of the popular Canadian TV series Heated Rivalry. It is about two ice hockey players who, while playing for competing teams, actually have a great homosexual attraction for each other. The writers Trevor Ashley and Phil Scott make no claims other than their intention to write an outrageous, adult, raunchy comedy. It was clear from the press night audience that this is exactly what most of them had come for, but for anyone unfamiliar with the Canadian TV series the point of it was baffling. From the very beginning the tone was set by the MC (Ross Chisari) in the role of “Puck”, dressed in a costume revealing his pectoral muscles and bottom. He was hyper-camp with a self-satisfied smug expression most of the time, which rapidly became wearing. Casting him...
The Departure – The Lion & Unicorn Theatre
London

The Departure – The Lion & Unicorn Theatre

In The Departure we encounter Lily, an emerging scientist returning from her mother’s funeral, who discovers Ross, a stranger staying in her flat seemingly without reason. We later discover that Ross knows Lily’s roommate Jules, who had offered him the flat, but a mix-up over the dates means the two strangers unexpectedly find themselves sharing the space. Ross is waiting for his new passport to arrive at the flat, before taking a flight to move to Australia for a job. Trapped together for the evening, they gradually begin to talk, revealing more about themselves and the grief they are hiding within. Ross has learned to deal with pain through avoidance. He puts his problems into his pocket watch, compartmentalising them so that he can keep moving. Lily has become deeply anxious after ye...
Million Dollar Quartet — Arts Theatre, Marble Arch
London

Million Dollar Quartet — Arts Theatre, Marble Arch

The first thing that strikes you is the incredible attention to detail in the staging and lighting. It instantly transports you back to the rockabilly era, a time when rock ’n’ roll was exploding onto the music scene. There’s a real sense of authenticity in the way the period is brought to life, making you feel as though you’ve stepped back in time and are right there experiencing the excitement of those early days of rock ’n’ roll. Million Dollar Quartet is centred on the 1956 recording session at Sun Records that encapsulates the coming together of 4 greats from the Rock and Roll Hall of fame. Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis; an encounter brought about by Sam Phillips. At the heart of this production is Darren Day’s compelling portrayal of Sam Phillips and...
Handbagged – Theatr Clwyd
Wales

Handbagged – Theatr Clwyd

Written by Moira Buffini, we are taken back between 1979 and 1990 during Margaret Thatcher’s three terms as Prime Minister and her weekly meetings with Queen Elizabeth 2nd. Theatr Weston is in the round for this performance with the stage in the centre. A raised round stage with cleverly laid props and costume pieces laid on stands around the lower part of the stage, those of which are used throughout the show by the two male cast members to help transform them in to numerous characters with a lot of help from our imagination. The play starts with Alexandra Mathie entering the stage waiting for one of the men to bring her a chair. She doesn’t need a chair, but she doesn’t want them to know that. She is followed closely by Meriel Scholfield as Queen Elizabeth 2nd, dragging a chair beh...