Latest Articles - Page 514 of 727

8Aug

By Ella CatherallNo Comments

Scotland

Lizard Boy – Gilded Balloon

The premise of ‘Lizard Boy’ is certainly unconventional. Trevor is a 20 something who, as a result of a childhood run-in with a dragon, is covered in green lizard scales and has shut himself off from the World. However, on ‘Monster Fest’, he decides to venture out of his isolation and meet up with a guy he met on Grindr. Things escalate very, very quickly from there. There are many factors contributing to how, somehow, this show works, one of which is the extraordinary talent on stage. All three performers I saw had insane vocal and instrumental talent (This is an actor-musician show), being able to cover the reasonably wide range of styles and tones that the score covers. They were all also able to imbue their characters, who could have so easily been played as one-note cartoons, with ...

Joe Wells: I am Autistic – Banshee Labyrinth

8Aug

By Ella CatherallNo Comments

Scotland

Joe Wells: I am Autistic – Banshee Labyrinth

Joe Wells is Autistic. About two years ago, he had a video about Autism go viral online and was unwittingly thrust into the role of Autism Spokesperson. This show is part of his effort to fulfil this job by talking about his experiences as an Autistic person. Whether covering directly Autism-related material, such as the Spectrum 10K debacle, or more standard fare, such as conspiracy theories and Vladimir Putin, Wells is clearly a masterful comic. As well as being just very funny, he has a great stage presence and is incredibly engaging, despite never relying on direct audience engagement, going as far as to have a notice at the beginning saying this won’t be happening. A further indicator of Wells’ mastery of comedy is the balance he’s able to strike between getting the laughs a...

Black is the Color of my Voice – Pleasance at EICC

8Aug

By Kathleen MansfieldNo Comments

Scotland

Black is the Color of my Voice – Pleasance at EICC

Amazing. Brilliant. Such an expanse of energy. These are some of the comments I heard on leaving the theatre. For myself the rapture began less than one minute in. The hairs, not just on my arms, but on my scalp, stood on end as our protagonist call “Daddy!” Why? I’m not sure. It must have been the emotional intensity. I knew this was going to press buttons and make me bleed. In a good way. Apphia Campbell has a powerful voice: a fitting tribute to Nina Simone, but, more than that, this woman can act. She knows about pace and tension and pathos and immersion. It is a beautiful piece of theatre. Scripted to perfection by Campbell, this is a don't miss piece for lovers of Nina Simone and all theatre goers who admire true commitment and emotional frankness. For me, I knew little of t...

War of the Worlds (On a Budget) – theSpace@Surgeons Hall (Venue No. 53)

7Aug

By Kathleen MansfieldNo Comments

Scotland

War of the Worlds (On a Budget) – theSpace@Surgeons Hall (Venue No. 53)

Guffaw. Chortle. Grin. Giggle. Take your pick. You are guaranteed to leave this show with a Cheshire Cat smile. Lamphouse Theatre’s Tom Fox and Becky Owen-Fisher bring contagious joy and silliness to HG Wells’ War of the Worlds (on a Budget) with songs, dance and incredibly silly physical theatre… oh, and there are delightful homemade props. The child inside will love this infectious, playful condensed classic. There’s a nod to Monty Python’s screechy voiced, Eric Idle, a plethora of characters and a bucket-load of improvisation jokes. The sense of immediacy on stage leads to an anticipation of anything could happen at any time. The urgency is brilliantly uplifting. I loved the match an action to every phrase sequence. It’s a bread-and-butter improvisation game. Here it’s jam on t...

7Aug

By Oliver GigginsNo Comments

Scotland

Comedy Sassafras – Pleasance Courtyard

Hosted by Richard and Greta, alter egos of Nina Conti and Shenoah Allen, Comedy Sassafras is basically a variety show with only a couple of other acts, which change from night to night. As such one imagines the overall feel of the show might be slightly different every time, though the big role played by Richard and Greta and the largely consistent style of the performers suggests that may possibly not be the case. There was a very improvisational and loose feeling to the night, with the audience seemingly relishing the throw-stuff-at-the-wall-and-see-what-sticks approach (the closing number was performed by Richard playing guitar with Greta singing on his shoulders because why not?), even on the occasions when it didn't quite work. The small number of overall acts also contributed t...

Two Ukrainian Plays at The Finborough Theatre in connection with Worldwide Play Readings: Belarus and Ukraine

7Aug

By Caroline WorswickNo Comments

NEWS

Two Ukrainian Plays at The Finborough Theatre in connection with Worldwide Play Readings: Belarus and Ukraine

In September 2020, the Belarus Worldwide Readings Project organised hundreds of international theatre companies, groups, schools, and individuals, to present readings, videos, and discussions of Andrei Kureichik’s new play Insulted. Belarus(sia), in solidarity with the people and theatre companies of Belarus. In late February 2022, the Worldwide Ukrainian Play Readings Project, was formed by John Freedman (a writer and translator, who first translated Insulted.Belarus(sia) into English), and Maksym Kurochkin, a Ukrainian playwright and leader of the new Theatre of Playwrights in Kyiv. Supported and funded by CITD (The Centre for International Theatre Development), they commissioned 23 Ukrainian playwrights to create new historical plays to be performed around the world to raise money fo...

Twelfth Night Lite – Paradise in Augustines

7Aug

By Ben PearsonNo Comments

Scotland

Twelfth Night Lite – Paradise in Augustines

Twelfth Night is my favourite Shakespeare play, so, I was intrigued when I came across Twelfth Night Lite, a three-person, hour long version of the show brought to the Edinburgh Fringe Festival by Evoke Productions. How would they tell the at times complicated and weaving plot with so few performers? Overall, I think they did an admirable job at cutting the play so drastically, while still making it easy to follow. The plot was streamlined, focusing on the love triangle between Olivia (Francesca Firman), Viola (Susie Garvey-Williams) and Orsino (Matthew Leigh). Characters including Sir Toby Belch, Feste and Sir Andrew Aguecheek were cut entirely. This, I think, was the weakness of the play. It felt like something was missing. For instance, character arcs were left unresolved, primarily ...

7Aug

By Riana HowarthNo Comments

London

The Dumb Man – Cockpit Theatre

Based on Sherwood Anderson’s short story, this play for Camden’s Fringe Festival tells the tale of a man who lives in a world he created in his head. It begins with an elusive man addressing the audience and giving us a poetic introduction to the story. As Richard, the older character comes on stage he becomes consumed by whispering voices and eerie sounds. He gradually calms down and opens a letter which brings the characters of David and Jack to life as they converse across the stage and thus begins the illusory world. Jagoda Kamov’s writing has moments of eloquence and a particularly engaging scene between Jack and the nurse. The motifs of the windows and of the trees gave it a poetic feel and communicated Richard’s desperation to hold onto his illusions, as mirrored by Hardy Gru’s i...

Full casting announced for national tour of Malorie Blackman’s Noughts & Crosses

6Aug

By Paul ClarkeNo Comments

NEWS

Full casting announced for national tour of Malorie Blackman’s Noughts & Crosses

Pilot Theatre has announced the casting for their tour of Sabrina Mahfouz’s adaptation of Malorie Blackman’s best-selling young adult novel of first love, Noughts & Crosses, that is set in a fictional dystopia. Sephy is a Cross and Callum is a Nought in a world with strict racial and social divides. As violence breaks out, Sephy and Callum draw closer, but this is a romance that will lead them into terrible danger. The cast directed by Pilot’s Artistic Director Esther Richardson will be led by Effie Ansah and James Arden in their first leading roles as Sephy and Callum. Emma Keele who was on the national tour Curious Incident of the Dog in the Night-Time plays Meggie, Nathanial McClosky is Jude, Amie Buhari takes on Jasmine and Steph Asamoah is Minerva. Chris Jack is Kamal,...

Casting revealed for The Importance of Being Earnest at Leeds Playhouse

6Aug

By Paul DownhamNo Comments

NEWS

Casting revealed for The Importance of Being Earnest at Leeds Playhouse

The cast has been revealed for Denzel Westley-Sanderson's retelling of Oscar Wilde’s most outrageous comedy, The Importance of Being Earnest, which premieres at Leeds Playhouse from 5th -17th September before heading out on a UK tour. Westley-Sanderson is melding Wilde’s sharp wit with chart-toppers and contemporary references to offer a sassy promising an unique take on the classic satire about dysfunctional families, class, gender and sexuality. The cast includes Daniel Jacob, who has gained international recognition as his Drag Queen alter ego Vinegar Strokes, who plays the iconic Lady Bracknell. Jacob is joined by Midsomer Murders’ Phoebe Campbell as Cecily making her theatre debut, the experienced Valentine Hanson as Merriman/Lane and Joanne Henry as Miss Prism wh...