Monday, July 6

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Company – A Musical Comedy – University of Sheffield Drama Studio
Yorkshire & Humber

Company – A Musical Comedy – University of Sheffield Drama Studio

Handsworth and Hallam Theatre Co raise the bar and the roof with their highly enjoyable and professional production of Stephen Sondheim’s Company – A Musical Comedy. What a refreshing change to review something a little different from the norm and witness a local theatre company dealing with a notoriously difficult dark comedic production with such flair and ease – the time flew by and I was highly impressed! Directed with admirable confidence by Matthew Walker, with directorial assistance from Jane Jefferson-Blythe, the eleven vignettes are merged seamlessly and with purpose. Hayley Wilbourne and Beth Cooke’s choreography gives much to the production and the rehearsal is evident with the complexity of the use of stage and proxemics. A production team at the top of their game. Origin...
Mrs Dalloway – Wilton’s Music Hall
London

Mrs Dalloway – Wilton’s Music Hall

Virginia Woolf’s Mrs Dalloway is a book with a formidable reputation. Its seismic cultural impact is still fascinating to ponder a century later. Occasionally, a work of art will emerge in society that causes a ripple on the lake of consciousness, creating waves for years to come. This novel falls into that rare category. Woolf isn’t the only one credited with heralding modernism, but she wears some very big boots in that department. Adding to Woolf’s power is the fact the Department of Modernism is mostly filled with men. As is life. Woolf not only kicked against the patriarchy, but linked men’s power to the horrors of colonialism, war and poor mental health. Woolf may have pointed out the factually obvious, but it was almost unsayable at the time. The world woke up. Feminism, sexu...
RON – Riverside Studios
London

RON – Riverside Studios

RON is one of those rare productions that refuses to stay in a single genre and is all the better for it. What begins as something familiar, a stand-up comedy act, quickly spirals into an increasingly surreal, dark comedy that constantly keeps its audience guessing. Every time you think you've understood where the story is heading, it gleefully pulls the rug from beneath you and quite literally lifts the curtain on a wildly inventive theatrical experience. The direction (Ted Walliker and Lev Govorovski) is razor sharp, maintaining an impressive pace while allowing every twist to land with maximum impact. There is a real confidence behind the production, balancing absurd comedy with moments of genuine unease without ever feeling forced. It is an ambitious piece that could easily have col...
Eat the Rich (but maybe not me mates x) – Soho Theatre
London

Eat the Rich (but maybe not me mates x) – Soho Theatre

Jade Franks’ one-woman show, Eat the Rich (but maybe not me mates x), has had a fairytale run. Its sold-out debut at Edinburgh Fringe last year marked Franks out as a breakout talent and the excitement has carried her from London to Melbourne and even Netflix offices. Its return to the Soho Theatre this June is accompanied by a similar buzz which, for the most part, is warranted. The semi-autobiographical show is sharply written and draws the audience into the world of Jade, a Liverpudlian scholar, as she navigates her first year at Cambridge University. It is a caustic commentary on the cultural and class-based divisions which overwhelm her experience, almost to the point of caricature. The posh students are ignorant and nasty, and the professors are technologically challenged crows. ...
The Bodyguard – Liverpool Empire
North West

The Bodyguard – Liverpool Empire

The UK tour of The Bodyguard brings the high-stakes, romantic thriller to life on stage, expertly balancing the glitz of a pop concert with the tension of a dark TV drama. Telling the story of superstar Rachel Marron and Frank Farmer - the former Secret Service agent hired to protect her from an obsessive stalker - the show manages to be both a spectacular showcase of Whitney Houston’s greatest hits and a genuinely gripping theatrical experience. The show doesn't gently ease you into your seat; it commands your attention from the absolute second the house lights fade. Opening with an explosive rendition of "Queen of the Night," the production immediately immerses the audience into the high-octane world of a global mega-celebrity. What follows is a clever juxtaposition of high-energy...
Strength In a Whisper – Assembly Roxy, Edinburgh
Scotland

Strength In a Whisper – Assembly Roxy, Edinburgh

Some productions tell a story. Others invite you into a landscape, a culture and a state of mind. Strength in a Whisper belongs firmly in the latter category. Created by singer-songwriter Kirsty Law and developed with Liam Hurley, this atmospheric blend of folk song, dance and theatre draws deeply from Scotland's oral traditions, exploring memory, solitude and the songs that survive only because someone chooses to keep singing them.The production unfolds at a deliberately unhurried pace. Alone in a remote bothy, a woman settles into the rhythms of rural existence. Gather. Dry. Eat. Rest. Repeat. The repetitive rituals of daily survival become the structure of the piece itself, creating an experience that asks the audience to slow down and inhabit its world rather than simply observe it.At ...
A Life in Four Seasons – Regent’s Park Open Air Theatre
London

A Life in Four Seasons – Regent’s Park Open Air Theatre

As the last of Vivaldi’s descending runs in L’inverno (“Winter”) hurtles towards a ritardando at cliff’s edge, bringing the show to a close, every single person in Regent’s Park Open Air Theatre is on their feet. The 16-dancer ensemble stands arms-linked and beaming and even the birds chirp their appreciation. It is the most inevitable of standing ovations for a triumphant showcase of dance, music, and theatre. A Life in Four Seasons, set to the eponymous work by Antonio Vivaldi, is a production in four segments, with each part representing a season in one’s life and the forces which determine their course. Spring marks the beginning and introduces us to the Heart, the Head, and the Gut at the point of self-discovery. They move with the awkwardness and buoyancy of youth, all-smiles and ...
Desperate Scousewives: Lily’s Story — St Helens Theatre Royal
North West

Desperate Scousewives: Lily’s Story — St Helens Theatre Royal

Some productions arrive with a clear sense of identity, and Desperate Scousewives: Lily’s Story wastes no time establishing exactly what kind of night audiences are in for. From the moment the opening music fills the auditorium, the show embraces its Merseyside roots with confidence and affection. Loud, proud and packed with personality, it delivers an evening of laughter, warmth and recognisable Scouse spirit that immediately wins over its audience. At the centre of it all is Lily, played by the ever-charismatic Crissy Rock. A born performer with impeccable comic timing, Rock commands the stage from her first entrance. Lily is brash, outspoken and fiercely funny, but Rock ensures there is genuine heart beneath the sharp one-liners. Against a background of coercive behavior and physical...
War Horse – National Theatre
London

War Horse – National Theatre

War Horse is a two hour twenty-minute spectacle of sublime animated visuals and skilful puppetry. A story that gets to the heart of the atrocities and impact of World War 1 on the men, families and the cavalry horses involved in conflict. The play introduces Joey as a foal a horse bred to become a fine racing horse who finds his way to a farm. In the mists of desperation, the family need to earn a living, Joey now needs to become a draft horse ploughing fields and supporting the family. Ted and Rose Narracott task their 16yr old son Albert to care for and train Joey to perform the enviable duties of ploughing, hauling and work as an agricultural horse. As time moved on Albert and Joey form a special bond of shared love, friendship and survival At the time of the outbreak of the first...
We Had a World – Hampstead Theatre
North West

We Had a World – Hampstead Theatre

Joshua Harmon’s We Had a World arrives Downstairs at Hampstead Theatre following a critically acclaimed debut in New York last year. The young playwright is a Juilliard graduate who scandalised Manhattan with his first play Bad Jews.  He also co-wrote a musical with Sarah Silverman and his last play, Prayer for the French Republic was nominated for Tony. While Harmon is the award-winning toast of New York, he’s less familiar to London crowds. It’s a minor coup for Hampstead Theatre to present this show in a studio space normally reserved for emerging new writers. It’s a small space for a playwright who’s a big deal. We had a World is a semi-autobiographical analysis of family conflict and how it filters through different generations. The play opens with Joshua (Ryan Copel) addressi...