Latest Articles - Page 5 of 724

4Sep

By Paul AckroydNo Comments

London

Oil and Whiskey – Old Red Lion Theatre

An award-winning off Broadway country rock musical having just had a run at the Edinburgh fringe and now opening in London sounds promising. Unfortunately, it disappointed on most levels. The main problem was the venue. The Red Lion’s performance area is small with the audience on two sides. There were 10 artists in this production, including a band with a keyboard, full drum kit and two guitars. There were two backing singers and four other performers. By the time this crowd had been assembled on the performance area, along with their microphones, amplifiers, speakers etc, there was room for very little theatrical activity. The music and the singing were amplified to an unnecessary degree and was uncomfortably loud, at least for this reviewer, and more seriously the excessively clos...

Strange Face: Adventures with a Lost Nick Drake Recording… The Story Continues – Pleasance 10 Dome

4Sep

By Greg HolsteadNo Comments

Scotland

Strange Face: Adventures with a Lost Nick Drake Recording… The Story Continues – Pleasance 10 Dome

There is something rather lovely about a show that gets inside the music without actually playing the music. Strange Face is essentially a PowerPoint presentation, but behind those slides lies an extraordinary little odyssey involving lost recordings, chance encounters, headphones, a backpack and a camera. Our guide is Michael Burdett, a composer, photographer and wonderfully personable storyteller whose connection with Drake began while working as a post-boy at Island Records in the 1970s. Asked to dispose of some tapes, he rescued one marked Nick Drake, Cello Song, only discovering more than two decades later that it contained a previously unheard recording. From that extraordinary accident grew something of a Munro-bagger obsession. Headphones, backpack and came...

4Sep

By Gaurav SinghNo Comments

London

Krapp’s Last Tape – The Cockpit Theatre

On his 69th birthday, Krapp sits alone with his tape recorder and listens back to a recording he made thirty years earlier. Moving between listening, remembering and recording, he encounters his younger self, his memories and the life that has passed between the two voices. Samuel Beckett’s Krapp’s Last Tape, performed at The Cockpit Theatre, becomes in Dave Wybrow’s production a remarkably immediate encounter with time. Peter Marinker plays Krapp, but the production also brings another Peter Marinker into the room: his own voice, recorded in 1983 for the BBC radio version of the play. The result is a conversation across more than four decades, between the actor he was and the actor he is now. Picture Courtesy - Cockpit Theatre Website What makes this particularly striking is the ...

4Sep

By Phil MeikleNo Comments

London

Holy Fool – Park Theatre

Throughout history, music and art have been used as vehicles to communicate hidden truths by creatives living under tyrannical states. Here, the legendary composer Dmitri ‘Mitya’ Shostakovich is presented as Communist Russia's Holy Fool; a man who must walk the tightrope between underplaying his talents and concealing his resistance to the state in order to survive the propaganda-led brutality of Lenin and Stalin’s Soviet Union. In Holy Fool, co-writers Rosalind Adler and Lea Sellers document Mitya's life from 1936 to 1973, but in trying to navigate the tightrope of life-threatening political resistance through faux compliance, the play occasionally loses its balance. While Adler and Sellers stay faithful to the historical record and portray the sinister world inside the Soviet regime, ...

4Sep

By Christina SchmidtNo Comments

Scotland

Glenn & Flenn – Paradise in the Vault

Glenn & Flenn were the stars of a kid’s TV puppet show that has unfortunately fallen into obscurity. Both puppets and actors have been trapped in the studio and time has not been kind to them. Years of disuse made the puppets moldy and rotten, and the puppeteers might just be going insane. It’s a wonderfully strange idea and writer and director Frederik Bang’s script has a good build up to the finale and lots of hilarious and lovelifying humour. The Glenn & Flenn jingle and fun little songs particularly stand out and really pull the audience into this world, keeping everyone engaged throughout the show. The puppetry unfortunately did not work. Eyelines are not working on the construction side, there’ some odd choices like hiding the puppet being one’s back although the audie...

3Sep

By Phoebe Olivia Sian HobsonNo Comments

Yorkshire & Humber

Heathers – Leeds Grand Theatre

The Heathers opened their candy store with a bang at Leeds Grand last night. Dang, what you think will be another upbeat American teen musical but this time with not one but three Rizzo’s named the ‘Heathers’, actually takes a dark turn and you soon realise you’re not about to watch another Grease, but a high school musical about damage, destruction and homicide. Not to worry though it’s all covered with humour, bright lights and toe tapping sing a long songs. The show follows the point of view of none other than low life nobody, ‘Veronica Sawyer’ played by Gerardine Sacdalan who’s itching for popularity until she sees an opportunity and shoots her shot… literally. The thirst for popularity lands Veronica a spot with the heathers and she enters a candy store full of toxicity, powe...

3Sep

By Zain RussellNo Comments

London

Wicked – Apollo Victoria Theatre

Wicked is currently the ninth longest-running West End show in history, having been a staple of London’s theatre scene since 2006, and it is not difficult to see why. Already beloved as a prequel of sorts to The Wizard of Oz, the musical has reached an even wider audience following its recent blockbuster film adaptations. Yet, despite how familiar the story has become, the West End production still feels every bit as magical as it should. From the moment the curtain rises, we are transported to the land of Oz and introduced to a story that goes beyond the familiar tale of the Wicked Witch of the West. At its heart, Wicked is a story about an unlikely friendship, prejudice, ambition and the people who shape our lives. The production makes an immediate impression with Glinda’s spectacu...

Shatter Resistant – Greenside @ George Street

3Sep

By Tom ScottNo Comments

Scotland

Shatter Resistant – Greenside @ George Street

The audience enters the dimly lit basement. It’s a humid day and I’m pleased to get a front row seat near the portable air-conditioning unit. A fellow audience member tells me this is her first ever Edinburgh Fringe show. She’s flown in this morning from Dublin to see her sister perform in ‘Shatter Resistant’. This is an impressive writing and acting debut from Isabelle Blanche. She has written a captivating, poignant and often funny show which she performs with gusto. She treats the audience as her best friends as she takes us with her on her emotional rollercoaster. Cassie, a recent University graduate, has been working temporarily for a marketing company. She has high hopes that her experience of advertising ‘shatter resistant’ mobile phone screen covers will lead to her being...

David Correos: Noise Zealand – Monkey Barrel Comedy

3Sep

By Ella BeckleyNo Comments

Scotland

David Correos: Noise Zealand – Monkey Barrel Comedy

David Correos’ show feels like hanging out in a state of delirium in your mate’s garage, stunk out with smoke, sweat and booze. From the moment you walk into the monkey barrel basement room Correos’ chaos is palpable, with dance music booming at full volume while idyllic videos of New Zealand’s landscapes play serenely on the presentation style TV at centre stage. As the audience file in towards their seats, Correos greets them individually with a sweet smile and handshake, he’s genuine, down to earth and generally lovable. ...

Collateral Damage – theSpace @ Surgeons Hall

3Sep

By Al CarrettaNo Comments

Scotland

Collateral Damage – theSpace @ Surgeons Hall

This week I’ve spent sixteen hours on buses commuting in and out of Edinburgh. You might not immediately appreciate the relevance of this fact, but the bus is a focal point of social interactions and a microcosm of society. Theatre gets interesting when it holds a mirror to dysfunction and reflects it. Listen to any given conversation on an Edinburgh bus and you will begin to hear what sets this play apart; realistic dialogue and a wholly naturalistic approach. The play has thematic structures that are highly topical and relevant. The driving trope in this piece is the effect of alcoholism on a tight knit family and the subsequent resolution and healing needed to progress. Human interest stories work when we are invested in the characters and in the circumstances presented, reasons,...