Latest Articles - Page 4 of 660

20Feb

By Adam WilliamsNo Comments

North West

The Last Picture – HOME Mcr

This may be a tale told by a dog, but it isn’t a shaggy dog story. It is a moving and perceptive tale about hate, shame, pain and ultimately humanity. In dangerous times, amidst the mess of human existence, light can shine, and there is hope. Storyteller Robin Simpson bounds onto the stage and tells us he is Sam, an emotional support dog trained to look after us all. He has been assigned to a Year 9 class, which means children aged 13 to 14. Catherine Dyson’s script is structured through a series of pictures described by Sam. We are invited to imagine these images sometimes from the kids' perspective, at times from our own, and even to envision how the people in those photos might have been feeling at the time. A swastika has been drawn on a locker, and even though the children mi...

Perfect Show For Rachel – The Crucible Playhouse

20Feb

By Nathan DunnNo Comments

Yorkshire & Humber

Perfect Show For Rachel – The Crucible Playhouse

Zoo Co (co-produced with Improbable) brought ‘Perfect Show for Rachel’ to The Crucible Theatre Playhouse this week, and what a delight it is to have this production on Sheffield stages this February. The show is a beautiful evening of unrestrained creative exploration and recreation. As we enter the full cast are on stage, very relaxed and smiley as they allow the audience to filter into their pastel coloured living room stage space. An electronic drum-kit, piano and guitar stand upon a small raised area. Rachel O’Mahoney is the director, the all seeing eye, the creative arbiter and final say of this show. She sits behind a large desk adorned with dozens (some 40+) buttons. Her art adorns the walls, and her face is live streamed to a couple TVs attached to a colourful set evoking recrea...

18Feb

By Paddy Darnell-WalshNo Comments

North West

Single White Female – Blackpool Grand

Nineties nostalgia arrives in Blackpool this week, in the shape of the new stage version of John Lutz’s psychological thriller Single White Female, made famous by the 1992 movie starring Bridget Fonda and Jennifer Jason Leigh. Adapted by Rebecca Reid, the story is updated to the present day and relocated to the UK. Whilst many aspects are in keeping with the original, this stage adaptation certainly attempts to reinvent itself somewhat. The plot centres around Allie, following the breakdown of her marriage. As she moves into her own apartment, struggling for money, she advertises for a lodger. In an interesting twist to the original, Allie now has angsty teenage daughter, Bella instead of a dog (thank goodness no labrador puppies are harmed in this production!). When Hedy takes up the o...

18Feb

By Paul ClarkeNo Comments

Yorkshire & Humber

Dear England – Alhambra Bradford

It's always struck me as odd that for a nation that invented football there hasn't been more plays written about the beautiful game that is such a central part of so many of our lives. James Graham's Dear England puts that right with an intelligent and emotionally charged piece that genuinely captures the visceral nature of our national obsession with the game. It's a drama as much about human relationships and the unbearable pressures of holding a nation's hopes on the shoulders of 11 young men, as it is about kicking a football about. Thankfully Dear England eschews too much of the cheesy onstage attempts to replicate playing at the very highest level that all too often blights football plays. Once upon a time Gareth Southgate was famous for missing a penalty that dumped England ou...

18Feb

By Zain RussellNo Comments

London

Deep Azure – Sam Wanamaker Playhouse

Deep Azure, written by the late Chadwick Boseman, who tragically passed away in 2020, is a haunting and deeply moving play. Inspired by the real-life killing of Boseman’s university peer, Prince Jones, the production chooses not to dwell on the events leading up to the tragedy, but instead explores its profound impact on friends, family, and peers. In today’s climate, the themes feel especially resonant, confronting grief, loss, and systemic injustice in a way that is both raw and intimate. Selina Jones delivers a remarkable performance as Azure, the grieving girlfriend struggling with an eating disorder. Her portrayal is both heart-wrenching and compelling. The screams and sobs she unleashes, particularly at the end of the first act, are unforgettable. They are heightened by the acapel...

Space by Luxmuralis – St Martin-in-the-Fields Church

18Feb

By Charlotte MansfieldNo Comments

London

Space by Luxmuralis – St Martin-in-the-Fields Church

It's notoriously difficult to see the stars if you live in London, so it's no surprise that there was a stream of people pouring into last night's opening of Space by Luxmuralis. Following a sold-out tour of the UK, this sound and light show has landed in St Martin-in-the-Fields church on Trafalgar square for five nights only. Luxmuralis is an artistic collaboration between Peter Walker (sculptor) and David Harper (composer) creating large-scale art, light and sound installations, designed to bring cathedrals and sacred spaces to life and transform the way we interact with them. In Space, the creators have used humanity's curiosity about the cosmos as a basis for their immersive show. The experience begins outside the church, where Renaissance drawings of the heavens and calculations...

18Feb

By Stewart Who?No Comments

London

Spanish Oranges – Playground Theatre

Former Bond girl, Maryam D’Abo is the star turn in Spanish Oranges, a new piece of writing by Alba Arikha, currently showing at the Playground Theatre in W10. The play forms part of Women's Voices: A Celebration (WVAC) an arts festival which is inspired by International Women's Day. This world premiere is D’Abo’s first stage role in 26 years. Instead of seeking the bright lights and glitz of a West End venue, this theatre is a former bus depot that requires a rather lengthy schlep from Latimer Road tube station. D’Abo co-wrote the book Bond Girls Are Forever (2002) and in 2004 she co-produced the documentary film Bearing Witness, about five female war reporters. She had surgery for a brain haemorrhage in 2007 and after recovering, met up with other survivors and produced a 2009 document...

17Feb

By Maani WayNo Comments

London

The Bodyguard – New Wimbledon Theatre

This romantic thriller, adapted from the 1992 film of the same name starring Whitney Houston, returns to the stage this year, reviving her iconic music for a new audience. It follows former Secret Service agent Frank Farmer (Adam Garcia), hired to protect global superstar Rachel Marron (Sidonie Smith) from a dangerous threat. While the pair anticipate a clash of personalities, neither expects their professional relationship to give way to an unexpected and compelling romance. This show is bursting with energy from the start, a loud bang jolting the audience straight to attention at the beginning. The jump scares do not cease, and they present themselves at later points in the show, which work well, particularly when the threat is introduced to us as an obsessed stalker (James-Lee Ha...

17Feb

By Damian RiverolNo Comments

Wales

Glitch – Theatr Clwyd

Written by Zannah Kearns and directed by Gareth Taylor, Glitch is the story of a sub-postmistress, Pam Stubbs, whose life is left in tatters after she is falsely accused of deceiving the Post Office out of thousands of pounds. But with meticulous bookkeeping and the strength to keep fighting for what is right when she knew she had done nothing wrong; she finally receives a positive outcome. But at what cost? Glitch takes us right into the centre of one of the biggest “scandals” when the Post Office brought in the Horizon computer system and when Pam Stubbs, back in 2009, moved into a portacabin while the building underwent a redevelopment. The monthly Trading Statements produced shortfalls on the Horizon system and the Post Office demanded Stubbs pay it back, even though she ha...

17Feb

By Kira DanielsNo Comments

London

Much Ado About Nothing – Theatre Deli

Sigh no more, ladies, sigh no more. A wet and wild production of Much Ado About Nothing has rolled into town to take you for a ride. Without a shirt on its back or an ounce of pretension in its other dressings, this wantonly accessible production throws the audience right into the thick of it. Shakespeare's most obnoxious lovers are back on their bull. Beatrice (Bobby Hughes) and Benedick (Zak Rosen) are capricious, ridiculous, captivating rivals locked in pursuit of the audiences' laughter with hearts bound to fall no matter how much they kick and scream on the way down. This high octane production, rehearsed and performed in only a handful of hours, is relentlessly energetic and powered exclusively by the forceful charisma of its cast. Without a set, costumes, or pr...