Latest Articles - Page 3 of 680

14May

By Paul AckroydNo Comments

London

1536 – Ambassador’s Theatre

In 1536 Anne Boleyn, then married to Henry VIII, was accused of treason, locked up in the Tower of London and subsequently executed. Her only real crime, not providing an heir. From the publicity material surrounding this play you would think that that is what it is going to be about. It is not. The setting is a village in Essex, in a small clearing with a large tree stump and tall grasses. Here three village women, Anna, Jane and Mariella, live out their intertwined lives in a highly patrimonial society where women's status and lives count for little. They hear the stories of the arrest and fate of the Queen which they can scarcely credit, but it has little relevance to their lives. Or does it? In their rural microcosm they are subjected to the same misogyny and arbitrary male decision...

13May

By Emma WildNo Comments

North West

Spamalot – Blackburn Empire

It is always a privilege to return to beautiful, Blackburn Empire Theatre. On a Tuesday evening, sitting in the auditorium, with the footlights highlighting the plush red curtains (under the exquisite proscenium arch). The fourteen-strong band strikes up and the magic begins! Spamalot, also known as Monty Python’s Spamalot: A New Musical (lovingly) ripped off from the motion picture Monty Python and the Holy Grail, proved to be a fabulous choice of show for Blackburn Musical Theatre Company. This historic company (dating back to 1912) appears to be going from strength to strength. With an ensemble made up of over 30 people (of all different ages), this show gave every single individual the chance to shine. With sparkling dance routines, stilt walking, beautiful harmonies, hilarious ...

13May

By Zain RussellNo Comments

London

Blood Brothers – Richmond Theatre

The classic and much-loved musical Blood Brothers returns to Richmond Theatre, bringing Willy Russell’s iconic story back to the stage with emotion, humour and heartbreak. Written by Willy Russell, Blood Brothers tells the tragic story of the Johnstone twins, separated at birth and raised in completely different households, unaware that they are brothers. Despite growing up in contrasting worlds, fate continually draws them back together, forming a lifelong friendship as “blood brothers”. The story powerfully explores themes of class, family, destiny and whether blood really is thicker than water. Kristofer Harding was outstanding as the Narrator, commanding the stage whenever he appeared. His presence helped guide the audience through the story while creating a constant sense of ten...

To Kill a Mockingbird – Liverpool Empire

13May

By Brian MaddenNo Comments

North West

To Kill a Mockingbird – Liverpool Empire

To Kill a Mockingbird at the Liverpool Empire is a powerful and emotionally charged production that proves Harper Lee’s story still has enormous relevance today. Aaron Sorkin’s adaptation brings a sharper, more contemporary edge to the novel, while Bartlett Sher’s direction balances moments of humour and warmth with the darker realities of racism, injustice and prejudice. The result is gripping theatre that feels both timeless and uncomfortably current. Set in 1930s Alabama, the story follows lawyer Atticus Finch as he defends Tom Robinson, a Black man falsely accused of assaulting a white woman. Told through the eyes of Scout, Jem and Dill, the production cleverly contrasts the innocence of childhood with the ugliness of the adult world around them. This adaptation also digs deeper int...

13May

By Jackie FoottitNo Comments

Yorkshire & Humber

Fawlty Towers – Hull New Theatre

It was standing room only in every bar and eaterie at the Hull New Theatre on Tuesday night; theatregoers were even sitting on the stairs pre-curtain up. We were all there to watch Fawlty Towers the Play - a brand-new stage production adapted by John Cleese. Who, along with his then wife, actress Connie Booth, wrote and acted in the 1975 TV comedy, Fawlty Towers, a hotel at 16 Elwood Avenue, Torquay, boasting “traditional English hospitality”. Fast forward over 50 years and Cleese has chosen three of his favourite episodes out of the original 12, to delight audiences once again. Directed by Caroline Jay Ranger, those three - The Hotel Inspectors, The Germans and Communication Problems - are so cleverly and seamlessly merged into one story, we couldn’t see the join. The stage se...

12May

By Katie LeicesterNo Comments

North West

Frozen – The Brindley Theatre

Disney’s Frozen, with music and lyrics by Kristen Anderson-Lopez and Robert Lopez, was originally directed on Broadway by Michael Grandage and has become one of the most beloved modern musicals for audiences of all ages. Therefore, it was with huge excitement and great anticipation that I attended the Centenary Theatre Company’s production of Disney Frozen at the The Brindley Theatre. As one of the very first amateur productions of Frozen anywhere in the UK and the first production in the North of England, this was always going to be a special theatrical event, and the company certainly rose to the challenge magnificently. Directed by Dan Grimes, this production captured all the magic, warmth and spectacle audiences have come to love from Frozen, whilst also bringing an enormo...

Godot’s To-Do List and Krapp’s Last Tape – The Royal Court

12May

By Eleanor HallNo Comments

London

Godot’s To-Do List and Krapp’s Last Tape – The Royal Court

The double bill at the Royal Court (Leo Simpe-Asante’s curtain raiser, followed by Samuel Beckett’s classic). Godot’s To-Do List charts an endless number of tasks for its protagonist, the number of which is quantified by a party popper sound effect. Flora Ashton’s quasi supermarket checkout voice is a playful antithesis to Shakeel Hakim’s Godot, a frantic figure decked out in suit and bowler hat. Such tasks range from the banal to the impossible to the repetitive, with chunks of overlapping lines generating either acute tension or comedy. In this world, assumptions are questioned or subverted: i.e. when it is suggested that the omnipotent voice would make a good one for something akin to a mindfulness podcast, it later traps Godot within in a repeated instruction to ‘take a breath’. ...

12May

By Klervi GavetNo Comments

London

Escaped Alone – The Coronet Theatre

Escaped Alone at The Coronet Theatre is one of those productions that feels perpetually on the verge of becoming something unsettling and profound, yet never quite arrives there. Directed by Lisa Ferlazzo Natoli and Alessandro Ferroni, this Italian-language adaptation of Caryl Churchill’s 2016 play certainly has atmosphere, but little dramatic momentum. The premise is deceptively simple: four older women sit in a suburban garden, chatting about ordinary things: cats, television, old memories, drinks, passing time... Beneath the surface, each carries some private fracture or trauma. Every so often, one of them steps out of the everyday realism to deliver apocalyptic monologues describing floods, disease, famine and societal collapse, while projections and sound design suggest a world qui...

12May

By Carole GordonNo Comments

London

Company – Bridewell Theatre

Stephen Sondheim's Company won six Tony Awards for its original 1970 US production. Its witty and innovative format of a series of vignettes, focusing on the central character Bobby, stunned audiences then and continues to delight with a message that's as relevant today as it was 50 years ago. It's Bobby's 35th birthday and he's reluctantly at a surprise party thrown by his friends. Surrounded by married and single friends, ex- and current girlfriends, Bobby witnesses the swirl of emotions, the joy and the heartbreak of being in relationships of all types. As the drink, weed and emotions flow, Bobby's married friends set him up with dates and try to persuade him that he needs to be married. But Bobby isn't wholly wedded to the idea of commitment, and it seems his married friends are ...

Let the Right One In – Underbelly Boulevard

12May

By Charles PipeNo Comments

London

Let the Right One In – Underbelly Boulevard

Let the Right One In, by Jack Thorne, adapted from the novel by John Ajvide Lindqvist, is a bold blend of two genres: vampire horror meets coming-of-age romance. Set in a bleak Swedish suburb in winter, the plot follows the blossoming relationship between awkward, bullied teen Oskar and un-aging vampire Eli. The narrative is both touching and gripping, and the script is full of fascinating moral shades of grey, while richly exploring themes around puberty and masculinity. This production features a large ensemble cast of twenty, including eighteen NYT REP members. Every member of the ensemble does an excellent job, and the physical group scenes feel dynamic and polished. At the core of the play is the sweet and somewhat concerning teen romance that develops between Oskar (Nicky D...