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Bonnie & Clyde – Palace Theatre, Manchester

8May

By Paul DownhamNo Comments

North West

Bonnie & Clyde – Palace Theatre, Manchester

In just 2 weeks Disney’s Aladdin flies into the Palace Theatre, one of the most anticipated shows of the year. But stop right there! This week Bonnie and Clyde drives onto the Place stage to raise a little hell in what so far, for me is the theatrical highlight of the year. I am lucky enough to be able to see some of the best theatre this country has to offer visiting Manchester and this show leave me after two and a half hours struggling to find fault with it in any way whatsoever. The staging, lighting, sound, orchestra and cast are faultless from the first gunshot to the last. In a story that is never going to have a happy ending Katie Tonkinson (Bonnie) and Alex James-Hatton (Clyde) display a fiery emotional chemistry from the first moment they meet to the final fade of the li...

Un ballo in maschera – Oper Köln at StaatenHaus

7May

By Mark DavorenNo Comments

REVIEWS

Un ballo in maschera – Oper Köln at StaatenHaus

Director Jan Philipp Gloger presents one of Verdi’s lesser performed works which contains the usual emotional and dramatic power, creating tragic and comic situations in equal measure but often permeated by a cruel irony as characters ae subject to the conflict between the outer façade imposed by society and their inner highly emotional feelings. Count Riccardo (Gaston Rivero) is in love with Amelia (Astrik Khanamiryan), the wife of his secretary and best friend Renato (Simone del Savio). Amelia reciprocates this love but tries with all her might to suppress her feelings and seeks counsel from fortune teller Ulrica (Agostino Smimmero). Riccardo attends in disguise and discovers from her prophecy that Renato of all people will kill him, which the Count himself can only laugh at first. Ho...

God of Carnage – Schauspiel Köln at Depot

7May

By Mark DavorenNo Comments

REVIEWS

God of Carnage – Schauspiel Köln at Depot

Director Tristan Linder’s adaptation of Yasmina Reza’s original French play, translated and performed in German with English surtitles, skewers modern bourgeois society which is torn between enlightened goodness and all-too-human egoistic competition. Two eleven-year-old boys have fought on the school playground with one hitting the other with a stick which results in the loss of a couple of teeth. As civilised people, the parents decide to talk things through together. So Véronique (Lola Klamroth) and Michel (Alexander Angeletta), parents of the victim, Bruno, invite Annette (Sabine Waibel) and Alain (Jörg Ratjen), parents of the perpetrator, Ferdinand, to discuss over coffee and biscuits, a more consensual and politically correct way to influence the behaviour of Ferdinand in line wit...

7May

By Kira DanielsNo Comments

London

Draft 23 – Old Red Lion Theatre

Somewhere between Waiting for Godot and waiting in a mile long bathroom line behind the two most annoying people at your college while they slowly figure out they don’t actually even like each other, Draft 23 is set in a shifting landscape of tottering piles of laundry, watches, belts, and ashtrays. This play follows the slow and inevitable demise of a fictionalized relationship that cannot maintain itself without the structure of a functional script. The stakes are low and the characters themselves are lower, alternating between various tableaus of languidity as they mope about the playing space without any vestige of playfulness in them. Self-important but unable to self-articulate, the text is under-rehearsed and both actors’ performances are pervaded by a self-consciousness that underc...

7May

By Karen Morley-ChesworthNo Comments

North West

Northanger Abbey – Theatre by the Lake

From the novel by Jane Austen comes a play by Zoe Cooper that brings 21st century humour and gender politics to the original early 19th century text, writes Karen Morley-Chesworth. With interaction with the audience, breaking down the fourth wall as well as a number of taboos that would have made Miss Austen blush, this production opens with lively style. Rebecca Banatvala as Cath, the heroin of this and her own story commands the piece with gusto. Banatvala is the powerhouse of this production, which is anything but your expected adaptation of an Austen novel. AK Golding and Sam Newton play a number of different roles that create Cath’s world – her parents, the neighbours who take her to Bath for the season and the first love of her life, Hen and her new found female friend Iz. ...

5May

By Anisha PucadyilNo Comments

London

Kunstler – White Bear Theatre

Riotous, engaging, and will keep you on the edge of your seat. Jeffrey Sweet's Kunstler is making its European Premier at The White Bear Theatre from 1st May. Prepare to be mesmerized by a remarkable performance from Broadway star Jeff McCarthy, who brings Kunstler to life with his impeccable mannerisms, sharp wit, and characteristic humour. The play, set with dialogue only between two actors on stage, masterfully brings to life a litany of American freedom Politics. Nykila Norman and Jeff McCarthy's exchanges are a dance of intellect and wit as they spar over the critical cases Kunstler took up. The dialogue adds depth and tension to the narrative, keeping the audience engaged and intrigued. It is no mean feat to bring to the stage the life of William Moses Kunstler, a prolif...

5May

By Louise BalaguerNo Comments

Scotland

Swan Lake – Festival Theatre

David Dawson, who has created this new interpretation for Scottish Ballet, sees Swan Lake as the dance equivalent of the Mona Lisa’. This statement from the souvenir programme is one that stood out to me – it speaks to the monument of ballet that Swan Lake is. But unlike the Mona Lisa, it presents the advantage of being a form of art that is live, constantly in motion, with endless possibilities of reinterpretation. With the aim of creating a show for a modern audience, Dawson stripped back the layers of the story to reach its essence: passion and betrayed trust. There are no elaborate palace and lakeside decors, or costumes adorned with tutus. The costumes, designed by Yumiko Takeshima, are for simplicity, elegancy, and showing off the physicality of the dance. No Baron von Rothbart ei...

5May

By Kira DanielsNo Comments

London

Captain Amazing – Southwark Playhouse

Good for a laugh and great for a cathartic sob, Alistair McDowall’s Captain Amazing takes only a few minutes (65 give or take) of bedtime storytelling to spin back time and create a whole new universe. The world of Captain Amazing is a sparse one. He goes to work at a store and tells people not to buy things they don’t need, brings chain vouchers on his dates, and lives in an apartment with one chair (and another upstairs if you want him to go and get it). He’s not one to take a stand or cause a fuss but he’ll do his darndest to save an innocent life. Directed by Clive Judd and produced by Matthew Schmolle Productions in partnership with charities working on male mental health and support for single parents, this production is extraordinary. Mark Weinman’s chimerical performance as Capt...

5May

By Carole GordonNo Comments

London

Miss Brexit – Streatham Space Project

Presented as part of the Assemble Festival, Miss Brexit is a satire on the place of the migrant in post-Brexit Britain. Five contestants from various countries (Spain, Portugal, Switzerland, Italy and Slovakia) are vying for one award of the right to remain in the UK, showcasing their credentials to be the one to receive this coveted prize and be crowned Miss Brexit. As they do so, their desperation to remain in the UK becomes ever more evident and bizarre, as they push themselves to become "British" in order to stay in the UK and integrate into the culture. Should they do that, or should they stay faithful to their roots and the culture they bring with them into what is a multicultural society? The actors are an international troupe, themselves dealing with the consequences of Brex...

3May

By Wendy McEwanNo Comments

Scotland

The Drifters Girl – Edinburgh Playhouse

Faye Treadwell was the manager, and driving force, behind the iconic American vocal group, The Drifters. Formed in 1959, the group’s hits included Hello Happiness, Saturday Night at the Movies, Under the Boardwalk, and so many more familiar numbers. Between the soundtrack, and the trailblazing lead character, the story seems to be made for musical theatre success. The line-up of the Drifters changed frequently during their history. We see members being drafted into the military, or fired by Treadwell and her husband George, or undergoing other personal tragedies. Sometimes – like Ben E. King (Ethan Davis), they move on to greater success elsewhere. In total, The Drifters featured 60 different vocalists during their history. This means a lot of multi-roling. Matthew Dawkins, Davis, Tarik...