REVIEWS Archives - Page 5 of 544

21Nov

By Gill LewisNo Comments

North West

Spamalot – Rainhill Village Hall

Cult comedy, gleeful chaos, and an abundance of absurdity are served up with style in this Rainhill Village Hall production. Individuality Productions deliver an impressive rendition of the popular, Monty Python’s Spamalot. ‘Lovingly ripped off’ from the 1975 film Monty Python and the Holy Grail, this musical by John Du Prez and Eric Idle, centres on a very daft parody of Arthurian legend with plenty of catchy show tunes thrown in. Despite the musical not getting the best reception from Idle’s former Python colleagues, the original Broadway production was nominated for 14 Tony Awards and won in 3 categories. Despite its lack of historical accuracy, with tap dancing knights, killer rabbits, and Divas, the charm and silliness enjoyed by Python fans is offered here on the local do...

20Nov

By Olivia CoxNo Comments

London

Porn Play – Royal Court

As its unashamedly frank title suggests, Sophia Chetin-Leuner’s Porn Play isn’t afraid to tackle the taboo. At the Jerwood Theatre Upstairs at the Royal Court, Director Josie Rourke has staged a production that’s willing to match the script’s boldness. From the off, Designer Yimei Zhao’s pillowy, plush, almost vulvic set draws the audience into the action at a perhaps uncomfortably close proximity. The whole room is covered in a pale, bouncy carpet; we’re asked to put covers on our shoes before we nestle into the space’s uniquely cosy seating plan. After we’ve settled in, we meet an unnamed seductress (played by a fantastic Lizzy Connolly, taking on a number of other roles) who slinks across the bed-like pit in the centre of the stage, writhing and sticking out her tongue in an arguably...

20Nov

By Jackie FoottitNo Comments

Yorkshire & Humber

A is for Arsenic – Bilton Theatre

The snow lay inches deep in Bilton, near Hull, on Wednesday evening, but that didn’t deter theatregoers from making their way to the Bilton Amateur Dramatics Society’s (BADS) theatre to watch the comedy murder mystery, A is for Arsenic. Written by David Pemberton and directed by Carol Hawxwell, the play is performed by arrangement with Lazy Bee Scripts. But there was nothing lazy about the six actors who brought the play to life - I really do think it was one of the best this small, talented company has brought to the stage so far. The curtain opens on a brick-walled basement room - table, chairs, bookcase, white board with stand and little else. Over time, members of a crime writing group - yoga teacher Sally (Mandy Grimston), housewife Fay (Helen Davison), and Brian, insuranc...

20Nov

By Michelle KnightNo Comments

London

Jurassic – Soho Theatre Upstairs

Tim Foley’s short sixty-minute play is a satirical spin on the film franchise Jurassic Park. Boxed up and packaged in such way that the actors themselves physically and figuratively fight it out in true dinosaur style. Set within a financially stricken university the Dean calls in Jay an academic in palaeontologist to his office. Jay is faced with being laid off due to academic losses, poor performance, scandal and anything the Dean could put upon him. Examples of failings ‘losses’ Jay appeared on countdown and lost to a ‘little old lady’ his performance Dean explained brought the university into disrepute. Jay hangs out in the student bar and is too familiar with the female students, “you are bringing the university into disrepute” time after time. Unhappy with his fate Jay takes steps to...

A Night at the Musicals – Peebles Orchestra

19Nov

By Kathleen MansfieldNo Comments

Scotland

A Night at the Musicals – Peebles Orchestra

Peebles Orchestra was founded by Claire Garnett, MBE, in 1976. Claire was its guiding spirit for forty-two years before she handed over this tremendous pool of talent to the chair, Chris Dubé. Claire has been fundamental in establishing a solid musical base in Peebles. She founded Peebles Players for people with disabilities and music for dementia in care homes. Her legacy does her proud. A Night at the Musicals was Peebles Orchestra’s latest offering on Saturday evening. Chris Dubé, his hard-working vice-chair, Annelies van den Bogaard and the entire orchestra relished the opportunity to partner with local youth and adult groups: Stardust, InChorus, Nomad Beat, and two gifted young soloists, Gregor Scott, fifteen, and Erika Rae Franssen, seventeen. Conducted by Ross Gunning, this ensem...

The Addams Family – The Brindley, Runcorn

19Nov

By Lou SteggalsNo Comments

North West

The Addams Family – The Brindley, Runcorn

For those who are resisting the total takeover of tinsel, they may find comfort in a date with America’s spookiest family. The Addams Family packs lots of nostalgic charm for those who loved the various TV shows and films. In this adaptation, everyone’s favourite young goth, Wednesday, has a nasty shock for her family that, for once doesn’t involve the usual collection of weaponry and torture devices – instead she has fallen in love and, to the horror of the kooky clan, he and his family are ‘normal’ – and guess who’s coming to dinner? Centenary Theatre Company’s production, directed by Claire Littlemore, and with musical direction by Emily Woodward, boasts all the hallmarks of their high standards. A splendidly macabre set brings us into heart of the Addams’ home and the slick light...

18Nov

By Mark DavorenNo Comments

North West

Susanna – The Lowry

Director Olivia Fuchs and Choreographer Marcus Jarrell Willis combine perfectly with this fourth major collaboration between Opera North and Phoenix Dance Theatre delivering an all-too prescient take on Handel’s celebrated Biblical operetta whose themes of chastity, integrity, and corruption are explored in terms of power, gender, and judgement. Susanna (Anna Dennis) and Joacim (James Hall) celebrate their love for one another while her father, Chelsias (Matthew Brook), shares in their happiness, before Joacim is called away on business leaving Susanna with a sense of foreboding. Two elder statesmen (Colin Judson; Karl Huml) confess their lust for Susanna to each other, and when she seeks respite from the heat of the day by taking a bath in her garden, they first spy on her then, whe...

16Nov

By Dylan MooneyNo Comments

Scotland

Through the Mud – Traverse Theatre

Spanning past and present, Apphia Campbell’s Through the Mud explores racism in America during the Black Panther movement as well as Black Lives Matter. Filled with a gospel and blues soundtrack, sung live by the performers, this is a show with a strong message but some struggle of identity. With only two actors, we follow the stories of Assata Shakur (Apphia Campbell) during the civil rights movement and Jim Crow laws while flipping back and forth to Ambrosia Rollins (Tinashe Warikandwa) a college student wrapped up in the Black Lives Matter protests in 2014. Both actors also play smaller, secondary roles in their counterparts' stories. Initially, these changes between past and present can feel confusing, trying to keep up with what time period we are in. Accent changes are quite subtl...

The Gardening Club – New Wimbledon Theatre

16Nov

By Savitha VenugopalNo Comments

London

The Gardening Club – New Wimbledon Theatre

It is the 1960s in Georgia, USA. In Savannah, five young women – a journalist, a nurse, a housewife, and two teenaged sisters – form a gardening club. Only, they have no intentions of discussing petunias or pesticides. This in fact will be a cover for drug dealing as they try to get their hands on (and distribute) birth control pills. At the time, these were legally available only to married women: “no pill without a ring”. The Gardening Club is a pop-rock musical written and produced by Carleigh McRitchie and Bella Wright, directed by Tara Noonan. Set in a time when women had precious little by way of body autonomy, this club is a revolutionary idea born out of the need to have some control over their lives. What sounded exciting on paper did not, unfortunately, transfer well on to ...

16Nov

By Dylan MooneyNo Comments

Scotland

Òran – Traverse Theatre

From the fantastic minds of Wonder Fools comes Òran, a contemporary retelling of the famous greek myth of Orpheus. Fresh from its 2024 Edinburgh Fringe Festival run, this piece, written by Owen Sutcliffe and directed by Jack Nurse, has embarked on a new tour. Òran (Robbie Gordon) has a difficult relationship with his parents, particularly heightened by the loss of his older brother. Alone, he strikes up a strong friendship with Liam. However, as two young boys living in the modern age of social media, this friendship soon goes awry as indecent images are shared by the young boys in an immature attempt at revenge. Like the Greek myth, Òran heads into the underworld to make amends with Liam, who serves as a Eurydice-esque character. Robbie Gordon performs the poetic, spoken word-in...