REVIEWS Archives - Page 6 of 580

14Apr

By Stewart Who?No Comments

London

Iphigenia – Arcola Theatre

Iphigenia in Aulis was first staged, alongside the Bacchae and the Alcmaeon, at the Great Dionysia in 405 B.C. It premiered shortly after Euripides' death. It’s likely that Euripides' son (or nephew) took the reins and staged the play. Nepotism was as rife in showbiz thousands of years ago as it is today. Rather like the Bible, the original text remains an object of debate. It was probably incomplete when the playwright died. Scholars remain in a schism over what was added posthumously, by whom and for what reason. Adapted and directed by Serdar Biliş, Arcola Theatre’s Iphigenia uses Stephen Sharkey’s English take on the play. It dramatizes the myth regarding the sacrifice of Agamemnon and Clytemnestra's daughter Iphigenia. Why would a father slaughter his daughter? Well, the Greeks nee...

The Rocky Horror Show – Wolverhampton Grand

14Apr

By Peter KinnockNo Comments

West Midlands

The Rocky Horror Show – Wolverhampton Grand

She's still a wild and an untamed thing. Like a regular visit from your favourite aunt, Rocky Horror rocks up once more at the Grand Theatre Wolverhampton to holler, heckle and howl, to shout, shimmy and shock, to dazzle, disturb and delight. Since it burst on the fringe scene fifty-three earth years ago it has transcended taste and tact with an ebullient effusion of mad-cap antics and a full-bodied burst of good old rock and roll to deploy a tale both carnal and comic with just a hint of poignancy running through its tainted veins. Like a mad scientist pondering the morality of his unnatural endeavours, I wonder if Richard O’Brien quite thought what he was unleashing on an unsuspecting world when he sharpened his quill and wrote “Michael Rennie was ill the day the earth stood still…” a...

14Apr

By Paul ClarkeNo Comments

Yorkshire & Humber

Waitress – Bradford Alhambra

The Great British Bake Off had been going for some years when Waitress hit the West End a decade ago, so there was a ready made audience for a show based on cakes….or pies as they are known stateside. This warm hearted musical uses the ingredients waitress Jenna Hunterson uses in her unique pies as a metaphor for the trials and tribulations of her life and those around her. Waitress is actually much like Jenna’s pies, a bittersweet affair as whilst Jessie Nelson’s book celebrates the tight community that work and eat in her southern diner, Jenna is not only trapped in an abusive relationship with her husband Earl, but reluctantly expecting his baby. She escapes her grim life through an affair with her obstetrician Dr Pomatter and dreaming of winning a pie-baking contest to escape from E...

14Apr

By Nathan DunnNo Comments

Yorkshire & Humber

Operation Mincemeat – Sheffield Lyceum

Operation Mincemeat smashed records for being the best reviewed West End show in history collecting a baffling amount of 5-star reviews - and I’m here to tell you each one is earned. Avalon & SpitLip have birthed a raucous, compelling musical comedy for the ages. The story is intriguing. We are thrust into World War Two, and MI5 are scheming a plan to try and thwart the threat of German aggression across mainland Europe. SpitLip, composed of David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts, authored the script, music and lyrics. They recount the relatively unknown story of ‘Operation Mincemeat’, a real-life plot to trick the Nazi’s into anticipating an allied counter-offensive into Sardinia. The desired effect would be for the Third Reich to move their troops into the isl...

13Apr

By Greg HolsteadNo Comments

Scotland

Shooglenifty – Traverse Theatre

There are evenings where the relationship between performance and space becomes the story, and this is one of them. I’m at the Traverse Theatre watching Shooglenifty, a band whose entire raison d’être is to get people on their feet, and I’m sitting in the second row of a steeply raked, all seated auditorium that is doing everything in its power to keep me there.Shooglenifty have been around since 1990, and they play like it, in the best possible way. The musical evolution of the ‘Niftys’ is best described as a fusion of traditional ceilidh rhythms with global influences including Asian, Middle Eastern and contemporary sounds into a vibrant danceable whole. This is a band completely at ease with itself, driving hard, playing tight, and clearly enjoying the room, even if the room isn’t quite...

RH and Friends – Hoopla 20th Anniversary

13Apr

By Charlotte MansfieldNo Comments

London

RH and Friends – Hoopla 20th Anniversary

Hoopla improv comedy club is turning 20 this Spring, and celebrating with a packed programme of improv shows. RH & Friends launched the anniversary celebrations last night, performing to an enthusiastic, sold-out audience. The Friends part of the title on this occasion consisted of two improv groups: relative newcomers, Not a Cult, who met doing classes at Hoopla; and the more experienced Valkyrie. In the first half of the show, these groups made up short scenes based around suggestions from the audience. We learned that it's important to have your chakras aligned before you take off in a space shuttle, and demons are responsible for Ryanair baggage fees. The experience of Valkyrie was clear in their adoption of different characters, but the Not a Cult performers had some clever...

13Apr

By Kira DanielsNo Comments

London

Carmen – Richmond Theatre

Carlos Acosta’s Carmen isn’t the opera you know but you’ll recognize the music. Extremely danceable and performed by a highly competent company, Bizet’s famous score is in this case prerecorded and piped in to the Richmond Theatre offering a curious mixture of ecstatic dance and rather quiet song to theatregoers. Adria Díaz as Carmen and Alexander Arias as Don José both rise to the occasion and their dancing chemistry powers this performance forward with compelling turns by Paul Brando as Bull and Brandy Martínez as Zúñiga to compliment the molten core of sensuality at the heart of this piece. Music by George Bizet and arrangement by Rodión Schedrin is interspersed with additional music by Martin Yates, Yhovani Duarte and Denis Paralta fairly seemlessly. Set and costumes by Tim H...

Invisible Me – Southwark Playhouse Borough

13Apr

By Paul AckroydNo Comments

London

Invisible Me – Southwark Playhouse Borough

Three individuals, turning 60 and leading solitary lives, starting to explore new horizons, eventually meeting up, may sound a bit of an artifice for a plot. But with a tightly written text by Bren Gosling and first-class acting and direction, it is a theatrical gem. We meet: Lynn, played by Tessa Peake-Jones. Divorced from her uncaring husband and now living in her late mother’s house, working as a cleaner in a Travelodge. A surprise encounter leads to an unexpected foray into the world of online "personal services". Alec, played by Kevin N Golding. A taxi driver, divorced with two adult children who he rarely sees. His tedious world interrupted by an encounter with a mysterious woman half his age. Jack, played by James Holmes. Still in grief over the death of his ...

13Apr

By Zain RussellNo Comments

London

Flyby – Southwark Playhouse Borough

Flyby at Southwark Playhouse is a new musical that explores love, regret, and the consequences of impulsive decisions. The story centres on Daniel and Emily, whose relationship is revealed through a mix of present-day narration and flashbacks after Daniel steals a spacecraft and disappears into space. This unusual premise works well as a metaphor, allowing the audience to reflect on what drives someone to run away rather than confront the realities of a relationship. At its core, Flyby presents a deeply relatable love story. The connection between Daniel and Emily feels authentic, capturing the highs and lows that many will recognise. Their dynamic moves naturally between affection, tension, and conflict, showing how small misunderstandings and emotional reactions can escalate into some...

13Apr

By Stewart Who?No Comments

London

A Doll’s House – Almeida

My first brush with A Doll’s House by Henrik Ibsen was in 1988. The play was a text for Theatre Studies ‘A’ Level. Our study of the Norwegian classic coincided with the Second Summer of Love. We were listening to French Kiss by Lil Louis on pirate radio, as E-fuelled Acid House swept the nation. Ibsen’s critique of the claustrophobic strictures of 19th century society, with its heavy sideboards and gloomy dialogue did not jive with the vibes of my fellow drama students. We yawned, eye-rolled and gurned, wearing smiley face t-shirts and muddy Kickers. In 2022, in the crazy throes of lockdown, Soho Theatre produced an online adaption of Ibsen’s Hedda Gabler. It was created, written and directed by Jen Heyes and starred the avant garde legend David Hoyle. HEDDA (after Ibsen), blew my mind....