REVIEWS Archives - Page 303 of 417

27Apr

By Adam WilliamsNo Comments

North West

If This Is Normal – 53Two

Being young is a wonderful thing, isn’t it? All you can remember, as you look back at those carefree days and that glorious summer before going to university, is the sunshine and the happy times, yes? Those heady days when everything seemed possible and all you had to do was to go out and enjoy yourself with your mates. Wasn’t it fantastic? Yet was it? Because when you get older you tend to forget all the confusion, the insecurity, the vulnerability and the sheer emotional nightmare we all went through when we were young. It is a very confusing time and If This Is Normal captures all that angst perfectly. Writer Lucy Danser’s play is, like most teenagers, full of verve, energy, sprit, fun and emotion. It follows the friendship of three young people, siblings Madani and Maryam w...

26Apr

By Lou SteggalsNo Comments

North West

Habibti Driver – Octagon Theatre

What links Laurence of Arabia, Vegan bacon, bingo and burkas? The answers lie within a fantastic new ‘clash of the cultures’ play. Habibti Driver, receiving its world premiere tonight, follows the relationship between Egyptian Muslim cab driver Ashraf, and his ‘Habibti’ half Egyptian, half Wiganese daughter Shazia. The mischief starts when Ashraf (Dana Haqjoo) introduces Shazia (Shamia Chalabi) to his new Egyptian bride, whilst she is attempting to break the news of her own secret engagement. Based on Chalabi's real-life experiences and co-written with Sarah Henley, the play, described as ‘East Meets Wigan’, explores the clashes, compromises and comedy that come with living in a mixed-culture family in today's Britain. Thanks to a superb script that is funny and moving in equal...

Catch Me If You Can – The Alexandra, Birmingham

26Apr

By Annette NuttallNo Comments

West Midlands

Catch Me If You Can – The Alexandra, Birmingham

This thrilling mystery based on the play Trap for a Lonely Man by French writer Robert Thomas arrives in Birmingham this week. Not to be confused with the Leonardo Di Caprio film of the same name, this American adaptation written by Jack Weinstock and Willie Gilbert, Catch Me If You Can tells the story of newly married Daniel Corban. Daniel and his wife have gone to the mountains for their honeymoon when Elizabeth Corban goes missing. While the police are searching, Elizabeth returns, but Daniel is adamant the woman is not his wife. Is he losing his mind or is something more sinister going on? With a single room set throughout and a small cast, Patrick Duffy as Daniel Corban is on stage for most of the play. He convincingly portrays the desperation and determination of his character ...

25Apr

By Peter KinnockNo Comments

West Midlands

Madam Butterfly – Birmingham Hippodrome

With all the characteristic style and élan we usually associate with Welsh National Opera, “Madam Butterfly” wafted decorously and gracefully into the Birmingham Hippodrome last night, alighted with panache and, once her work was done, flitted off on the thermal undercurrents of a warm and adoring audience and was seen no more. It was a delight. A crowded, expectant and semi-masked audience sat entranced as the tale unfurled of Captain Pinkerton’s child-bride, Madam Butterfly who, after providing him with a home life and a child, is deceived and betrayed by her thoughtless husband and commits the act which all deceived and betrayed wives seem to commit in opera, but I’ll not inflict a plot-spoiler so early in proceedings suffice to say the denouement arrives inevitably but shockingly an...

24Apr

By Natalie J RomeoNo Comments

REVIEWS

Henry V – Donmar Warehouse

Shakespeare’s wartime history is transported to the modern day in Max Webster's newest production for the Donmar Warehouse, this time screen through National Theatre Live. For those unfamiliar with the plot: after an insult from the French Dauphin, King Henry V of England invades France to claim the throne he believes should be his. Henry stops an assassination plot, rouses troops with powerful rhetoric, and wins battles when the odds are stacked against England. In the end, he marries the Princess of France, linking the two nations. Shakespeare’s original production was set around 1599 and contained all the ingredients to make it a smash hit at the royal court. This production poignantly communicates the ease with which Shakespeare can seemingly be transplanted to perhaps any time peri...

23Apr

By Luke StephensonNo Comments

North West

Making It – Royal Court Studio

Last night was rather exciting when I took a trip to Liverpool’s Royal Court Theatre, as this time I was in their studio, watching their latest production called Making It. Penned by Stephen Fletcher writer of Mam I’m Ere and Catherine Rice a Liverpool based writer and Comedienne with additional material by Andrew Schofield. Known for playing many shows at the Royal Court as well as being the narrator in Blood Brothers back in 1983. The story is about our Bev (Catherine Rice) as she tells us about her acting career. She is currently waiting for her agent to call, to say she has the role in the film but until then she was singing in the local club. Bev opened up about how she had agents who were not quite legitimate. Also, a photographer who took loads of photos of her to be used to said...

White Sun by Will Dickie – Unity Theatre

23Apr

By Lou SteggalsNo Comments

North West

White Sun by Will Dickie – Unity Theatre

Will Dickie is bouncing. As people enter the theatre, as they order drinks and greet friends, he mingles amongst them, constantly bouncing. When the show ‘officially’ starts he informs us he has been bouncing for 22 minutes. Dressed in a light shirt and grey trousers, Dickie is a ball of nervous energy. His one-act show, White Sun, is described as “A lo fi solo symphony of words and movement.” Taking us on a tour through his life, Will aims to navigate the tensions of inheritance, privilege and addiction whilst pursuing a life in the creative arts, referencing actors who have come before him and the relationship he has with his father. Dickie’s performance is a bag of contradictions. There is no set, yet there is a sense of immersion. He doesn’t stop moving, yet his frenetic movem...

23Apr

By Zoё MeeresNo Comments

London

Qrumpet – Camden People’s Theatre

Theatre can elicit many emotions in an audience – fear, sadness, joy, anger, to name but a few. Last night, I felt an emotion that I don’t think has ever been awoken in me through the arts – an absolute, raging frustration. The show’s description is quirky and intriguing – basically, quantum tunnelling, but with a crumpet. What if you could throw a crumpet through a wall? SPOILER ALERT. You cannot. And I know this, because last night I spent an hour watching crumpets being buttered and thrown at a wall. Not just crumpets, either; a shoe, a free newspaper, an unsuspecting Lindt bunny. None of the above can be thrown through a wall, and I’m sorry to say that I didn’t find the process of finding that out remotely entertaining. The stage is set with the world’s worst Pelaton bike ...

23Apr

By Jenn McKeanNo Comments

North West

Anything Goes – Liverpool Empire

In olden days, a glimpse of stocking was looked on as something shocking, but now God knows, anything goes. Last years’ Olivier Award nominations were proof that Cole Porter’s 1934 musical hit is a timeless classic and can still please audiences today. This new touring production also shows, that with the right casting, it can raise the roof on large theatre venues. Set on the SS American, as it sets sail from New York to England, the press and passengers on board are complaining that there are no celebrities to make this trip worthwhile and worth the price of the ticket. Unbeknownst to them, there are stowaways and gangsters hiding in plain sight aboard and chaos, of course, ensues. With storylines that follow four main characters, it’s easy to think you’d get confused with the multipl...

22Apr

By Stewart Who?No Comments

London

Saving Britney – The Other Palace

Britney Spears was a titanic pop phenomenon. That’s a concrete fact, if you were a fan or a puzzled observer. Whether it was shrugging off the Lolita vibes of the ‘Baby One More Time’ video or sniggering when she shaved her head in a psychotic episode, we were all complicit in the making and breaking of Britney. In 2007, Chris Cocker went viral with a YouTube plea to ‘Leave Britney Alone’. In many ways, the appeal was a canary down the mine for the media intrusion that ensued. Incidentally, Cocker evolved into a very able gay porn star, and then after a stab at cinema and pop stardom, transitioned, and is now known as Cara Cunningham. As Britney would say, ‘Work Bitch’. The Free Britney movement grew from a semi-jokey meme in 2009, to a full-blown, bona fide campaign juggernau...