REVIEWS Archives - Page 16 of 588

8Apr

By Nazaret RaneaNo Comments

Scotland

The High Life – Festival Theatre

After spending the Easter weekend revisiting this quirky TV show, I was ready to immerse myself in the musical adaptation of The High Life, and I’ll admit I went in with a mixture of excitement and scepticism. It is one thing to love something in a nostalgic, half remembered way, and quite another to see it expanded into a full stage show. This feels less like a revival and more like a reunion that has been allowed to get slightly out of hand. From the outset, the production leans into its own chaos. The opening number arrives with a knowing wink, that familiar theme tune doing a lot of the work in terms of goodwill, but it quickly becomes clear that the show is not content to rely on recognition alone. It understands what made the original work and pushes it further rather than trying ...

Death on the Nile – Alexandra Theatre, Birmingham

8Apr

By Peter KinnockNo Comments

West Midlands

Death on the Nile – Alexandra Theatre, Birmingham

It’s mysterious that when Agatha Christie decided to adapt her novel “Death on the Nile” for stage she was so tired of Hercule Poirot, who, of course, so ably solved the murder in the book, she cut him out. “Death on the Nile” without Hercules Parrot as Maggie Smith misnames him in the movie? Yes, she re-wrote the novel as “Murder on the Nile” and instead of a Belgian she substituted an Archdeacon. Clear? I won’t muddy the waters of the Egyptian river by also mentioning the book started as a play titled “Moon on the Nile” before Agatha adapted it into a book with Poirot which then became a play without him which then became a film with him and is now, in the safe hands of Ken Ludwig, a play with him once again. A tortuous trail of disappearances and re-appearances to test the greatest of l...

8Apr

By Dan GrimesNo Comments

North West

2:22 A Ghost Story – Liverpool Empire

“Do you believe in ghosts?” A question guaranteed to liven up any flagging dinner party. Social convention, in polite society, dictates that one should never discuss politics or religion—but this seemingly innocuous conversation starter can prove just as revealing and polarising. Views on the occult can offer insights into social status, educational attainment, upbringing, belief systems, and even morality. 2:22 A Ghost Story is the tale of a dinner party with a difference. New parents Jenny (Shvorne Marks) and Sam (James Bye) invite their longtime friend Lauren (Natalie Casey) and her latest squeeze, Ben (Grant Kilburn), to spend an evening in their new home. However, it soon becomes clear that Jenny’s motives run deeper than simply showcasing her asparagus risotto in their new open-pl...

7Apr

By Wendy McEwanNo Comments

Scotland

Game of Crones – Traverse Theatre

The Protagonist stumbles through a haze of swirling fog and beseeches Mighty Kronos, the Lord of Time. Her vision is blurry, and her phone is inexplicably in the fridge. Plus, she has wrinkles. The Protagonist begs the Keeper of the Sands to spare her from the indignities of aging. But merciless Kronos is having none of it. The Protagonist receives the Tongue Sharpener, the Spectacles of Insight, and the Cloak of Invisibility (it's a beige cardigan), and embarks on an epic mystical quest full of pitfalls and wacky characters. Clown duo Abigail Dooley and Emma Edwards combine splendid silliness with a heightened, fantastical sensibility. The costumes, created by Jess Eaton, are a fine example of this elevated foolery. The "dragged through a hedge backwards“ costume features a wild...

7Apr

By Michelle KnightNo Comments

London

The Authenticator – National Theatre

The Authenticator at the National Theatre is an aspirational play that seeks to question past historical slavery, in a way that raises the sensitive points of shared ownership and interpretation of the truth. Set in a country house ‘Harford’ it focusses on a time from 1756 when “the fictional Henry Harford departs England for Jamaica” where he settles and acquires his own plantation. Following the uprising to abolish slavery and the plight of colonial enslaved Jamaicans Henry returns to England and buys Harford House. Living there is his “ancestor Fen -Fenella Harford”. This dramatic short production is centred around three female characters’ whose lives are exposed as they all uncover secret references to their own inherited colonial past. It has cursive dialogue which brings about many t...

7Apr

By Peter KinnockNo Comments

West Midlands

Small Island – Birmingham Rep

Andrea Levy’s 2004 novel set primarily in 1948 focussing on Jamaican immigrants travelling to post-war Britain and exploring themes of identity and race relations has already been adapted into a highly acclaimed BBC TV series. Here we have a stage adaptation by the very accomplished Helen Edmundson which first saw light at the National Theatre in 2019 garnering a slew of impressive reviews including Michael Billington’s claim for it to be ‘one of the most important plays of the year.” We follow our characters as they journey from the sun-scorned beaches of Jamaica to the cold, unwelcoming streets of London in the 40s’ encountering entitlement, abuse and the inevitable racism. This is the Windrush story told in just three short hours which fly by and the tale of Hortense, Gilbert, Queeni...

7Apr

By Paul ClarkeNo Comments

Yorkshire & Humber

Handle With Care – Leeds Playhouse

Most theatre productions start with the lights going down as some actors walk onto the stage….not this one. Instead, the audience are faced with an empty stage where a white box sits because tonight Belgian theatre mischief makers Ontrogrend Goed are challenging a bunch of strangers to make their own show. In the box are a series of prompts and instruction cards that help guide us, but the genius of this immersive experience is that this show will be unique because every audience is different. All it takes is one hardy soul to get up and open the box, so full marks to the woman who took up the challenge, and we were off making our own show. Each step encourages audience members to join in, so one participant is asking all of us what our favourite drinks are as others in this a...

Riki Lindhome: Dead Inside – Soho Theatre

7Apr

By Kira DanielsNo Comments

London

Riki Lindhome: Dead Inside – Soho Theatre

Cinderella wants to go to the ball and Ariel wants to be where the people are. Riki Lindhome is trying to get some balls to come to her so she can be where the people are (growing). Venture into the infinite forest of her fertility journey in Dead Inside, a one woman musical odyssey that rejects both the structure of the cis straight white man’s hero’s journey and the audience expectation that a one act one woman musical won’t make everyone cry. Lindhome alternates musical comedy with a series of gut-wrenching monologues so disarmingly genuine that by the end of the show much of the audience was in fact brought to tears. Fans of Lindhome will recognize almost all of the songs in this show from her online work, with particular standouts “So Long Farewell (A Breakup Anthem for B...

Lark Rise to Candleford – Theatre by the Lake

7Apr

By Karen Morley-ChesworthNo Comments

North West

Lark Rise to Candleford – Theatre by the Lake

Lark Rise to Candleford is a joyous actor-musician production at Theatre by the Lake, that transports the audience back to the late 19th century and the English countryside way of life. Based on the semi-autobiographical trilogy by Flora Thompson, this adaptation has been written by Tamsin Kennard and is a warm, nostalgic production. This is the story of a woman, Laura, looking back over her life. Starting in the hamlet of Lark Rise, where she lived a simple life, but where she felt she didn’t quite fit in, she then moved to the bright lights of the nearby town of Candleford. Laura, played by Jessica Temple, travels the timeline of her life, and she rises to the part which demands her to be on stage throughout the whole production. Temple gives a natural and engaging performance. ...

4Apr

By Brian MaddenNo Comments

North West

We Will Rock You – Liverpool Empire

Empire Youth Theatre’s production of We Will Rock You at the Liverpool Empire is an ambitious, high-energy showcase that highlights both the strengths and growing edges of a young cast taking on a demanding, full-scale musical. From the opening number, there’s a clear sense of commitment. We Will Rock You is no easy feat, requiring strong vocals, comic timing, and the ability to navigate a deliberately over-the-top and often chaotic script. The cast largely rises to the challenge, delivering Queen’s iconic songs with enthusiasm and, in many cases, impressive vocal control. Somebody to Love is a particular standout, showcasing Scaramouche’s vocals to great effect with a confident and engaging performance. However, at times the balance isn’t quite right, with the backing singers’ mic leve...