REVIEWS Archives - Page 12 of 588

Smoke + You Are Loved Panel – Omnibus Theatre

23Apr

By Michelle KnightNo Comments

London

Smoke + You Are Loved Panel – Omnibus Theatre

SMOKE is a savage queer comedy thriller. A play written and performed by Alex Gregory. spotlighted by the non-profitable charitable work of ‘You are loved’ YAL. Gregory invites you to witness his lonely intimate experience dealing with grief, addiction and psychosis a life dominated by his everyday thoughts and actions. His openness about his previous drug taking is divulged early on within the play and there is no reference to drugs and sexual content thereafter. The focus here is the aftermath of a life lived with pain, loneliness and misconceived biases. Alex fights with his demons and becomes activated when he ‘receives’ or ‘perceives’ an Instagram message asking “how are ru” no question mark- that is sent to his phone from his dead partner Ben. The narrative weaves its...

Jack Docherty in The Chief: No Apologies – Traverse Theatre

23Apr

By Roger JacobsNo Comments

Scotland

Jack Docherty in The Chief: No Apologies – Traverse Theatre

Jack Docherty has had a much longer, and varied, career than many may be aware of. Having started at the Fringe in his home town of Edinburgh in 1980, he’s been on stage, in front of and behind the camera and as a writer for such legendary TV shows as Alas Smith & Jones, Spitting Image, Vic Reeves and Lenny Henry. Heck, he even had a chat show on Channel Five for a year or so in the late 90’s. But it’s Chief Commissioner Cameron Miekelson (from Scot Squad) that’s finally given him his oeuvre and the opportunity to roam unrestrained across any subject he cares to choose. Tonight’s very much like a stand-up routine but in two acts, with an interval. He’s written a book, ‘The Chief: No Apologies’ and treats us to excerpts, ‘treats’ being the operative word for we are privileged to be t...

23Apr

By Klervi GavetNo Comments

London

Nayatt School Redux – Coronet Theatre

I once described a Wooster Group production to a prospective theatre date as a “massage for the brain”. She was intrigued and tagged along. She and her hyper-rational brain then spent two hours beside me in quiet agony. Six years later, I texted her to say I was giving them another try, joking there might be a plot this time. She did not ask for a ticket. Probably for the best. Nayatt School Redux by the Wooster Group is less a play than a controlled act of disorientation. Conceived as a reconstruction of a partially lost 1978 production, giving center stage to T. S. Eliot’s The Cocktail Party, it embraces fragmentation as both method and message. It begins with Kate Valk, a long-time Wooster Group member and deadpan narrator, who delivers an avalanche of archival detail about the or...

23Apr

By Olivia CoxNo Comments

London

The Waves – Jermyn Street Theatre

Virginia Woolf’s poetic, genre-resistent novel The Waves might not feel like an obvious candidate for a theatrical adaptation, but Flora Wilson Brown takes on the challenge with aplomb in this excellent new production at Jermyn Street Theatre. Director Júlia Levai reimagines the lives of friends Rhoda, Bernard, Susan, Neville, Jinny, and Louis in a loosely ambiguous time period, set against Tomás Palmer’s stark, metallic set design that becomes etched with the sextuplet’s memories — both literally and figuratively. Costume Designer Annett Black initially has the characters dressed in white t-shirts emblazoned with their names, which they shed as they grow up and into themselves, trying to discover who they are while also acknowledging the extent to which they are the sum of their experi...

The Spy Who Came in from The Cold – Edinburgh Festival Theatre

23Apr

By Roger JacobsNo Comments

Scotland

The Spy Who Came in from The Cold – Edinburgh Festival Theatre

One of the predominant elements of John Le Carré’s novels concerning British Intelligence is bleakness. A mantle of washed-out grey cloaks the lives and actions of his characters, darker shades representing the shadows in which they are doomed to operate. As his son Nick Harkaway writes in the programme (in contrast with another, cinematically celebrated, agent of ‘the service’) there’s ‘not a martini or an Aston Martin in sight.’ The set (Max Jones) and lighting (Azusa Ono) for tonight’s show reflect this, the barbed-wire topped wall looming mute behind a floor displaying the contorted map of Europe in the early 60’s. The uniforms and attire of all concerned (with the exception of Liz Gold’s turquoise suit in the closing scenes) are relentlessly dour, and in Alec Leamas’s case, appr...

23Apr

By Emma LambeNo Comments

North West

Miss Saigon – Liverpool Empire

Miss Saigon is an iconic love story set in the last days of the Vietnam War. 17-year-old Kim is forced to work in a Saigon bar run by a notorious character known as The Engineer. There she meets and falls in love with an American GI named Chris, but they are torn apart by the fall of Saigon. For 3 years Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he's fathered a son. There are some musicals that can stand the test of time, and this is certainly one of them. In this new and updated production of Miss Saigon, it's not so much a reinterpretation, but the same Miss Saigon fans know and love, but with a different creative approach. The role of the Engineer is played by the incredibly diverse Sean Miles Moore, stunning the audience with commanding...

23Apr

By Peter KinnockNo Comments

West Midlands

Barnum – Birmingham Hippodrome

Some musicals are classics and last forever, strong enough to weather changes in socials mood and time and attitudes. Other pieces have their place, their period and should, thereafter, be quietly archived as a curiosity of its time. Barnum falls into the latter category. Not for any fault in the music which continues to be vibrant, lively and riddled with humble ear-worms, but because we are asked to support, empathise and care for a character whose real-life exploits are clearly questionable by today’s standard. In the hands of a beloved TV entertainer forty years ago this would have passed without remark but today it’s somewhat toe-curling. A tweak of a line here or there would’ve avoided that. Barnum exploded on Broadway in the eighties with the multi-talented Jim Dale in the title ...

23Apr

By Dan GrimesNo Comments

North West

Spamalot – Hyde Festival Theatre

I had the privilege of watching the original West End run of Spamalot over 20 years ago, starring Tim Curry and Hannah Waddingham. This was after I’d become obsessed with the original Broadway cast recording, which for many years was a loyal travelling companion. I have many happy memories of coasting down the A55, singing “I Am Not Dead Yet” at full belt. So, it’s safe to say I was very excited to come to Hyde Festival Theatre with my son, Sam, to watch this production by Hyde Musical Society. For those who haven’t seen the show—or the film from which it is “lovingly ripped off”—I’m not quite sure how best to describe it, other than as a loose retelling of King Arthur and the Knights of the Round Table’s search for the Holy Grail, filtered through the comedic lens of Monty Python and r...

22Apr

By Katie LeicesterNo Comments

North West

13 The Musical – Z-arts

As part of an ambitious and exciting 2026 season, Manchester Musical Youth returned to Z-arts with a vibrant, heartfelt revival of 13 The Musical, only the second time in the company’s history they have staged this beloved coming-of-age musical, with music and lyrics by Jason Robert Brown and book by Dan Elish and Robert Horn. At the heart of 13 is a story about identity, friendship, belonging, and the sometimes-painful journey of figuring out where you fit in. Set against the chaos of adolescence, the musical follows Evan Goldman (played by Jasper Holden), a young teenager uprooted from city life and dropped into the complex social ecosystem of middle school. What unfolds is far more than a story about fitting in before a Bar Mitzvah; it is a witty, honest and deeply relatable exp...

22Apr

By Paul ClarkeNo Comments

Yorkshire & Humber

The Red Shoes – Bradford Alhambra

Powell and Pressburger’s classic movie The Red Shoes was about a ballerina forced to choose between love and art, so it seemed natural Matthew Bourne's New Adventures company would adapt it for the stage. The movie was itself a new take on the rather gruesome Hans Christian Andersen fairytale where a haughty young girl is punished by a pair of red ballet shoes with a life of their own that force her to dance endlessly even when her feet are chopped off. Thankfully Bourne’s places his less bloody version in the late 1940s where rising star Victoria Page catches the eye of demanding ballet impresario Boris Lermontov. She joins his company becoming his star creation wearing the fabled red shoes before falling in love with composer Julian Craster, but the demanding Lermontov forces Page ...