REVIEWS Archives - Page 10 of 588

2May

By Paul AckroydNo Comments

London

Mass – Donmar Warehouse

This is a play about restorative justice. Two couples, the parents of their sons who were involved in a school shooting some years ago meet for the first time in a church meeting room. One couple are the parents of a child who was shot and the other of the shooter. Both sons were killed in the incident. As would be expected there was a substantial amount of apprehension on the part of both couples about meeting face-to-face for the first time. They sit one on each side of the table and talk. That is basically all that happens in this play for 90 minutes of its 1 hour 40 mins playing time. We gradually learned about the events which happened on that fateful day, and the background, particularly of the shooter in the years preceding and the anguish of both se...

A Midsummer Night’s Dream – Globe Theatre

2May

By Michelle KnightNo Comments

London

A Midsummer Night’s Dream – Globe Theatre

A Midsummer Night’s Dream at The Globe theatre arrives with a blast of high energy and a mix of theatrical prose and modern slang. Shakespeare would be bewildered to see that his most popular playful enchanting comedy has been remastered to enhance the silliness and magic of complex human relations ships. The synopsis; the play is set in a forest outside Athens, where the worlds of fairies and mortals collide. It weaves together four main storylines: The lovers Hermia and Lysander, and Helena’s Love for Demetrius a ‘cat and mouse’ affair as each pair fall under the spell of the forest royalty. In the forest we encounter Oberon the Fairy King and Titania his queen involved in an argument. To trick Titania Oberon with the use of a ‘spell’ a magic ...

2May

By Wendy McEwanNo Comments

Scotland

Shotgunned – Traverse Theatre

Roz (Lorna Panton) packs up the belongings of Dylan (Fraser Allan Hogg), her ex. She hesitates, then adds one last item, a cheerful framed painting of the name Olivia. We see the tenderness, and the anger, that Roz and Dylan hold for each other. The story of their romance is told nonsequentially. These are the familiar, everyday moments of life, as two young people in love laugh and cry together. Their first awkward conversation. Dylan teaching Roz how to play on the Xbox. Sharing their hopes and dreams for the life they will build together. It all falls apart after Roz suffers a miscarriage. The grief for their daughter, Olivia, is too much to bear. The story is simple, and Matt Anderson’s script is very much character driven. He has provided some lovely ...

1May

By Coral MourantNo Comments

Wales

Twelfth Night – Theatr Clwyd

“If music be the food of love play on” And we definitely do play- with relationships, with the audience, and in a clever twist, with the conclusion. Directed by Juliette Manon, this adaptation leans into the complications that come from “mistaken identities” and focuses on the concept of “identity” itself. In a genius move, Cesario (Lee Braithwaite), is played as a trans character who journeys through the piece exploring their new sense of self. Washing up on the shore of Ilyria, they literally break free from their dress and begin living openly as a man. In the original, this is simply a way of entering Osario’s court (as women could not do so), but this gives much more poignancy and freedom to their choice. Following this narrative concept, the entanglements of love and complica...

The Ballad of Johnny and June – Festival Theatre

1May

By Greg HolsteadNo Comments

Scotland

The Ballad of Johnny and June – Festival Theatre

There is a problem with telling a story everyone already knows. This story of Johnny and June understands the problem well enough, but the script never really finds an alternative solution. Instead, the music is left to speak for itself. The show opens with Jackson, the quintessential Johnny and June number, a confident, toe tapping start that promises energy and momentum. From there, the narrative is framed largely through the eyes of their son, John Carter Cash, offering a lens that suggests memory, subjectivity, and, crucially, that truth is never singular. When Johnny first meets June at the Ryman Auditorium and declares, with typical bravado, that he will one day marry her, we are reminded that this is only his version of events. It is a useful idea, that truth shifts depending on ...

1May

By Jessie MartinNo Comments

Scotland

Tomorrow – Traverse Theatre

Hereford based dance company, 2Faced held the Scottish premiere of Tomorrow at The Traverse this week. Directed and choreographed by Tamsin Fitzgerald and devised with dancers Lew Baker and Sam Buswell, Tomorrow is a striking portrayal of men’s mental health displayed using contemporary dance. This show was devised in collaboration with Mind, a charity dedicated to providing mental health support for anyone who needs it across England and Wales. 2Faced partnered with Mind to create Men in Motion - a dance class specifically for men struggling with mental health issues. It was through this group’s sharing of their lived experiences, as well as the performers own experiences of mental health that Tomorrow was devised from. Fitzgerald’s direction is raw and in your face -...

Mini Showstopper! The Improvised Musical and more! – Hoopla

1May

By Charlotte MansfieldNo Comments

London

Mini Showstopper! The Improvised Musical and more! – Hoopla

The Hoopla! 20th anniversary celebrations started in early April at their venue in London Bridge and over the next few months, they have a huge variety of improv shows from both new and established teams. Last night, Showstopper! The Improvised Musical made an appearance, with many of their members regular performers at Hoopla! over the past 20 years, and some of them currently teaching improv classes there. They were joined by two other groups of improvisers – The Inflatables, and Hell Yeah! in a two-hour show of music and laughs. The evening began with four members of The Inflatables playing Whose Line Is It Anyway style games. The team were great at getting the audience involved, even having audience members control the show at one point. You have to have a lot of talent to be th...

1May

By Max EdenNo Comments

North West

Double Indemnity – Opera House

When you bring a classic film noir like Double Indemnity to the stage, there’s an expectation that it will be tense, gripping and full of drama. This production at the Manchester Opera House certainly looks the part but doesn’t quite deliver the thrill you might hope for. Set in 1930s America, the play follows insurance salesman Walter Huff who becomes entangled with the mysterious Phyllis Nirdlinger, with the pair plotting to murder her husband and claim the insurance money. It’s a story packed with deceit and manipulation, but here it unfolds at a more measured pace than expected, lacking some of that edge-of-your-seat tension the original story is so well known for. Ciarán Owens takes on the role of Walter with confidence, portraying the character’s descent into moral chaos wit...

Entertaining Murder – Upstairs at the Gatehouse

1May

By Zain RussellNo Comments

London

Entertaining Murder – Upstairs at the Gatehouse

Entertaining Murder is a musical inspired by the true story of Edith Thompson, played by Daisy Snelson, and her young lover Freddy Bywaters, played by Dominic Sullivan. This is a fascinating story, and the production adapts it for the stage with real clarity and purpose. The narrative is well structured, with each character given space to develop. Sue Kelvin, who portrays Avis Graydon and also acts as narrator, is particularly effective in guiding the audience through the events. Through her narration, we are encouraged to question what actually happened: who murdered Edith’s husband, what motives were at play, and whether each individual can truly be considered guilty. It also raises a broader moral question about justice and whether those involved deserved to face execution for th...

Operation Mincemeat – The Regent Theatre

28Apr

By Leanne RushtonNo Comments

North West

Operation Mincemeat – The Regent Theatre

The Regent Theatre has received its orders, and Operation Mincemeat has been put on full display for the audience. Operation Mincemeat, which tells the true story of an MI5 operation during World War Two, has been wowing audiences since 2019 but properly finding its fame in 2023 when it graced the West End stage. It has won multiple awards both here and over the pond, and it’s not hard to see why. The show currently owns the title of the best-reviewed show in West End history, and quite frankly, it couldn’t deserve it any more. The show is run with military precision and the sharpest of wit. The comedy came to the actors so naturally. It was remarkable to see the actors’ ability to change roles and costumes so quickly and with such ease. The timing of the show should be studied; ever...