London Archives - Page 26 of 111

Kafka’s Metamorphosis – Lyric Hammersmith

7Feb

By Jennifer LaishleyNo Comments

London

Kafka’s Metamorphosis – Lyric Hammersmith

Frantic Assembly’s production of Kafka’s Metamorphosis is an outstanding piece of theatre that is certainly West End worthy! This is physical theatre deployed at its finest. Metamorphosis promises audiences an evening of suspenseful drama, curated by a team of incredible actors that are supported by stunning visual effects. Frantic Assembly is one of the leading British Theatre practitioners that are known for their storytelling through physical nuance. Frantic assembly certainly explores the brutalist in Kafka’s Metamorphosis both through the physical and vocal performances of the actors. Writer Lemn Sissay has worked closely with director Scott Graham to bring their vision to life, adapting the script throughout the rehearsal process so that this piece of theatre has metamorphosed int...

Jeffrey Bernard is Unwell – Coach and Horses

6Feb

By Kira DanielsNo Comments

London

Jeffrey Bernard is Unwell – Coach and Horses

Both set and staged in the Coach and Horses pub on Greek Street, Jeffrey Bernard is Unwell is pub theatre par excellence. The play opens with a bang and a crash as attendees are suddenly plunged into darkness and Jeffrey Bernard himself stumbles out into the light, or rather, into the bar itself, knocking over several items on his way to the wall mounted switch by which he will reignite the room’s several chandeliers. This is the first of several pub tricks within a pub trick that delights and disturbs audiences. The environs are more than suitable, and service is good at the bar throughout the 20 minutes of liberal drink pouring that precedes each performance. Seated tickets take bar and benches while the rest of the crowd files into the available standing space, all of which is well u...

6Feb

By Dave SmithNo Comments

London

Twelve Angry Men – Richmond Theatre

The evidence has been heard and the decision is now with the jury. Starting with a voiceover of the judge's instructions, Twelve Angry Men sees the men locked in the jury room. Their job is to decide if the 16-year-old accused is guilty of killing his father, and thus will face execution or if there is reasonable doubt. A quick first vote from the unnamed jurors seems clear, guilty and guilty and guilty again until the final vote is counted - a solitary not guilty. Jason Merrells does a fine job as juror number eight, the single not guilty vote which forces the other 11 men to talk, debate, argue and even come close to blows. Like the jurors, we never learn the name of the defendant or the witnesses. Reginald Rose’s classic script first staged in 1953 but mostly known for th...

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative ...

5Feb

By Kira DanielsNo Comments

London

The Handmaid’s Tale – London Coliseum

How well do you remember the beginning of the end? Make sure to do your homework before attending this production of The Handmaid’s Tale where the London Coliseum transforms into the venue of a future-set historical conference where a stunning and severe white-pantsuited Professor Piexoto (Juliet Stevenson) directly addresses audience members in her introduction to the overtaped cassettes which comprise the narrative bulk of The Handmaid’s Tale. Eliciting a few laughs in her pithy introduction but primarily conveying static gravitas and the restrained sensitivity of an academic among peers, Stevenson commands the stage at the opera’s bookends. However, her forceful presence is at times an unfortunate distraction as she every so often, ever so covertly interrupts the action to change the ta...

2Feb

By Zara OdetundeNo Comments

London

Bury Me – Riverside Studios

Bury Me is billed as a one act comedic drama which has been put on at the Riverside Studios as a part of their Bitesize Festival, a theatre festival meant to platform and uplift new and emerging theatre talent. This story was told in two timelines. The timeline in which Nadia is trying to track down her brother Noah’s body to be able to hold his funeral and the timeline in which Noah and his family are preparing for him to undergo a surgery to treat his cancer. Being able to get to know the person that these characters lost was a great choice, so we can imagine the extent of Nadia’s pain more and more throughout the play. The highlight of this show was the exploration of the strength of the sibling bond. Explored by Gillian Konko and Peter Todd through their characters Nadia and Noah...

2Feb

By Kira DanielsNo Comments

London

Stimmicanto – Barons Court Theatre

Do you keep more than five pictures of Paul Rudd on your laptop? Have you ever tried and failed to make small talk with your own brain? Do you find yourself giggling at peculiar street names on a regular basis? If so, consider this your sign to check out Stimmicanto, an hour of offbeat comedy full of surprises. The show, conceived and performed by comedian Paggy Gacheva, densely packs a wide-ranging slew of information into its 60-minute run time. Audiences are guided gently through its many transitions between topics, but their frequency and lack of clear directional focus prevent viewers from settling into consistent enjoyment, and the absence of an overall theme in the work at times makes it difficult to follow. The joy, or “encanto” Gacheva finds in performance is evident and...

Bronco Billy The Musical – Charing Cross Theatre

1Feb

By Carole GordonNo Comments

London

Bronco Billy The Musical – Charing Cross Theatre

"There's a world out there that has lost its way, full of dark and hateful things to say." The first line of Dennis Hackin's Bronco Billy - The Musical is as relatable to the current world as it is to the 1979 in which this musical is set. Powerfully delivered and led by Karen Mavundukure as Doc Blue, the opening song, "Ride With Us" sets the scene with a wow start to the show. With music and lyrics by Chip Rosenbloom and John Torres, and based on Hackin's earlier movie, this is a wonderful triple-threat of a production. Marvellous vocals, credible characters with chemistry and a clever set that almost steals the show. Bronco Billy and his small troupe of Wild West show people are touring the US in a beat-up bus to ever-dwindling audiences. They've made it to Kansas when Bil...

1Feb

By Dave SmithNo Comments

London

Rewind – New Diorama Theatre

Rewind opens with Andres Valesquez talking to the audience, he is informal and casual. As he introduces himself and the rest of the cast, he gives us some context around the story they will tell. In Latin America in the 1970s and 1980s, dictators and regimes often supported by the United States were in charge. People disappeared, often without a trace. Valesquez dons a white shawl to represent Madres de Plaza de Mayo, known in English as The Mothers Of the Disappeared, and then a blue coverall, the uniform of an investigator for El Equipo Argentino de Antropología Forense, the Argentine Forensic Anthropology Team. It is clear that Ephemeral Ensemble have a very set vision for the show. Through very little dialogue relying instead on music, puppetry and physical t...

I Should Be So Lucky – New Wimbledon Theatre

31Jan

By Alan Stuart MalinNo Comments

London

I Should Be So Lucky – New Wimbledon Theatre

‘I Should Be So Lucky’ marks a long-awaited milestone in musical theatre, finally a production that pays total homage to the iconic music of Stock Aitken and Waterman, the soundtrack of “generation pop”, intertwined with a typically British camp musical comedy storyline that should, on paper, be guaranteed to leave audiences dancing in the aisles. At the heart of the show lies the story of Ella (Lucie-Mae Sumner) and Nathan (Billy Roberts), whose impending nuptials are thrown into total chaos when Nathan jilts Ella at the altar due to a mysterious family secret. All is not lost though as Ella's larger than life family and closest friends rally around her, whisking her off to Turkey for what was meant to be her romantic honeymoon, but ends up being a glitter bomb of rom-com moments, in...