London Archives - Page 25 of 94

My Uncle Is Not Pablo Escobar – Brixton House

11Jun

By Gonzalo SentanaNo Comments

London

My Uncle Is Not Pablo Escobar – Brixton House

Matters of representation have become an important issue in the globalized world. What if a group of immigrant misfits could topple one of the most powerful banks in the world? The play written by Valentina Andrade, Elizabeth Alvarado, Lucy Wray and Tommy Ross-Williams and co-directed by Wray and Ross-Williams deals with several of the problematic issues of being a Latin American Londoner woman. The piece portrays four characters played by Cecilia Alfonso-Eaton, as Lucia, Yanexi Enriquez as Alejandra, Pía Laborde-Noguez as Catalina, and Nathaly Sabino as Honey. The play starts with a promising introduction, listing the categories included in University admission forms for ethnicity: the intention was to highlight the non-existence of a "Latin American" category in that list. It cont...

Yours Unfaithfully – Jermyn Street Theatre

9Jun

By Paul AckroydNo Comments

London

Yours Unfaithfully – Jermyn Street Theatre

The Mint Theatre Company of New York specialises in uncovering forgotten plays that deserve to be remembered. In Unfaithfully Yours by Miles Malleson they have uncovered a little gem, which was premiered in New York in 2017 and now UK audiences have the chance to enjoy it at the Jermyn Street Theatre. The play features an outwardly extremely happily married couple, Anne and Stephen Meredith, who secure in the knowledge of the soundness of their relationship are happy for each other to engage in dalliances on the side. However, their intellectual commitment to allowing their partner to do what they like in order to further their happiness is severely tested byte feelings of jealousy which arise. At the time when it was written 90 years ago this would have undoubtedly been a sho...

8Jun

By Alan Stuart MalinNo Comments

London

Grindr The Opera – Union Theatre

Grindr The Opera (An Unauthorised Parody), directed by the brilliant William Spencer and designed by the visionary David Shields, delivers a bold and innovative theatrical experience at London's Union Theatre. This groundbreaking and highly risqué production explores the intricacies of contemporary gay relationships in the digital age, presenting a thought-provoking adult narrative that challenges societal norms and delves into the complexities of human connections in all of its darkest, dirty and sometimes painful elements. Leading the cast of ‘Grindr’ is the immensely talented Christian Lunn, whose portrayal of the main character, Grindr, is nothing short of exceptional. Lunn's remarkable acting skills, combined with his powerful singing voice, and otherworldly physique, create a cap...

8Jun

By Stewart Who?No Comments

London

Patriots – Noel Coward Theatre

It’s hard not to be struck by the ironic luxury of witnessing a West End play about Russian politics, as the war continues to rage in Ukraine. The collapse of the Kakhova dam means that up to 42,000 Ukrainians are being displaced while I sip on Aperol spritz outside the Noel Coward theatre. Russian hackers are being blamed for a massive cyber-attack that’s screwed the BBC, Boots and British Airways. There are fears that Putin may bomb the Zaporizhzhia Nuclear Power Plant, but al fresco revellers at The Salisbury on St. Martin’s Lane appear untroubled at the prospect. Life, and the show, must go on. Peter Morgan’s Patriots arrives with such pedigree at its helm that it’s hard not to be dazzled by the prospect. Morgan is responsible for The Queen and Frost/Nixon on both stage and s...

8Jun

By Zoё MeeresNo Comments

London

Bounce – The Lion and Unicorn Theatre

We begin at the beginning - so to speak - of a motivational seminar; the lights flash, the music booms and our presenter, Jesse (Nick Robinson), is propelled onto the stage, an energised picture of confidence seemingly powered on his own self-belief. Jesse, a self-help guru and his own personal hype man, is here to tell us how we can own our own destinies by facing forward, not seeing unwanted surprises as problems and pretty much every other self-improvement trope you can think of. If that sounds flippant then that is far from my intention - in this snappy 70-minute show, writer Tom Derrington creates a caricature of self-help culture that pinpoints why so many people are caught in its thrall, and why this is so problematic. There’s a precision to Derrington’s writing that from the st...

A Midsummer Night’s Dream – The Charterhouse

5Jun

By Samantha CollettNo Comments

London

A Midsummer Night’s Dream – The Charterhouse

Having watched hundreds of productions, it’s hard to surprise me. But stepping into Charterhouse gardens, a small patch of green in the shadow of the Barbican towers, I found myself confused by the set up. In the corner, under some ancient trees, was a primitive looking stage reminiscent of a village fete. In front of said stage were a collection of people joyously picnicking on camping chairs and mats. The atmosphere was peaceful, happy, relaxed and easy. It was hard to believe you were in central London amidst this little gathering chowing down on wine and home-made sandwiches. It was also hard to believe the production I was about to see was to be performed by The Handlebards - cycling actors who tour across the world presenting Shakespeare. It was at that point I knew I was in f...

3Jun

By Gonzalo SentanaNo Comments

London

Gypsy – The Mill at Sonning

Can one live vicariously? Can one be successful through one's child's success? How much can one change when pushed to the edge of exhaustion? Welcome to Gipsy, a classic that will make you shiver in your seat. This staging of the now classic Musical on the Mill at Sonning hits all the right spots. When going to the performance, the ticket includes a two-course dinner, about which this reviewer cannot knowledgeably comment, other than to say that it was almost as great as the main dish: the theatre part. This play written by Arthur Laurents, with music by Jule Styne, and lyrics by Stephen Sondheim is entire directed and choreographed for The Mill by Joseph Pitcher, with Francis Goodhand in charge of musical arrangement, direction and keyboards, Jason Denvir in the incredibly lively S...

Panti Bliss: If These Wigs Could Talk – Soho Theatre

1Jun

By Alan Stuart MalinNo Comments

London

Panti Bliss: If These Wigs Could Talk – Soho Theatre

On a warm and vibrant evening at the esteemed Soho Theatre, Panti Bliss sets down her dancing shoes and returns to walking the boards with her bold and glamourous theatre show. The “Queen of Ireland” takes centre stage in an extraordinary display of talent, wit, and unapologetic charm in the celebrated one-woman production, ‘If These Wigs Could Talk’. Having walked into an overture of toe-tapping, camp club classics, the lights dimmed, and the stage came alive with an infectious energy that immediately captivated the packed audience, setting the tone for a remarkable and personal theatrical experience. From the very beginning, Panti was effortless in her command of the stage with an undeniable presence, earned with years of experience, she exuded confidence and a mature grace missin...

1Jun

By Anisha PucadyilNo Comments

London

30 and Out – Pleasance Theatre

Kit Sinclair's new work '30 and Out' chronicles the ins and outs of understanding one's gender and sexual expression, albeit not in one's teens. Based on Sinclair's honest journey, the solo show also intersperses audio recordings of interviews conducted with lesbians from diverse ages and lived realities. The show is funny, engaging and heartwarming. Kit Sinclair is such a talented artist; with her wit, charm, and an eclectic multiverse of characters, she brings to the front so many nuances of accepting oneself and allowing them to flourish as lesbian/non-binary. Following a successful sell-out Brighton Fringe run, '30 and Out' is spending this week in London at The Pleasance, ahead of concluding its mini tour at 53two in Manchester. Presented by Prentice Productions and assisted by he...

1Jun

By Gonzalo SentanaNo Comments

London

I Found My Horn – Riverside Studios

What mark are we leaving? What can provide for sense? Is there anything to give wings to our life? In this production of I Found My horn, based on the book by Jasper Rees, with direction by Harry Burton and performed by Jonathan Guy Lewis, the audience delves into questions of existential dimension with a kind perspective, and navigating through the difficulties of music, art, and life. The play starts in an attic overcrowded by objects, many of which are covered by old rags, as if in hiding while waiting for the action to begin. When a hatch opens on the left, letting the light come in, it is as if magic were happening, and the actor were coming from deep beneath the stage. The physical space will barely change during the piece, but we will be taken to different times and spaces, a...