London Archives - Page 24 of 94

Fastlove: A tribute to George Michael – Adelphi Theatre

21Jun

By Samantha CollettNo Comments

London

Fastlove: A tribute to George Michael – Adelphi Theatre

With all the current talk about George Michael (it would’ve been his 60th birthday on June 25th and July 9th is the 40th anniversary of Wham’s debut album) I decided to hotfoot it to the West End for some music therapy. I’ll admit now, I’m not a massive George Michael or Wham fan, but I am fed up with the constant gloom and doom so I was in the mood for a pick-me-up. Fastlove ticks this on every box. And what did surprise me was how many of the songs I knew all of the words to! From the outset Michael Joseph (the tribute act to George Michael) sets the audience expectations. He proclaims: ‘There will only ever be one George Michael, we are just here to honour the music.’ It’s an honour they do well. The hits come thick and fast and every song you’d want to hear is played. Michael...

17Jun

By Jennifer LaishleyNo Comments

London

The Crucible – Gielgud Theatre

The National Theatre’s version of The Crucible is a play that is not to be missed. Both new audiences and fans of the original Arthur Miller play will enjoy. This talented cast use every moment to create drama and suspense and keep the audience entertained. The Crucible has recently transferred to the Gielgud Theatre after a successful run at the National Theatre last year. The show uses Arthur Miller’s original script under the direction of Lyndsey Turner. The story follows the town of Salem as they start to accuse the women of witchcraft. Singing is used throughout the play to add dramatic suspense. At the beginning this takes the form of haunting humming and by the end of the show this transforms into a haunted chorus of singing, showing that the girls have taken control. Phot...

The Return of Benjamin Lay – Finborough Theatre

16Jun

By Gonzalo SentanaNo Comments

London

The Return of Benjamin Lay – Finborough Theatre

Can one make a statement and beg to be brought back to the fold, renouncing all principles? Can one's desire to be accepted be stronger than one's principles? The Return of Benjamin Lay, written in collaboration between Naomi Wallace and Marcus Rediker, under the direction of Ron Daniels, and with acting by Mark Povinelli as Benjamin Lay, is a striking piece about a very interesting historical character. The treatment Povinelli gives the character is on its own, remarkable, and hits all the right nerves. The stage of the Finborough Theatre is made almost bare, with the windows letting in the noise and images of the cars from outside, and from the place where this reviewer was sitting, the sun was hitting in the faces of the audience. The set design, by Riccardo Hernandez and Isobel ...

15Jun

By Stewart Who?No Comments

London

42nd Street – Sadler’s Wells

Sadler’s Wells was in full swing for the opening night of 42nd Street. Red carpet, paparazzi and velvet ropes graced Roseberry Avenue, adding a giddy razzmatazz to this high-kicking comeback. The show was created in 1980, based on the 1933 movie of the same name. The Broadway production won Tony Awards for Best Musical and Choreography, becoming a long-running hit. It wowed London in 1984 (winning the Olivier Award for Best Musical), launching the career of a teenage Catharine Zeta-Jones. In a mirror to the plot of 42nd Street, Zeta-Jones was elevated from chorus girl to West End legend when both the lead actress AND her understudy fell ill. Jones stepped up and a star was born. In a cynical era of irony, apathy and algorithms, are people really in the mood for a cheery homage to old s...

School Girls or The African Mean Girls – Lyric Theatre Hammersmith

15Jun

By Zara OdetundeNo Comments

London

School Girls or The African Mean Girls – Lyric Theatre Hammersmith

This show wows with sharp witted remarks and a hilarity that surpasses cultural barriers. The London premiere of Jocelyn Bioh’s 2017 comedy is a commentary of female friendship and feeling of isolations in school, dealing with bullies and hierarchy is set against the backdrop of Aburi Girls Boarding School in 1986 Ghana. Paulina is the queen bee, the most popular girl in school who picks girls up out of obscurity and makes them feel special. That is until her status starts to be questioned upon the arrival of new transfer student Ericka. The main group of girls attend the best Girls school in Ghana and are awaiting the arrival of a recruiter for the Miss Ghana pageant. Paulina (Tara Tijani) is the group leader and believes she is the only choice for the pageant but Ericka’s (Anna Sh...

15Jun

By Michelle KnightNo Comments

London

Lost in Music – Adelphi Theatre

Lost in Music a production? not quite, a night at the disco? yes, full of fun singing and dancing to the classic tunes of the seventies; Musical director Tony Wood on the keyboards has created a trio of musicians to recreate the ‘funk’ of disco and a band to drive the sound forward for the five-piece singers who romp through a non-stop set list of classic music memorabilia. A trip down memory lane including songs from, CHIC, Earth, Wind and Fire; Gloria Gaynor Donna Summer, Sister Sledge and many more, the Adelphi theatre came alive with the first song from Chic, which had the audience up on their feet within the first 5 minutes, quite inspirational. It is clear from the start that this is ‘party time’ with the audience encouraged to be a part of the show, sing loud, dance and ...

When Winston Went to War with the Wireless – Donmar Warehouse

15Jun

By Paul AckroydNo Comments

London

When Winston Went to War with the Wireless – Donmar Warehouse

Just like the BBC, which is the subject of this new play by Jack Thorne, both inform and entertain. It is set in the early days of the general strike in 1926 when the British Broadcasting Company, as it was then known, was in its formative days under the leadership of the redoubtable John Reith. Since the strike led to the temporary closure of all the print media, this provided a golden opportunity for the new broadcaster to become a premier news channel. This brought it into conflict with the government's own alternative press media, the British Gazette, overseen by Winston Churchill, then Chancellor of the Exchequer. Reith, played by Stephen Campbell Moore, is the central character of the play. He struggles both with trying to position the new company as an impartial media ...

14Jun

By Mark DavorenNo Comments

London

Il Trovatore – Royal Opera House

Verdi wrote Il Trovatore hot on the heels of Rigoletto, with its premiere at Covent Garden in 1853 a mere two months before that of La Traviata, but of the three it is the more conventional opera, although Director Adele Thomas’ production has steered clear of the traditional, opting instead for a more modern interpretation whilst remaining rooted in its original medieval setting and themes of jealousy, revenge, and love. The Count di Luna (Ludovic Tézier) loves Leonora (Rachel Willis-Sørensen), but she loves Manrico (Riccardo Massi), the Count’s military enemy. Manrico’s mother Azucena (Jamie Barton) tells him how her mother was burnt to death for supposed witchcraft against the Count’s baby brother, with the subsequent unravelling story reflecting differing perspectives with only Azu...

Adam Riches: The Beakington Town Hall Murders – Soho Theatre

14Jun

By Alan Stuart MalinNo Comments

London

Adam Riches: The Beakington Town Hall Murders – Soho Theatre

Adam Riches’ captivating performance in ‘The Beakington Town Hall Murders’ at Soho Theatre delivered a boisterous evening of entertainment, leaving the audience in stitches from start to finish. This highly interactive and participatory production showcased Riches’ remarkable talent for comedic storytelling, combining it with an immersive and unique “whodunit” style play. Despite the London audience being much smaller than anticipated, the intimate setting of Soho Theatre only enhanced the overall experience. With the theatre barely half-filled, an atmosphere of anticipation and exclusivity was palpable, providing an immediate connection between the performer and the audience, and with the threat from Riches that “no one is safe”, Riches was able to engage directly with spectators, dra...

11Jun

By Carole GordonNo Comments

London

The Mikado – Wilton’s Music Hall

Take one classic operetta, mix it up a bit, add some brilliant choreography, phenomenal singing and a fantastically talented all-male ensemble and you have a witty and joyful new show. Gilbert and Sullivan purists might object, but Sasha Regan's imaginative take is stuffed full of all the elements that make a hit show. First performed in 1885, Gilbert and Sullivan's The Mikado was set in Japan so they could take sideswipes at the British establishment and idiotic laws, but with plausible deniability, by referencing a far-off land. At the heart of the convoluted plot is the law enacted by the Mikado that makes flirting a capital crime. Along comes the Mikado's son, in the guise of a wandering minstrel, who has fallen in love with a young lady who is the ward of the Lord High Execu...