Sunday, May 19

London

Il Trovatore – Royal Opera House
London

Il Trovatore – Royal Opera House

Verdi wrote Il Trovatore hot on the heels of Rigoletto, with its premiere at Covent Garden in 1853 a mere two months before that of La Traviata, but of the three it is the more conventional opera, although Director Adele Thomas’ production has steered clear of the traditional, opting instead for a more modern interpretation whilst remaining rooted in its original medieval setting and themes of jealousy, revenge, and love. The Count di Luna (Ludovic Tézier) loves Leonora (Rachel Willis-Sørensen), but she loves Manrico (Riccardo Massi), the Count’s military enemy. Manrico’s mother Azucena (Jamie Barton) tells him how her mother was burnt to death for supposed witchcraft against the Count’s baby brother, with the subsequent unravelling story reflecting differing perspectives with only Azu...
Adam Riches: The Beakington Town Hall Murders – Soho Theatre
London

Adam Riches: The Beakington Town Hall Murders – Soho Theatre

Adam Riches’ captivating performance in ‘The Beakington Town Hall Murders’ at Soho Theatre delivered a boisterous evening of entertainment, leaving the audience in stitches from start to finish. This highly interactive and participatory production showcased Riches’ remarkable talent for comedic storytelling, combining it with an immersive and unique “whodunit” style play. Despite the London audience being much smaller than anticipated, the intimate setting of Soho Theatre only enhanced the overall experience. With the theatre barely half-filled, an atmosphere of anticipation and exclusivity was palpable, providing an immediate connection between the performer and the audience, and with the threat from Riches that “no one is safe”, Riches was able to engage directly with spectators, dra...
The Mikado – Wilton’s Music Hall
London

The Mikado – Wilton’s Music Hall

Take one classic operetta, mix it up a bit, add some brilliant choreography, phenomenal singing and a fantastically talented all-male ensemble and you have a witty and joyful new show. Gilbert and Sullivan purists might object, but Sasha Regan's imaginative take is stuffed full of all the elements that make a hit show.  First performed in 1885, Gilbert and Sullivan's The Mikado was set in Japan so they could take sideswipes at the British establishment and idiotic laws, but with plausible deniability, by referencing a far-off land. At the heart of the convoluted plot is the law enacted by the Mikado that makes flirting a capital crime. Along comes the Mikado's son, in the guise of a wandering minstrel, who has fallen in love with a young lady who is the ward of the Lord High Execu...
My Uncle Is Not Pablo Escobar – Brixton House
London

My Uncle Is Not Pablo Escobar – Brixton House

Matters of representation have become an important issue in the globalized world. What if a group of immigrant misfits could topple one of the most powerful banks in the world? The play written by Valentina Andrade, Elizabeth Alvarado, Lucy Wray and Tommy Ross-Williams and co-directed by Wray and Ross-Williams deals with several of the problematic issues of being a Latin American Londoner woman. The piece portrays four characters played by Cecilia Alfonso-Eaton, as Lucia, Yanexi Enriquez as Alejandra, Pía Laborde-Noguez as Catalina, and Nathaly Sabino as Honey. The play starts with a promising introduction, listing the categories included in University admission forms for ethnicity: the intention was to highlight the non-existence of a "Latin American" category in that list. It cont...
Yours Unfaithfully – Jermyn Street Theatre
London

Yours Unfaithfully – Jermyn Street Theatre

The Mint Theatre Company of New York specialises in uncovering forgotten plays that deserve to be remembered.  In Unfaithfully Yours by Miles Malleson they have uncovered a little gem, which was premiered in New York in 2017 and now UK audiences have the chance to enjoy it at the Jermyn Street Theatre. The play features an outwardly extremely happily married couple, Anne and Stephen Meredith, who secure in the knowledge of the soundness of their relationship are happy for each other to engage in dalliances on the side. However, their intellectual commitment to allowing their partner to do what they like in order to further their happiness is severely tested byte feelings of jealousy which arise. At the time when it was written 90 years ago this would have undoubtedly been a sho...
Grindr The Opera – Union Theatre
London

Grindr The Opera – Union Theatre

Grindr The Opera (An Unauthorised Parody), directed by the brilliant William Spencer and designed by the visionary David Shields, delivers a bold and innovative theatrical experience at London's Union Theatre. This groundbreaking and highly risqué production explores the intricacies of contemporary gay relationships in the digital age, presenting a thought-provoking adult narrative that challenges societal norms and delves into the complexities of human connections in all of its darkest, dirty and sometimes painful elements. Leading the cast of ‘Grindr’ is the immensely talented Christian Lunn, whose portrayal of the main character, Grindr, is nothing short of exceptional. Lunn's remarkable acting skills, combined with his powerful singing voice, and otherworldly physique, create a cap...
Patriots – Noel Coward Theatre
London

Patriots – Noel Coward Theatre

It’s hard not to be struck by the ironic luxury of witnessing a West End play about Russian politics, as the war continues to rage in Ukraine. The collapse of the Kakhova dam means that up to 42,000 Ukrainians are being displaced while I sip on Aperol spritz outside the Noel Coward theatre. Russian hackers are being blamed for a massive cyber-attack that’s screwed the BBC, Boots and British Airways. There are fears that Putin may bomb the Zaporizhzhia Nuclear Power Plant, but al fresco revellers at The Salisbury on St. Martin’s Lane appear untroubled at the prospect. Life, and the show, must go on.  Peter Morgan’s Patriots arrives with such pedigree at its helm that it’s hard not to be dazzled by the prospect. Morgan is responsible for The Queen and Frost/Nixon on both stage and s...
Bounce – The Lion and Unicorn Theatre
London

Bounce – The Lion and Unicorn Theatre

We begin at the beginning - so to speak - of a motivational seminar; the lights flash, the music booms and our presenter, Jesse (Nick Robinson), is propelled onto the stage, an energised picture of confidence seemingly powered on his own self-belief. Jesse, a self-help guru and his own personal hype man, is here to tell us how we can own our own destinies by facing forward, not seeing unwanted surprises as problems and pretty much every other self-improvement trope you can think of. If that sounds flippant then that is far from my intention - in this snappy 70-minute show, writer Tom Derrington creates a caricature of self-help culture that pinpoints why so many people are caught in its thrall, and why this is so problematic. There’s a precision to Derrington’s writing that from the st...
A Midsummer Night’s Dream – The Charterhouse
London

A Midsummer Night’s Dream – The Charterhouse

Having watched hundreds of productions, it’s hard to surprise me. But stepping into Charterhouse gardens, a small patch of green in the shadow of the Barbican towers, I found myself confused by the set up. In the corner, under some ancient trees, was a primitive looking stage reminiscent of a village fete. In front of said stage were a collection of people joyously picnicking on camping chairs and mats. The atmosphere was peaceful, happy, relaxed and easy. It was hard to believe you were in central London amidst this little gathering chowing down on wine and home-made sandwiches. It was also hard to believe the production I was about to see was to be performed by The Handlebards - cycling actors who tour across the world presenting Shakespeare. It was at that point I knew I was in f...
Gypsy – The Mill at Sonning
London

Gypsy – The Mill at Sonning

Can one live vicariously? Can one be successful through one's child's success? How much can one change when pushed to the edge of exhaustion? Welcome to Gipsy, a classic that will make you shiver in your seat. This staging of the now classic Musical on the Mill at Sonning hits all the right spots. When going to the performance, the ticket includes a two-course dinner, about which this reviewer cannot knowledgeably comment, other than to say that it was almost as great as the main dish: the theatre part. This play written by Arthur Laurents, with music by Jule Styne, and lyrics by Stephen Sondheim is entire directed and choreographed for The Mill by Joseph Pitcher, with Francis Goodhand in charge of musical arrangement, direction and keyboards, Jason Denvir in the incredibly lively S...