London Archives - Page 24 of 123

12Jun

By Zoё MeeresNo Comments

London

Miss Julie – Park Theatre

August Strindberg’s Miss Julie formed part of my GCSE drama syllabus, so I approached yesterday’s performance with a warm, hazy nostalgic feeling. A classic love/lust between the classes scandal, set in the midst of wild and carefree Midsummer celebrations – maybe this production would compensate for the current lack of summer and merriment London currently seems to be experiencing and I’d be able to lose myself in high drama and raw passion for a short while. Kit Hinchcliffe’s traditional set is detailed for the relatively small space, with the action so close that you can see and sometimes even smell everything that’s happening in front of you. Servants (and partners) Jean (Freddie Wild) and Christine (Adeline Waby) are setting about their evening when the Count’s daughter, Miss Julie...

Black is the Color of My Voice – Stratford East

12Jun

By Zain RussellNo Comments

London

Black is the Color of My Voice – Stratford East

"Black is the Color of My Voice" is a captivating one-woman theatre production, both written and performed by the incredible Apphia Campbell. The show is inspired by the real life of Nina Simone and the show takes the audience on an emotional journey of reflection and revelation. Entering the performance, I knew little about Nina Simone's life and was only familiar with her famous hit "I Put a Spell on You." The production centers on Simone conversing with her late father, sharing poignant stories from her life and expressing her profound grief. Through these conversations, the audience gains insight into Simone's transformation from a young piano prodigy to a powerful voice in the Civil Rights Movement. The show effectively highlights Simone's impact as an activist, emphasising ...

Franz Kafka’s The Hunger Artist – Etcetera Theatre

11Jun

By Riana HowarthNo Comments

London

Franz Kafka’s The Hunger Artist – Etcetera Theatre

Franz Kafka’s The Hunger Artist - Etcetera Theatre Mesmeric, painfully expressive, and disturbingly comforting, Jonathan Sidgwick brings Kafka’s final work to life. Caged, centre stage, we find a man who revives himself to tell the tragic tale of the Hunger Artist, a man who devoted his life to his craft, to fasting. We see the hunger artist’s plight at the hands of a disinterested audience, (but also due to his own fixation), as he is forced to downgrade from a solo-travelling act that brought in masses to a sad, sideshow act that viewers see as a hindrance. With outstretched fingers and ever-widening eyes, blooming with the peculiar expression of the tormented hunger artist, you could feel his hunger for express and his appetite for reward, and release. He performed and flaunted th...

Suite in Three Keys – Orange Tree Theatre

9Jun

By Kira DanielsNo Comments

London

Suite in Three Keys – Orange Tree Theatre

Comprised of the individual plays, A Song at Twilight, Shadows of the Evening, and Come into the Garden, Maud, the latter two offered as a double bill, this is a hefty theatrical event for both performer and audience. Directed by Tom Littler, the Orange Tree Theatre’s Artistic Director, this production makes thorough use of the theatre’s performance facilities, and even positions one of its actors in the bar during pre-show and interval to serenade audiences in dulcet Italian tones with songs of the plays’ era. Referred to in each script simply as “Felix, a waiter” this Mediterranean songbird, played with charming humility and buoyant grace by Steffan Rizzi, provides the melodic throughline linking each piece to the other. The set, designed by Louie Whitemore is also remarkably consiste...

8Jun

By Kira DanielsNo Comments

London

Marie Curie – Charing Cross Theatre

A woman scientist!? The woman scientist. Marie Curie, a new musical written by Seeun Choun and Jongyoon Choi fleshes out the story of a scientific pioneer who put her own body on the line in order to secure both a scientific and feminist legacy. Whether or not this was her intention or merely a by-product of her inexhaustible efforts to unearth more information about radioactivity is not a question this play entirely answers over the course of its approximately hour and forty minute run time. Narrated by Marie (Alisa Davidson) but seen from the hazy imagined perspective of her daughter Irène Curie (Lucy Young) this play is very much concerned with the legacies passed between mothers and daughters and the value of role models. With English lyrics, new musical arrangements and musical dir...

Diva! Live from Hell! – King’s Head Theatre

8Jun

By Zain RussellNo Comments

London

Diva! Live from Hell! – King’s Head Theatre

Diva: Live from Hell! is a one-man musical performed by the sensational Luke Bayer. If you're anything like me, you might be sceptical about how one person can pull off a musical solo. Well, brace yourself to be engulfed by the flames of hell as you dive into a story that's unbelievably hot and laugh-out-loud funny. Bayer is an absolute menace on stage, seamlessly shifting between characters and embracing the role of an extravagant diva with exceptional ease, all while belting out great and catchy songs. This show is incredibly camp and nothing short of enjoyable from start to finish. The story starts off with a high school musical vibe, complete with catchy songs and energetic dances. It touches on themes of self-discovery and sexuality before spiralling down a devilish path, where the...

A View From The Bridge – Theatre Royal Haymarket

5Jun

By Eleanor HallNo Comments

London

A View From The Bridge – Theatre Royal Haymarket

Arthur Miller’s encapsulating tragedy of the 1950s stands the test of time. This production remains faithful to Miller’s story centred on an American-Italian family, which brews themes of blood, honour, love and instinct, to ultimately boil beneath the skin of the law and authorities. Eddie, our protagonist, beholds a tangled idea of himself as his niece Kathryn’s father-lover. Throughout the course of the action, he pursues what he believes to be just for his niece. It is in this warped sense of justice that Eddie’s anger and self-martyrisation become wrapped up in his ideals of nationalism, patriarchy, and a fostered fatherhood. The set was comprised of contemporary facades of buildings, perhaps emphasising the protective walls between the immigrant family members and authority, and e...

The Merry Wives of Windsor – The Roman Theatre of St Albans

5Jun

By Kira DanielsNo Comments

London

The Merry Wives of Windsor – The Roman Theatre of St Albans

Approaching Shakespeare with much as much joy and as little reverence as the children’s book “When Pigasso met Mootisse” treats the artists whose work it adapts, this production is technically recognizable as one of the most often neglected of the great playwright’s works but is in many ways a chimera of Elizabethan bawd, modern sensibility, and eighties sound. Not only soundtracked by the hits of that decade, this script is also peppered with cultural references time-specific enough that its heightened accessibility is restricted almost exclusively to audiences Gen X and up. This is not entirely a bad thing. Even the least meddled with performing script of Shakespeare’s The Merry Wives of Windsor has both a humour and a logic inherent to it that demands an adult understanding of money ...

5Jun

By Zain RussellNo Comments

London

The Finellis – Wonderville

"The Finellis" based on the 2022 movie of the same name, is a vibrant musical that tells the compelling story of Tony Finelli, portrayed by Mark Janicello, who strives to reintegrate into his family's life after a 15-year prison stint. Janicello delivers a convincing performance as the ex-felon Tony, grappling with reconnecting with his distant children and his ex-wife, who has moved on, all whilst being pursued by the relentless Mafia boss Mr Big, played by Michael Cristopher. The musical kicks off with an energetic start, filled with singing, dancing, and catchy tunes that keep the audience engaged. The pace is brisk, ensuring that there are no dull moments. The ensemble cast, although small, demonstrates remarkable versatility and chemistry, with most actors taking on dual role...

1Jun

By Caroline WorswickNo Comments

London

May 35th – Southwark Playhouse Elephant

4th June 1989 – This is the date to remember! But, if you live in China or Hong Kong, this date causes their government to have amnesia, and the Chinese government enforces countrywide amnesia on its people. There is no longer a 4th June 1989 in the Chinese calendar, not one that can be discussed anyway. To disguise discussion, this date is now May 35th, and both the date, and the lives of the victims of the Tiananmen Square massacre have been erased from history. In a country where the government uses dehumanisation as a means of controlling its people, this play attempts to overturn this, by bringing together interviews from some of the victim’s families and allows them to speak in one voice. The play centres around a student, Ah Dai who was a hard-working b...