London Archives - Page 2 of 115

Rodney Black: Who Cares? It’s Working – Lion & Unicorn

18Dec

By Zak RosenNo Comments

London

Rodney Black: Who Cares? It’s Working – Lion & Unicorn

Most shows are interested primarily in being funny. But what happens when you try to go deeper than that? To cut beneath humour, to the blood and the violence? What happens when the line between a joke and the real-world dissolves, and collapses? These are the questions that the Full Frontal Theatre poses in its no-holds-barred production of Rodney Black: Who Cares? It’s Working. Following the story of an edgelord-misogynist comedian who doesn’t seem to believe in anything he says on stage, but whose career skyrockets as he pursues a darker routine with real world impacts, Rodney Black isn’t a pleasant show to watch, nor is it meant to be; playwright Sadie Pearson and director Hen Ryan force viewers to contend with a side of comedy that most probably don’t enjoy ruminating on, their...

14Dec

By Zak RosenNo Comments

London

Hold On To Your Butts – Arcola Theatre

Hold On To Your Butts, the frenetic, exceedingly clever work of New York-based company Recent Cutbacks, is exactly what it purports to be. Originating ten years ago with sold out performances in New York and recently transferring from the Edinburgh Fringe Festival, the show is (as far as I can tell, a completely faithful) shot-for-shot theatrical parody of Stephen Spielberg’s iconic tale of a dinosaur theme park that goes horribly wrong. But knowing that, and subsequently knowing the general plot (Arrival. Dinosaurs. Chaos Theory. Power Failure. Velociraptor Hijinks.) does nothing to capture the ingenuity and delight of this show. From the very beginning, when one’s eyes fall on the rickety-sparse stage, awash in a thin fog and a deep, anticipatory green lighting (courtesy of desi...

14Dec

By Zak RosenNo Comments

London

Dead Hard – Colab Tower

‘Tis the season for mulled cider, yuletide cheer, festival holiday shrubberies of various kinds, and of course, the Panto – a classic story often full of slapstick, genderbending, topical humour, a villain and a wedding. Well, what’s more classic than the iconic Christmas movie Die Hard?And what better way to tell this classical story, Panto Style, than with some extremely fierce immersive drag? That’s exactly what the Yippee Theatre has done with its inaugural show at the Colab Tower immersive theatre venue. Billed as the world’s first immersive drag panto, this show is full of stellar costumes, raucous performances, hysterical references and superb audience interaction that gets people engaged without making anything awkward or uncomfortable. Directed by Bertie Watkins, the show c...

13Dec

By Louise PennNo Comments

London

The Little Foxes – Young Vic

A rare revival for Lillian Hellman's play, set at the turn of the 20th century. With a title taken from the Bible's Song of Solomon, The Little Foxes is a family drama set in Alabama's cotton country. Regina, Ben and Oscar are siblings living closely together, a family who gained wealth and power when Oscar charmed and married Birdie, daughter of Southern aristocracy and rich plantation owners. They patronise their black servants and are driven by money. When Regina's husband Horace, sick and tired, fails o respond to a business deal, plans to gain the money with or without him. Lyndsey Turner’s production captures all the nastiness behind closed doors, particularly of the unsuccessful marriages at its heart. There are moments of both physical and emotional violence, and...

12Dec

By Alan Stuart MalinNo Comments

London

Beauty and the Beast – Richmond Theatre

Richmond Theatre's ‘Beauty and the Beast’ pantomime, penned by Alan McHugh and directed by Paul Robinson, offers a truly delightful seasonal treat, that combines the magic of traditional panto with the timeless tale of a cursed prince and his quest for love. This new production shines brightly with its blend of humour, heart, and magical enchantment, and whilst the pacing occasionally falters, and some routines feel a touch outdated for the modern stage, these moments are few, and do not significantly detract from the overall enjoyment, providing a perfect holiday outing for families and friends alike. The strong cast is exceptionally talented, delivering performances that are both vibrant and engaging. Each performer brings a unique energy to the stage, creating a dynamic ensemble that...

11Dec

By Samantha CollettNo Comments

London

A Midsummer Night’s Dream – Barbican

In the last four hundred-odd years, since Shakespeare first wrote ‘A Midsummer Night’s Dream’, there have been a myriad of incarnations and reincarnations. Every age injects the words with meaning pertinent to the day. Cue the Royal Shakespeare Company’s director Eleanor Rhode, who brings to the stage possibly the deepest, funniest, most immersive, inventive, creative and multi-layered version of the play, yet. The story is in brief: a comedy chemical romance. Hermia is refusing to marry Demetrius because she is in love with Lysander. If she disobeys her father’s wishes, she will either be put to death or live as a single woman in a nunnery for the rest of her life. Hermia chooses option C - to run away with Lysander so they can escape the rule of Athenian law and be together. Ala...

The Massive Tragedy of Madame Bovary – Southwark Playhouse

11Dec

By Alan Stuart MalinNo Comments

London

The Massive Tragedy of Madame Bovary – Southwark Playhouse

‘The Massive Tragedy of Madame Bovary’ playing at Southwark Playhouse, attempts a brave, comedic overhaul of Gustave Flaubert's sobering classic, with varying degrees of success. For those of you not familiar with the novel (which is, as pointed out at the start of the show, most of us), the story centres around a woman battling the constraints of the patriarchy. Emma is portrayed as profoundly disenchanted, bored with her uninspiring doctor husband, her mundane provincial village, and her stifling role as a dutiful wife in nineteenth-century France. The character extravagantly spends beyond her resources to flee the dullness and void of provincial existence. This narrative is upended by Ha Hum Ah Productions & Minack Theatre as the audience is ushered into a more modern and rau...

Waiting for Godot – Theatre Royal Haymarket

9Dec

By Mark DavorenNo Comments

London

Waiting for Godot – Theatre Royal Haymarket

Director James MacDonald breathes new life into Samuel Beckett’s absurdist 1953 tragicomedy about two down at heel men waiting for a mysterious figure to appear, with a fresh and engaging interpretation that focuses more on the inherent humour within the play rather than just the disconsolate existentialism with which it is usually associated. Opening to a dystopian landscape bereft of any positive discernible feature other than a leafless tree, we encounter Estragon/Gogo (Lucian Msamati) and Valdimir/Didi (Ben Whishaw), as they wait for Godot. Whilst their connection to each other is unstated, there is an endearing affection between them that pervades their ongoing conversations about something and nothing, which distracts from the obvious bleakness of their everyday lives. The appe...

8Dec

By Klervi GavetNo Comments

London

White Christmas – The Mill at Sonning

Jonathan O’Boyle’s production of Irving Berlin’s White Christmas at the Mill at Sonning offers a delightful escape into festive cheer, perfectly defying the post-lunch slump. The story follows Bob and Phil, two old army buddies and successful performers, who join forces with the charming Haynes Sisters, Betty and Judy, to save a struggling Vermont inn owned by their former General. Together, they plan a spectacular Christmas show to boost the inn’s finances, enlisting their old army division for support. It’s a classic tale of friendship, love, and the magic of the holidays. Gary Lloyd’s choreography truly stands out, featuring a fabulous tap dancing sequence that leaves the audience wanting more and the performers a bit breathless—in the best way possible. Jason Denver’s luscious set d...

8Dec

By Mark DavorenNo Comments

London

The Mousetrap – St Martin’s Theatre

Director Philip Franks wonderfully maintains the suspense of what is the longest running play in the world, which now in its 73rd year, having first opened in London’s West End in 1952, continues to play to packed houses which is a testament to Agatha Christie’s suspenseful writing and the accompanying performances from the cast with the support of an accomplished creative team. Set in early 1950’s England, Mollie Ralston (Lara Lemon) and Giles Ralston (Harry Bradley) have been married for one year and having decided to repurpose her inherited stately home, Monkswell Manor, as a guest house, they nervously await their first guests amidst a snowy blizzard that has just descended. First to arrive is the excitable Christoper Wren (Richard Leeming), an architect no less who loves to coo...