Friday, October 16

London

The Big Cheese – The Golden Goose
London

The Big Cheese – The Golden Goose

Surely it can't be hard to sell cheese, can it? Inspired by her own experiences of working in a cheese shop, this new comedy by writer and director Bylli Gomez pokes fun at middle class Britain through a lens of millennial problems. 30 year old Bee, living with her mum after losing both her job and her relationship, is desperate to find work. When she gets a trial shift at a cheese shop, things go from bad to worse for her as she ends up stealing a jacket, destroying an expensive wheel of cheese and drowning her sorrows in a bottle of wine. Gomez herself plays Bee, a woman carving her own way through life, in spite of her constantly disappointed mother. Bee's mistakes are endless, but that doesn't stop her. Gomez makes her character endearing and expressive, easily getting the audie...
Who Killed Marilyn? – Emerald Theatre
London

Who Killed Marilyn? – Emerald Theatre

There is a particular pleasure in a story that makes you impatient for its next revelation, and ‘Who Killed Marilyn?’ taps into precisely that feeling, unfolding with the intrigue of a crime novel whose pages you keep turning long after you intended to stop. An expansive retelling of Marilyn Monroe’s life and death, it draws Hollywood glamour, political power and conspiracy into a theatrical mystery that is thoroughly captivating. Written by Sharleen Cooper Cohen and directed by Philip Wm. McKinley, the production follows Monroe’s story after becoming famous, through the relationships and powerful interests surrounding her, including the Kennedys, organised crime and the machinery of celebrity, which all enter the frame as the circumstances of her death come under scrutiny. Conspiracy t...
User Manual for a Broken Machine – Holy Cross Church
London

User Manual for a Broken Machine – Holy Cross Church

A vacuum cleaner might seem an unlikely starting point for an absorbing piece of theatre about growing up under the demands of economic and technological progress. Yet KASSNA’s ‘User Manual for a Broken Machine’ takes this ordinary domestic object and builds an inventive, energetic production around it, exploring the human cost of being expected to always function efficiently. Written and directed by Namoo Chae Lee, the work begins with a broken Daewoo vacuum cleaner and the instructions intended to restore it to working order. From this simple premise emerges a much larger question: who actually gets to decide what constitutes a malfunction? Applied to a machine, the answer might appear straightforward, but applied to a person (or society), it becomes considerably more troubling. ...
Fences – Lyric Hammersmith
London

Fences – Lyric Hammersmith

Fences by August Wilson “is a powerful family drama about racism, lost dreams, fatherhood, betrayal and the emotional barriers people build around themselves and the people they love”. This production is directed by Daniel Bailey and with Ray Fearon playing Troy Maxson and Madeline Appiah playing his wife, Rose. The time is the 1950’s America when Black working class families were trying to survive racial discrimination and generational trauma. The story centres around Troy Maxson, a Black man in his fifties working on the streets of Pennsylvania. What becomes evident early in the play is that Troy is a troubled man scarred by this past, trying to live in the future; but his demons uncover a deep abyss of loneliness. His actions towards his relationships with his wife Rose and his c...
The Love That I’ve Lost – Bread and Roses Theatre 
London

The Love That I’ve Lost – Bread and Roses Theatre 

Love is very complicated, and The Love That I’ve Lost undoubtedly demonstrates that. Written and directed by Morgan Clarice, The Love That I’ve Lost follows three generations of women: Lillie (Harriet Spence-Reid), Michelle (Amelia Dunn) and Betty (Nina Anderson), as they navigate their complex love lives. Lillie, the youngest of the three, is new to dating and struggles with the rejection that can come with finding the right person. Her mother, Michelle (though difficult to believe with the age gap not seeming believably big enough), is going through a messy divorce, finding it hard to move on when she is still so in love. Betty’s husband is suffering from dementia, and so despite still being in a long-term relationship, she feels a lack of love as a result of feeling him slowly s...
Don Black’s From the Heart – Garrick Theatre
London

Don Black’s From the Heart – Garrick Theatre

A lyricist’s words can become so familiar to us that we forget the person who wrote them. ‘From the Heart’ brings Don Black, one of the world’s most accomplished lyricists into focus, offering a beautifully presented musical revue that traces his career through songs and autobiographical reflections. Directed by Nick Winston, the evening feels carefully assembled, with a thoughtfully curated programme that makes room for discovery alongside recognition. The lesser-known numbers provide an opportunity to appreciate Black’s work beyond the songs audiences can immediately hum, and there is considerable pleasure in hearing these pieces given such accomplished treatment, allowing the lyrics their place in the spotlight. The staging of this revue is equally assured. Sophia Pardon’s minimal...
God Save Us – The Lion & Unicorn Theatre
London

God Save Us – The Lion & Unicorn Theatre

French spies, educated women and badly filed paperwork make for chaotic comedy in this new show set in 1066. Only nine months since King Harold had an arrow through his eye, and the French are changing laws and imposing their language and customs on their newly conquered country. Clergymen Theodore (George MacGowan) and Nicholas (Xavier Atkins) have enough problems keeping the villagers in line, and when their French superior arrives and helps himself to a farm at the same time as a woman arrives from Yorkshire claiming the farm is hers, Theodore has his work cut out keeping everyone distracted while he tries to fix the mess. Rabble-rouser, Joan (Julie Joubert), is asked to write a morality play and Yorkshire woman Asa (Lily Blunsom) is given the lead part to keep both of them busy....
An Oak Tree – The Other Palace
London

An Oak Tree – The Other Palace

Tim Crouch’s interesting spectacle is back after a fiercely popular run at the Young Vic last year. Now placed at The Other Palace main theatre and the performance is led by Tim Crouch himself and a different second performer every night. On this evening, we had the wonderful Gwyneth Keyworth. The script doesn’t change but in essence the performance will, having a different actor every night who is unaware of the script or the journey that their character will take. Crouch leads this second performer into the abyss with small scripts on clipboards, headphones linked to his microphone or at some points leading them with ‘now you say…’. This journey follows a father coming to a hypnotist’s (Crouch) failing show to confront him as he accidentally killed his daughter. Through this jo...
Oh Zeus! – Queens Theatre
London

Oh Zeus! – Queens Theatre

Oh Zeus! literally feels like a fever dream unfolding right before your eyes. We are introduced to three extremely talented and quick-witted actors: Al Dunn, Matt Freeman and Nick Bunt. Between them, the trio take on a range of characters in this fast-paced and wonderfully chaotic production, which sees the Greek gods descend upon the wedding of Hebe and Gregg. As the celebrations unfold, we get to see how the gods react to the unlikely union between a Greek goddess and a mere mortal, with Zeus, played by Al Dunn, in particular, not taking the marriage particularly well. The humour is very much in the style of pantomime, sitcoms and childish comedy, with the production embracing the ridiculous and never taking itself too seriously. At times, the jokes are so absurd that you cannot help ...
What Would Jarvis Do? – Omnibus Theatre
London

What Would Jarvis Do? – Omnibus Theatre

Absurd, uncomfortable, silly, and hilarious -   What Would Jarvis Do?  is an intriguing production that draws heavily on the themes of theatre of the absurd while also having its own unique voice. Written by Laura Grillo and directed by Maiya Pascouche, the play tells the story of best friends Didi (Annabel Smith) and GG (Isabel Butt) – superfans of Pulp frontman Jarvis Cocker.  Through their unconventional therapist, Ms Lacy (Maggie Daniels), they buy a pair of yellow trousers once owned by Jarvis Cocker – only they might not be Jarvis’ trousers at all. The play takes us on an unconventional yet familiar ride that explores the themes of materialism, identity, loss, grief, delusions, and recovery. You will see the shades of Beckett, Pinter, and Ionesco in its nar...