London Archives - Page 3 of 170

White Bitch Bingo – Baron’s Court Theatre

4Aug

By Alan Stuart MalinNo Comments

London

White Bitch Bingo – Baron’s Court Theatre

Caroline Cole's ‘White Bitch Bingo’ is less a stand-up comedy than a warm and fuzzy, confessional storytelling hour, wrapped around a game of bingo and sprinkled with just the right amount of audience interaction. Billed as an exploration of privilege, identity and the contradictions of modern America, it never becomes preachy, instead it relies on Cole's natural warmth and self-deprecating humour to keep the audience firmly on side. The bingo element proves to be the evening's strongest theatrical device, and it gives the audience a genuine sense of participation creates an easy rapport and reminds us that everyone enjoys the simple thrill of winning and walking away with a prize! Those interactive moments inject welcome energy into what is otherwise an extended personal monologue....

3Aug

By Holly SewellNo Comments

London

Ophelia — Etcetera Theatre

Ophelia by TheArchive is, in the company’s own words, not an adaptation; not a rewrite; it’s a reckoning. In Samuel George-Thomas’ new script, co-directed with Ava Benkova, the eponymous tragic heroine is given the opportunity to explain what really went down between her and Hamlet during the collapse of their relationship in Shakespeare’s play. TheArchive’s beautiful production steers clear of the cliché and contrived sass which sometimes accompany feminist retellings of famous stories, and instead leans into the poetry of Shakespeare’s language, the sincerity of Ophelia’s character, and the impossible double-bind of existing as a woman in a man’s world. The action of Ophelia takes place broadly over the same time period as Hamlet, often behind the closed doors of Ophelia’s room. I...

1Aug

By Eleanor HallNo Comments

London

Cleansed – The Almeida

I have heard Cleansed be described as unreviewable. Is this owing to its explicit, horrific imagery? Or its polarisation of audiences into the enthused and the disgusted? Tinkler, a doctor-drug-dealer, acts as puppeteer to lovers Rod and Carl; to siblings-turned lovers Graham and Grace; and to the juvenile Robin. Set in a university - although deeply unclear until spelled out by Dan Rebellato’s poignant programme notes - the trios and pairs of people are stretched to their limit. The initial scenes take on surreal stakes. The smallest of choices bear the greatest of consequences. The question of why these choices are made seem to be the play’s very pulse. The choreography was captivating, unsurprising given it is a recognisable Frecknall feature. Muscular contractions are reminiscent...

1Aug

By Michelle KnightNo Comments

London

Tao of Glass – Sohoplace Theatre

Philip Glass born in 1937 is “celebrated as one of the most influential and prolific American composers of the 20th and 21st centuries, and he was a pioneer of musical minimalism”. His repetitive musical style is very different. Glass went on to write dozens of operas; such as Satyagraha and Akhnaten, symphonies, concertos, and chamber pieces. Tao of Glass—is the inspiring collaborative work of composer Philip Glass and writer/director Phelim McDermott This production delves deeply into the theatrical artistry of imaginative storytelling and hypnotic concert of musical theatre. With a touch of comedy and paper puppetry, beautifully performed with style and grace. Photo: Johan Persson It touches on an emotional journey through life, reflection and wonder portrayed through the eyes an...

Grease: The Immersive Movie Musical – Evolution London

30Jul

By Zain RussellNo Comments

London

Grease: The Immersive Movie Musical – Evolution London

Grease: The Immersive Movie Musical is a hugely entertaining experience that transports audiences straight into the world of Rydell High. Rather than simply watching the story unfold, you become part of it from the moment you arrive. Before entering Rydell High, guests are welcomed by a vibrant funfair set within the beautiful surroundings of Battersea Park. There are classic fairground games, including hook-a-duck and bean bag tosses, alongside rides that can be enjoyed using purchased tokens. It is a fantastic way to set the atmosphere before the performance begins and immediately captures the carefree spirit of Grease. The experience opens with the iconic film introduction projected onto a large screen, allowing audiences to relive Danny and Sandy's unforgettable summer romanc...

23Jul

By Gemma PrinceNo Comments

London

Good For Her! – The Other Palace

Written and performed by Mollie Semple and directed by Kayla Stokes, Good For Her! is a sharp solo show that explores ambition, womanhood and trying to find yourself within a world fuelled by social media comparisons. We follow 28-year-old aspiring actress Iris as she flits between ambition, envy and self-doubt whilst grappling with toxic family and feeling overshadowed by those she stalks on Instagram. Comparison being the thief of joy certainly rings true for Iris’ story, which Semple plays extremely well, as we see her “having it together” persona quickly deteriorate with her incessant need to feel like she is doing better than her peers, shown through her obsessive and constant doom scrolling. Iris’ fractured relationship with her narcissistic mother, whose declining health f...

22Jul

By Carole GordonNo Comments

London

Alice in Wonderland – Riverside Studios

Neon-bright, fast-paced and generally faithful to Lewis Carroll's original, Penny Farrow's version of Alice in Wonderland is a joy. It's somehow simultaneously fresh and modern while remaining a classic. There are very convincing puppets for some of the characters (think Avenue Q meets the Muppets) but director Nate Bertone has not been tempted to shoehorn in any of the current theatrical gimmicks like digital screens and steadicams to distract from the action. All the favourite characters of this beloved tale show up, portrayed by a terrifically talented ensemble who give it their all and then some, with on-point comic timing. Bored Alice is feisty, curious and played with the perfect degree of sweetness by Ailsa Erskine. When she chases Clare Brice's energetic ...

The Hidden Dangers of Camping – Theatre Royal, Windsor

22Jul

By Alan Stuart MalinNo Comments

London

The Hidden Dangers of Camping – Theatre Royal, Windsor

Liesl Wilke’s ‘The Hidden Dangers of Camping’ arrives at Theatre Royal Windsor for its world premiere with an intriguing premise and an impressively large production. The story begins with a family crisis in the present that pulls Casey (Jess Nesling) back into memories of a childhood camping trip, gradually revealing that this apparently idyllic weekend was anything but. The result is an absorbing, visually accomplished drama which examines the damage carried through families and the lasting effects of being exposed to adult behaviour at an impressionable age. Director Bronagh Lagan handles the movement between past and present particularly well. Casey’s therapist (Sandra James-Young) becomes an effective portal into her memories, allowing the play to slip between timelines with clarit...

20Jul

By Olivia CoxNo Comments

London

The Gruffalo – Lyric Theatre

As a child of the early noughties, I remember Julia Donaldson’s The Gruffalo as a distinctive cultural touchstone of my formative years. A couple of decades later, it’s been a while since I engaged with the classic British tale, so I was very happy to pop along to the Lyric Theatre on a sunny Sunday morning to watch Tall Stories’ musical adaptation in celebration of its 25th anniversary. Our storytellers are Rianna Kellman, Niall Hemingway, and Jordan Cottle, who introduce us to the deep, dark wood – in a beautiful set by Isla Shaw that feels like the perfect homage to Axel Scheffler’s iconic illustrations – where Mouse (Kellman) now resides. On the hunt for the perfect tasty nut, Mouse has to outwit the sneaky Fox, Owl, and Snake (all played by Cottle) before meeting the frightening Gr...

Pup Play: A Queer Pseudo-Lecture (of Sorts) – Barons Court Theatre

20Jul

By Alan Stuart MalinNo Comments

London

Pup Play: A Queer Pseudo-Lecture (of Sorts) – Barons Court Theatre

Part academic presentation, part confessional and part chaotic and confusing cabaret, ‘Pup Play: A Queer Pseudo-Lecture (of Sorts)’ is certainly unlike anything else currently appearing on London’s fringe theatre circuit. Written and performed by Dr. Noah Alfred Pantano, the production explores pup play, BDSM and queer identity through the highly eccentric persona of Professor Handler David. What begins as an enthusiastically delivered lecture soon expands into a deliberately unruly mixture of personal testimony, audience interaction (be prepared to bark like a dog), puppetry, multimedia and punk-infused musical interludes. Pantano’s research forms part of his doctoral work, and the production is most successful when it draws upon that academic foundation. It offers an interestin...