Louie Whitemore Archives - North West End UK

12Jun

By Brian MaddenNo Comments

North West

Pride and Prejudice – Octagon Theatre

Jane Austen’s Pride and Prejudice is celebrated for its wit and insight into gender and class. Kate Hamill’s stage adaptation reframes Austen’s story through a fast-paced, farcical lens — one that’s lively and inventive, if not always emotionally resonant. The plot is familiar: Elizabeth Bennet is one of four unmarried daughters in a financially precarious household. Her sharp wit and scepticism about marriage bring her into conflict — and ultimately connection — with the aloof but wealthy Mr. Darcy. Meanwhile, younger sister Lydia throws herself into romantic entanglement with the roguish Mr. Wickham, while Jane, the eldest, quietly pines for Mr. Bingley. Hamill’s script leans heavily into broad comedy and slapstick. Some choices are entertainingly bold; others verge on caricature. ...

A Shoddy Detective and the Art of Deception – HOME Mcr

Creative team Mitch Donaldson and Becky Bartram have produced a laugh-out-loud slapstick whodunnit featuring four primary actors, a dozen characters and a whole load of chaos that turns everything on its head so make sure you pay attention. When a priceless painting goes missing at a private auction, Detective Stuart Pidcock (Neil Jennings) is called upon to uncover the mystery. However, when he cannot solve it himself he is forced to enlist the help of an old nemesis, Dusty Wills (Wesley Griffith). Together, the pair must interrogate the many characterful suspects (Donaldson and Bartram in multiple roles plus a delightful cameo from understudy Alexandra Ricou which drew the laughs) that reside at the manor, in order to catch the conniving culprit and solve the crime of the century. ...

Suite in Three Keys – Orange Tree Theatre

Comprised of the individual plays, A Song at Twilight, Shadows of the Evening, and Come into the Garden, Maud, the latter two offered as a double bill, this is a hefty theatrical event for both performer and audience. Directed by Tom Littler, the Orange Tree Theatre’s Artistic Director, this production makes thorough use of the theatre’s performance facilities, and even positions one of its actors in the bar during pre-show and interval to serenade audiences in dulcet Italian tones with songs of the plays’ era. Referred to in each script simply as “Felix, a waiter” this Mediterranean songbird, played with charming humility and buoyant grace by Steffan Rizzi, provides the melodic throughline linking each piece to the other. The set, designed by Louie Whitemore is also remarkably consiste...