Friday, June 13

Tag: Liverpool Empire

Only Fools and Horses the Musical – Liverpool Empire
North West

Only Fools and Horses the Musical – Liverpool Empire

From the creative minds of Paul Whitehouse and Jim Sullivan emerges a vibrant musical adaptation of the beloved classic TV sitcom Only Fools and Horses. This production is packed with clever humour, nostalgic charm, and entertaining performances and opened at Liverpool Empire on 9th June to a packed audience and runs until Friday 21st June. Under the adept direction of Caroline Jay Ranger, the show boasts a charming cast that forms a solid foundation for the narrative. The central trio is particularly well-cast, embodying the quintessential Cockney charm that fans adore. Sam Lupton shines as Del Boy, effortlessly channelling his character's cheeky wit and relentless ambition. Tom Major portrays the endearing and somewhat hapless Rodney, injecting delightful warmth into the role, while P...
Hamilton – Liverpool Empire
North West

Hamilton – Liverpool Empire

I had intended to open with a merry quip: who has my eye-teeth? Unfortunately, although that did apply, this show ultimately left me somewhat underwhelmed. Unlike the rest of the audience, at one point, the girl behind us got so excited, her drink flew out of her hand down my companion’s back. But I remained confused: history, story and characters; it’s not as if Mr Google is a new acquaintance, I just didn’t expect to have to call on him quite so much and still can’t match some of the name and faces from the cast list. Yes, there’s no denying Lin-Manuel Miranda’s was a brilliant idea, so original it’s like a beautiful, expensive, brand new sportscar compared with yet another weary, worn out bandwagon. He does justice to the under-rated man who was one of the founders of America, and wi...
War Horse – Liverpool Empire
North West

War Horse – Liverpool Empire

When a National Theatre production goes on tour, audiences expect a high calibre performance. That expectation increases two-fold when a production has such a celebratory history like War Horse has. Due to its longstanding repertoire, audiences know what to expect when they see this show; the puppets, the story, the wartime setting. However, one only feels the true essence of the performance when it is seen it live. Descriptions won’t do the creative work justice, but one word to describe this production: magic. Considering the tour after tour it has been through, this cast held that sense of first-time performance quality that this show needs to succeed. Like so many reviewers before me, I thought the puppetry was out of this world. Each performer, led expertly by Tom Sturgess as...
Blood Brothers – Liverpool Empire
North West

Blood Brothers – Liverpool Empire

A centenary celebration is a milestone in itself, but having Liverpool’s iconic musical back in the city’s legendary theatre for its one-hundredth birthday is a new level of special. Audience members may have watched Blood Brothers countless times, I being not from the city, have only studied Willy Russell’s play, never seeing it performed. So, I had all hopes this would live up to expectation. Bringing Sean Jones back to re-imagine Mickey was a stellar move by Bob Tomson and Bill Kenwright. He was at home in that character and his ease in the role from age seven to eighteen is nothing but smooth and effortless. Together with Joe Sleight’s equally natural and charming Eddie, they make a magnicent pair, full of vivacity until the very end. This musical will never die. Just like the Em...
Now That’s What I Call a Musical – Liverpool Empire
North West

Now That’s What I Call a Musical – Liverpool Empire

NOW That’s What I Call a Musical promises a nostalgic trip back to the 80s, but what it delivers is more like a chaotic tribute night with a flimsy story tacked on. Following best friends Gemma and April, the show jumps between their teenage years in 1989 and their reunion in 2009, exploring how life — and friendship — doesn’t always turn out the way we expect. It’s a familiar premise, but the story itself never really finds its feet. The biggest issue is the script, which feels like an afterthought, existing purely to glue together as many 80s hits as possible. Jukebox musicals often lean on their soundtrack, but this one takes it to extremes. Songs like “Girls Just Wanna Have Fun” and “Sisters Are Doing It for Themselves” feel clumsily wedged into scenes, rarely adding anything to the...
Matthew Bourne’s Swan Lake – Liverpool Empire
North West

Matthew Bourne’s Swan Lake – Liverpool Empire

Matthew Bourne’s New Adventures company returns to revive the timeless classic ‘Swan Lake’ on the 30th Anniversary Tour. Bourne names the production ‘next generation’ for a distinct reason. This production brought Swan Lake into the new age, which included amending characters to reflect a truthful modern-day production (such as the prominent character of the Swan/The Stranger being played by a male performer rather than female, executed seamlessly by Jackson Fisch). If you attend the show expecting to see an exact replica of the original Swan Lake, this show might not be for you, however it may just be even better. As the house lights dimmed and the show began, I was thrilled to hear the addition of a live orchestra for this production, which was a treat. There is something so specia...
Cast Announced for Homecoming of Masterpiece
NEWS

Cast Announced for Homecoming of Masterpiece

The cast for James Graham’s adaptation of Alan Bleasdale’s Boys from the Blackstuff, coming to the Liverpool Empire Theatre in March 2025, is announced today. Following sold out seasons at Liverpool’s Royal Court and the National Theatre, and in London’s West End at the Garrick Theatre, the production hits the road in 2025, returning to Liverpool at the iconic Empire Theatre in the venue's 100th birthday year. It's 80s Liverpool. Chrissie, Loggo, George, Dixie and Yosser are used to hard work and providing for their families. But there is no work and there is no money. What are they supposed to do Work harder, work longer, buy cheaper, spend less? They just need a chance. Life is tough but the lads can play the game. Find the jobs, avoid the ‘sniffers' and see if you can have a laugh...
Here You Come Again – Liverpool Empire
North West

Here You Come Again – Liverpool Empire

Dolly Parton’s hits such as “9-5" and “Islands in the stream” grace the stage of Liverpool’s Empire Theatre this week for a wacky and wonderful comedy take on a diehard fan's troublesome times, and the dreams that see him through “when reality and fantasy intertwine” - as Paul Wills (set & costume designer) says. This is “Here you come again”. Immediately the story begins and we meet Kevin Rutter played by Steven Webb, in his attic kitted out in shrine for Dolly. He takes us back to Covid-19 pandemic times… very controversial I thought given the elapsed time and a somewhat dare we say distant memory, but the political humour as the story went on was a real trust the process and something that I felt worked to a high degree. Kevin is a struggling comic awaiting his break, and albeit ...
An Inspector Calls – Liverpool Empire
North West

An Inspector Calls – Liverpool Empire

With the size and grandeur of the Empire stage, any play has a feat to reach the farthest eyes and ears in the audience. Especially a play that has such a wide and respecting reputation, not to mention a sell-out run to precede it. I didn't watch that initial tour of this production, so I have no comparison. That said, I was keen to see the calibre of the National Theatre re-produced, albeit with a hint of apprehension as to whether it would feel big enough for a space so different to the intimate Littleton. However, sat way back in the stalls I was pleased to feel so much life from the distant stage. The characters were bold and worked very hard to keep us in that world of tailcoats and silk gloves. Sheila Birling (Leona Allan) had humility, and a subtlety needed to counteract Mr an...
Dear Evan Hansen – Liverpool Empire
North West

Dear Evan Hansen – Liverpool Empire

The classic saying always favours the book over the film of story but when a book comes off the back of a musical, then that musical has got to be next level. Dear Evan Hansen therefore comes with a calibre. The show is the blueprint that went to Broadway before Hollywood film sets and so future renditions can sometimes be overshot with assumed greatness. Instantly this performance was not that. What I noticed first was that the story was the main character rather than the individual performers which so often occurs during ‘big’ shows. I say it every time I go to the Empire, but that theatre is a big space that demands a strong stage presence. This cast were instantly electric, purposeful and slick that captured me and the packed seats three tiers high. Ryan Kopel’s Evan wa...