Friday, April 26

Tag: King’s Arms

The Rug of Identity – King’s Arms, Salford
North West

The Rug of Identity – King’s Arms, Salford

The origins of tonight’s play, a revival of a 40year old tale, by Jill Fleming, came from her time with the women’s theatre troupe, Hard Corps, whose aim at the time was described by website Unfinished Histories as ‘to perform lesbian soap operas at the London Palladium, overthrow the patriarchy and put tampons on the NHS’. In a time when moral panic around AIDS was at its peak, Fleming and other member’s works didn’t follow any expectations of handwringing apologies for queer characters being the way they were, instead creating anarchic, in-your-face plays where the delivery of familiar theatrical tropes came from characters who just happened to inhabit every colour of the LGBTQ+ rainbow and took tremendous pride in doing so. Best efforts aside though, works soon faded into obscuri...
Enough – King’s Arms, Salford
North West

Enough – King’s Arms, Salford

When Enough was first performed at the Greater Manchester Fringe last summer it was depressingly prescient. A play about misogyny, corruption and racism in the police less than six months after a review into the culture and standards of behaviour at the Met was published. As part of a Best of Fringe season, Enough is one of a handful of last year’s highlights being revived at the King’s Arms in Salford. The play won a Best Drama award in the summer, and it is not hard to see why. The subject matter may be, marginally, less topical but is no less important. In fact, the ‘enough is enough’ message is, arguably, even more powerful now. The attention of the headlines circus may have moved on but the issues this play raises have not been resolved. As is often the case, it is down to p...
What Happened to Connie Converse? – King’s Arms, Salford
North West

What Happened to Connie Converse? – King’s Arms, Salford

In the 50s and 60s Greenwich Village, New York, was at the centre of the American Folk Music revival which gave the world performers such as Woody Guthrie, Pete Seeger and, of course, Bob Dylan. There were also female singers and writers performing there such as Joan Baez, Joni Mitchell, Judy Collins and also, on the periphery of this scene, there was an unknown singer-songwriter called Connie Converse. Even though these days she is largely a forgotten figure, her only public performance was on one TV show, there is an intriguing mystery about her as one day she just disappeared and was never seen again. Elizabeth Converse, Connie was a nickname she picked up when she lived in New York, was brought up by an extremely conventional religious family. She decided to rebel against them b...
The Crisp Review: LIVE – King’s Arms
North West

The Crisp Review: LIVE – King’s Arms

Having tickled audiences’ palates at last year’s Fringe, Adam Evans takes to the stage once more with a presentation packed to the rafters with all things crisp-related. If the title doesn’t give his game away, Adam unapologetically spells it out: he reviews every variety of the potato snack imaginable with the aim of encouraging suppliers to send him free bags. A high-and low-light reel of his videos offers a hilarious insight into the review process. Adam gives honest verdicts on crisps’ names, texture, flavour, and value, regaling everyone in the room with observant critiques. In person, his nonchalance and cynicism allow him to deliver one satirical quip after another, but put-downs (almost entirely aimed at himself) tagged onto the end of them regularly get the biggest laugh...
Four Weddings and a Breakdown – King’s Arms, Salford
North West

Four Weddings and a Breakdown – King’s Arms, Salford

Phil Green’s pre-Edinburgh stand up show, presented to a small audience who had made their way through the torrential rain of a humid summers evening, took us on a journey of his life over the past twenty years and the trials and torments that have brought him to where he is now. Relaxed, quick witted and very likeable, Green quickly got down to the business of pondering the life experiences and learnings of each generation from the Babyboomers who raised him to the current Generation Z cleverly highlighting the differences and similarities between them. Using the power of his beloved and adored Sugababes, who have accompanied him for the whole journey and assisted by observant and entertaining photographs, visual charts and graphs, Green highlights the features of each generation with...
Wasteman – King’s Arms, Salford
North West

Wasteman – King’s Arms, Salford

In a sequin-studded change in his career path, Joe Leather whimsically recounts how he traded hi-vis for high heels in this endearing one-hour play. Despite dabbling in drag in former times, regrettable events have led him to boxing up his dreams. However, a new opportunity tempts our refuse-collecting queen to rediscover their passion for performing. Leather embraces his ‘imaginary’ audience and entertains us with engrossing words, song and dance while jumping between a past and present narrative. His stage presence is cheeky and charming, and he capably juggles additional minor roles with expressive mannerisms and accents. While there are plenty of funnies laced throughout the script, a quantity over quality situation in terms of humour is sometimes apparent: where too many...
Amy Webber: No Previous Experience – King’s Arms, Salford
North West

Amy Webber: No Previous Experience – King’s Arms, Salford

Ambitious opera graduate Amy Webber occupies the King’s Arms theatre space with a stand-up routine composed of music, role-play and just a little bit of job-hunting. Opening with a playful sing-through of her CV, the piece throws in plenty of anecdotes throughout to keep it laugh-a-minute. The way Webber ad-libs lyrics and fumbles on her mini keyboard is reminiscent of Peep Show’s hapless, wannabe musician Jeremy Usborne (in the most complimentary way). Applying an energetic and quick-witted persona as she enacts different occupations- from teacher to therapist- Webber also employs some tongue in cheek audience interaction. While no one offered any exciting career leads for her on this occasion, she shares some frivolous networking pointers nonetheless. Radio impersonations a...
Smell the Roses – King’s Arms, Salford
North West

Smell the Roses – King’s Arms, Salford

Meet Molly. Young, motivated, engaging and real. She runs her own florist and from it helps her customers acknowledge key moments in their lives by saying it with flowers. Whether it is the joy of assembling a bridal bouquet or a jilted lovers desperate offering, she constructs floral arrangements that are full of meaning and symbolism… who knew geraniums represent folly and stupidity? Certainly not me when I filled my garden with them! When George finds his way into Molly’s little shop for a much needed Fuck You Bouquet a ‘romantic comedy’ begins. The problem is, I found it neither romantic nor comic. George finds ways to come in and out of Mollys shop for multiple reasons, none of which are especially convincing. He asks Molly to teach him about floristry and the meanings of flowers ...
Twenty Today – King’s Arms, Salford
North West

Twenty Today – King’s Arms, Salford

For some reason, in the mid Eighties, my Dad started collecting plates. The sorts of plates that were regularly advertised in the back of glossy Sunday magazines. They were hideous.  Many of them were wall mounted around the house and when family parties or sisters pretending to be The Nolans got a bit boisterous, my mother could be heard crying “Watch the plates!”  I was reminded of this in the opening scene of Peripeteia Theatre’s Twenty Today in which we meet 19-year-old Peter Clapton (Joseph Harding) and his Aunt Holly ‘Dave’ Clapton (Solaya Sang) on the eve of his 20th birthday. He is preparing for his house party, she has a date. There is immediate warmth and connection between Harding and Sang as the orphaned boy-about-to-be-man and the sister of his dead mother, who has no...
Mother There Art Thou – King’s Arms, Salford
North West

Mother There Art Thou – King’s Arms, Salford

Most plays, essentially, are about families and that age-old conflict between kids and their parents. If you go back to ancient Greek drama and myth Oedipus and Electra have complexes named after them. A child’s view of the world is created by their parents. They can, if they want, make it seem to be a scary place their kids should hide from, or they can say it is wonderful and should be embraced and enjoyed. The set-up for this darkly comic play is that a domineering rule-setting, brutal, mother has died, and her son and daughter are left to ponder how they want to live their lives. There is no mention of a father in the piece, so it is assumed the mother brought up the children on her own. Within the family dynamic son Charlie is clearly willing to follow the rules and is extre...