Festival Theatre Archives - Page 3 of 12

Trial by Jury and A Matter of Misconduct – Festival Theatre

1Jun

By Paul DownhamNo Comments

Scotland

Trial by Jury and A Matter of Misconduct – Festival Theatre

Welcome to another episode of the hit TV show, Trial by Jury! Gilbert and Sullivan’s comedy opens this double bill from Scottish Opera. The setting is a Jerry Springer-style TV show, rather than a real-life courtroom, and we are the studio audience. This means that the performers get to interact to the crowd, exaggerating the showmanship of the characters. The absurdity of the story is perfect for the I’d-do-anything-to-get-on-TV scenario. The jury, and the audience, are instructed to be impartial, but the libretto and the staging subvert this, with light-up signs demanding “APPLAUSE” and telling us when to “BOO”. The plaintiff, jilted bride Angelina, is immediately anointed as the darling of judge and jury alike, while her ex, Edwin (Jamie McDonald) is reviled for his cruelty. She’s re...

1Jun

By Jessie MartinNo Comments

Scotland

The Merry Widow – Festival Theatre

In this modern adaptation of Franz Lehar’s 1905 operetta The Merry Widow, Scottish Opera presented us with a fresh, ingenious take on the classic comedy of errors. Featuring the mob of 1950s New York, a Sicilian lemon grove, and a million different miscommunications in love, John Savournin and David Eaton’s translation brings a much needed sense of accessibility and reimagination for today's audience. Typically being seen as an art form for the elites of the world, it seems Scottish Opera is making a very conscious effort to trample this narrative by reviving its productions in a way which appeals to a much wider audience - The Merry Widow being a trailblazing example of this. Not only with its English translation, but also by its consideration of setting, moving away from the more ster...

The Ultimate Classic Rock Show – Festival Theatre

27May

By Greg HolsteadNo Comments

Scotland

The Ultimate Classic Rock Show – Festival Theatre

UCRS are becoming something of an institution, celebrating twenty years of rocking on stage this year. Original band members Luke Bradshaw (Lead Guitar) and Gareth Kedward (Keyboards) are still going strong and showing no signs of slacking in this high tempo run through some of the most iconic rock tracks of the last few decades of the twentieth century. Bradshaw guitar work is simply wonderful, and without doubt some of the best I have seen for many a year! An enthusiastic audience at Edinburgh’s Festival theatre were on board from the very first note as lead man Rory Bridgeman launched into Freddie’s, One Vision, quickly followed by Coverdale’s, Fool For Your Loving. A cracking start! The quality of the vocals and musical accompaniment point towards a well-oiled and well drilled ma...

25May

By Jessie MartinNo Comments

Scotland

Ballet BC – Festival Theatre

Presenting a double bill of innovative contemporary dance, Dance Consortium brought Canadian company Ballet BC to the Festival Theatre’s stage. Playing with both the dark and light, fluidity and harshness, humour and sadness, Ballet BC provides us with an intentional and diverse vision of creation that stretches the boundaries of contemporary dance. It is clear that choreographers Crystal Pite and Johan Inger take great care with their work, with even the slightest movement bringing impact and meaning to the respective pieces - each joint, limb, and muscle being utilised in unique and unusual ways. Act one featured the work of Crystal Pite with their piece entitled Frontier. Frontier explored the relationship between the self and the shadow with dancers dressed ent...

The Lion, The Witch and The Wardrobe – Festival Theatre

14May

By Nazaret RaneaNo Comments

Scotland

The Lion, The Witch and The Wardrobe – Festival Theatre

As someone who spent a good portion of their childhood half-convinced there might be a secret world hiding at the back of the wardrobe, this production was always going to land somewhere between nostalgia and reverence. And I’m pleased to say, it hit the mark beautifully. Michael Fentiman’s production, adapted from Sally Cookson’s earlier version, is a rich, often dazzling journey into Narnia and one that balances spectacle and substance with real flair. From the opening bars of We’ll Meet Again, underscoring the siblings’ evacuation from London, it’s clear this is not simply a children’s story. There’s grit in the frame, a proper wartime darkness that lends weight to the fantasy. It’s still magic – of course it is – but the stakes feel real. The visual storytelling is a triumph. ...

Jesus Christ Superstar – Festival Theatre

8May

By Jessie MartinNo Comments

Scotland

Jesus Christ Superstar – Festival Theatre

Edinburgh’s oldest amateur theatre company, Southern Lights brings us their original take on the classic Andrew Lloyd Webber musical, Jesus Christ Superstar. Featuring a huge ensemble, powerhouse vocals, and mixed media, this certainly went above and beyond my expectations of what amateur theatre is capable of. It is noted in Southern Light’s programme that each new production must not replicate any previous production by order of the show’s licensing. And what with Jesus Christ Superstar having first performed on Broadway in 1971, conjuring an original take on the show is no simple feat, with decades worth of adaptations having already been staged in every way imaginable. For me, the most interesting new directional concept, director Fraser Grant brought to t...

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

5May

By Greg HolsteadNo Comments

Scotland

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

Excelling in pretty much every aspect of theatrical performance, this revival of Scottish Ballet’s 2019 adaptation of Arthur Miller’s iconic play is a cast-iron cross-over hit full of exquisite movement, sublime sound, theatrical storytelling, ethereal lighting and brilliant set design, magical, darkly complex and supernaturally good. I say cross-over because this does not feel, or indeed sound like any ballet I have ever witnessed before. There is so much modern dance and passionate movement mixed in here with storytelling and set to a scintillating modern score by Peter Salem it feels like something completely new, different and exciting. The giant stage of The Festival Theatre can be daunting, some productions just get swallowed up here. But not this one. In Emma Kingsbury and Dav...

Pride and Prejudice* (*sort of) – Festival Theatre

23Apr

By Kathleen MansfieldNo Comments

Scotland

Pride and Prejudice* (*sort of) – Festival Theatre

Accomplished Scottish writer, actor and director, Isobel McArthur, has taken the old adage, while the cats away the mice will play and crafted an absolute winner in Pride and Prejudice* (*sort of). It is hilarious and superbly performed by an ensemble of talented actors. Costume changes happen as if Houdini were channeled (or maybe Derren Brown with his clever psychology and hypnotism). Characters leave the stage and re-enter at the speed of light, transformed into a newly minted persona! It is brilliant! It is funny! It is hugely entertaining and modern. Of course, the occasional black-out and the odd bit of glitter ball dancing all elevate the fun, thanks to the lighting designer, Colin Grenfell. The cast can sing, dance and act their socks off and when this is combined with an...

Tim Rice – My Life in Musicals: I Know Him So Well – Festival Theatre

23Apr

By Wendy McEwanNo Comments

Scotland

Tim Rice – My Life in Musicals: I Know Him So Well – Festival Theatre

Tim Rice is a man of many words. He’s been writing lyrics for 60 years, collaborating with some of our most celebrated composers - Andrew Lloyd-Webber and Elton John, of course, and more recently, Gary Barlow. He even wrote some lyrics for Elvis. Rice wanted to be a rock star, so he sent demo tapes to all the leading record labels. Impressed by his lyrics, a musical publisher introduced him to Lloyd-Webber, and a great songwriting partnership was born. A teacher friend invited the pair to write a song for a school concert. The result was an early iteration of Joseph and the Amazing Technicolor Dreamcoat. The concert was a great success – “This is the first time the parents have enjoyed a school concert”, said the teacher. One of those parents was a leading theatre critic, and a coupl...

Matthew Bourne’s Swan Lake – Festival Theatre

10Apr

By Nazaret RaneaNo Comments

Scotland

Matthew Bourne’s Swan Lake – Festival Theatre

Having previously been swept away by Matthew Bourne’s Romeo & Juliet and the haunting brilliance of Edward Scissorhands, I knew to expect something bold, something unexpected. But nothing quite prepares you for Swan Lake – The Next Generation. This isn’t just another reinterpretation of a classic – it’s the jewel in Bourne’s already glittering crown. Now in its 30th anniversary revival, Bourne’s audacious take on Swan Lake has lost none of its bite. If anything, this latest incarnation feels sharper, more intimate and emotionally resonant than ever. From the moment the curtain lifted at the Festival Theatre, there was an electricity in the air – the kind that only comes when something truly iconic is about to unfold. For those unfamiliar, Bourne's Swan Lake made waves in 1995 for...