Festival Theatre Archives - Page 4 of 12

3Apr

By H.S. BakerNo Comments

Scotland

Little Women – Festival Theatre

Louisa May Alcott’s classic, much loved tale of the coming of age of the March sisters in 19th century Massachusetts, is brought to the stage in an adaptation by Anne-Marie Casey. The narrative will be familiar to many, and is loosely based on Alcott’s own life. Sisters Meg, Jo, Beth and Amy, living a frugal life with their mother, Marmee, whilst father is away fighting in the American Civil war, struggle to keep spirits up as they endure the deprivations that poverty brings them. They could ask rich Aunt March for money, but no one really likes her or her strict views on what is considered proper behaviour in good society. When father is injured in battle, Jo (always one for the dramatic gesture), cuts off her hair and sells it for $25 to help pay for Marmee to tra...

28Mar

By Nazaret RaneaNo Comments

Scotland

Ghost Stories – Festival Theatre

I went to see Ghost Stories at the Festival Theatre in Edinburgh on the 26th of March, and I have to admit—I didn’t actually enjoy it. Not because it was a bad show, but because it genuinely scared me. I suppose that means it did its job well! I’m not usually one for horror, and while I went in hoping for something atmospheric and thought-provoking, I left shaken and, embarrassingly, had nightmares afterwards. If you’re a fan of horror theatre, you shouldn’t expect anything particularly groundbreaking in terms of storytelling, but you can definitely count on plenty of jump scares. Photo: Hugo Glendinning The play, written by Jeremy Dyson and Andy Nyman, follows Professor Goodman, a parapsychologist, as he investigates three different supernatural encounters. Without giving away any s...

Northern Ballet: Hansel & Gretel – Festival Theatre

23Mar

By Nazaret RaneaNo Comments

Scotland

Northern Ballet: Hansel & Gretel – Festival Theatre

If you’re looking for a fun way to spend a Saturday afternoon with the family, Northern Ballet’s Hansel & Gretel is an absolute must-see! I had a lovely time at Edinburgh’s Festival Theatre, completely swept up in this magical, modern twist on the classic fairy tale. It’s got adventure, laughs, and a really important message about looking after our planet—perfect for both kids and grown-ups. Hansel and Gretel, played by Archie Sherman and Julie Nunès, were these city kids totally obsessed with their video games. Their dad, hilariously portrayed by Andrew Tomlinson, was so fed up he dragged them on a woodland adventure. The forest set, designed by Ali Allen using recycled materials, was stunning—whimsical and creative but also thought-provoking. The whole production was bursting w...

22Mar

By Greg HolsteadNo Comments

Scotland

Death of a Salesman – Festival Theatre

Arthur Miller’s iconic treatise on the American Dream, often studied, but rarely performed, is brought to glorious life tonight on the Scotland’s biggest stage in front of a packed and almost reverential audience. It is a simple enough tale of an ordinary man, Willie Loman, who has worked all his life to live up to his, and America’s, idea of what a man should be; strong, dependable, financially stable and unexceptional – an automaton – A Salesman. We enter Willie’s world just as he seriously begins to question his life and whether it has been a success. He has begun to have lapses of concentration which might point towards the onset of dementia, which are now even affecting his ability to drive safely and ultimately be able to continue working. A life insurance policy of $20,000 feels ...

Pricilla Queen Of The Desert – Edinburgh Festival Theatre

13Mar

By Beth EltringhamNo Comments

Scotland

Pricilla Queen Of The Desert – Edinburgh Festival Theatre

Pricilla Queen Of The Desert is a campy and energetic story of self-acceptance, queer love and learning that whilst not everyone will like or get you, the ones who do are the most important. We follow three drag performers as they travel from Sydney to Alice in order to perform an important gig for Anthony’s wife. Here we get all the fun bickerings of a group of drag queens as well as a not so nice look into the stigmas and hate that comes within the role. It’s not all glitz and glamour and between all the catchy musical numbers (and there’s a lot) we can find an insight into the troubles of those within the drag scene, from transphobic comments to parental struggles and even violence. Our cast is headed by the wonderful Greg McCafferty playing the role of Tick, a character strugglin...

The Makropulos Affair – Festival Theatre

2Mar

By Kathleen MansfieldNo Comments

Scotland

The Makropulos Affair – Festival Theatre

As ever, Scottish Opera delivers sumptuous sets, great lighting, singers who can act, and a wonderful orchestra that never disappoints, but this English rendition of The Makropulos Affair, by Leoš Janàček jarred my senses with its modern-day, casual lexicon. Words, such as F*ck somehow don’t marry comfortably with the impassioned, heightened music and traditional, elegant, and beautiful costumes. It was, no doubt, a deliberate choice. Creating a grating cacophonous lexicon - the use of brutal Viking words rather than those of Latin derivatives gives the opera an earthy groundedness - and caused me a headache. I wanted to lose my sense of reality for an hour or two. I was denied the option. Single syllables and short sentences (translation by David Pountney) reflect the sheer en...

27Jan

By Roger JacobsNo Comments

Scotland

Mary Poppins – Festival Theatre

In P.L. Travers’s book, ‘tossed and bent under the wind’, Mary is thrown ‘bag and all, at the front door’ by an east wind, at which ‘the whole house shook’. Here (as in the film), despite the proximity of Storm Eowyn, her arrival and appearance are ‘practically perfect’*, all spit-spot and efficiency. Which pretty much describes this abundant sweetshop of a production; it dazzled, shone, all slick, gloss and polish, which, given its producers (the hyper-successful Cameron Mackintosh and Disney Theatrical Group), was not surprising. Which can be an issue with these huge shows where the creative team includes no less than two responsible for ‘set design adaptation’ and two whose remit is ‘illusions’. Technically, everything (and the kitchen sink) is thrown in, from small prop details like...

11Jan

By Kathleen MansfieldNo Comments

Scotland

The Nutcracker – Festival Theatre

Familiarity, surprise and a sumptuously sparkling set from Lez Brotherston: that’s Scottish Ballet’s The Nutcracker. It's a wonderful escape on a sub-zero evening. The orchestra is superb and Daniel Parkinson’s musicians deliver Tchaikovsky’s score with aplomb and tenderness in turn. The corp de ballet and the principals effortlessly float and gracefully swirl as if the demanding choreography were simple. The layered, cosy set is like a warm hug. It draws you in and cradles you in its dreamworld. Within this cocoon, enjoy the antics of dizzy old Aunts, the swish of crinoline and the magic of Christmas presents, friends and family before transitioning to Clara’s dreamworld. Photo: Andy Ross Lighting by George Thomson adds greatly. Set, lighting and costumes support and showca...

27Nov

By Kathleen MansfieldNo Comments

Scotland

Cinderella – Festival Theatre Edinburgh

Yes, Sir, you can boo me - oh no, you can’t and all that jazz … Cinderella at the Festival Theatre is a feast for the eyes and a laugh-a-minute musical extravaganza. Featuring wicked stepmother, Grant Stott, endearing Fairy May (Allan Stewart), Jordan Young as a brilliant Buttons, Clare Gray and Gail Watson as Vindicta and Manipulata Fortuna, Amber Sylvia Edwards as Cinderella, Will Callan and his beautiful voice as Prince Charming and Iain Stuart Robertson as Baron Hardup, this line-up is a sure-fire hit. What a team! They delivered a fantastic evening’s distraction for the people of Edinburgh and beyond. The audience participation was wonderfully entertaining in the safe hands of Allan Stewart and the surprise elements were magical. The writing was a collaborative affair. It wa...

14Nov

By Nazaret RaneaNo Comments

Scotland

Albert Herring – Festival Theatre

On Wednesday night, Scottish Opera brought Benjamin Britten’s Albert Herring to the Festival Theatre in Edinburgh, offering an evening of comic charm and lively satire. Directed by Daisy Evans, this fresh production reimagines Britten’s comic opera in the 1990s English countryside, a setting that adds humour and nostalgia to the story. Originally inspired by a Maupassant tale, Albert Herring revolves around its shy, naive protagonist, Albert, who’s crowned the town’s “May King” after no “morally suitable” young woman is found. The plot follows Albert’s transformation as he wrestles with the town’s rigid expectations and his yearning for personal freedom. Glen Cunningham’s portrayal of Albert captures both innocence and a quiet depth, making his character’s journey both touching and humo...