Festival Theatre Archives - Page 2 of 12

6Oct

By Oliver GigginsNo Comments

Scotland

War Horse – Festival Theatre

Based on the 1982 novel by Michael Morpurgo which was later adapted into a film by Steven Spielberg in 2011, the show was adapted for the stage back in 2007, on which it has been more or less ever since (factoring in for Covid). The eponymous War Horse is Joey, young farmer Albert’s beloved equine companion, who gets sold to the Cavalry and shipped to France in 1914 during mobilisation. Soon he and Albert who, despite being too young, followed him into war a few months, are caught up in enemy fire in No Man’s Land. Despite having followed Joey explicitly to find him, there seems little hope of reuniting, or even surviving the War that was meant to be over by Christmas. Featuring life-sized horses by South Africa’s Handspring Puppet Company and projection on a tear-like screen by Nico...

The Talented Mr Ripley – Festival Theatre

18Sep

By Nazaret RaneaNo Comments

Scotland

The Talented Mr Ripley – Festival Theatre

I remember first reading Patricia Highsmith’s The Talented Mr Ripley as a teenager and being completely hooked by Tom Ripley’s mix of cunning, insecurity and longing. There was something about him that felt both thrilling and a little unsettling, and I couldn’t stop thinking about the Riviera he inhabited, sun-drenched, glamorous and just a little decadent. Then I watched the 1999 film, and my fascination only grew. So, when I got the chance to see the story brought to life on stage at the Edinburgh Festival Theatre on the opening night, I was really intrigued about what I was about to experience. From the very first moment, the play draws you into Ripley’s world. Ed McVey is rarely off stage and he inhabits Tom with such precision that it is impossible not to be captivated. He moves ef...

10Sep

By Dylan MooneyNo Comments

Scotland

Fiddler on the Roof – Festival Theatre

Fresh from its critically claimed performance at Regent’s Park Open Air Theatre, Joseph Stein’s golden age musical, Fiddler on the Roof, raised the roof of Edinburgh’s Festival Theatre as part of its UK and Ireland tour. This new production, directed by Jordan Fein, keeps the charm of 1960s musical theatre while providing some more contemporary elements for modern audiences. Based on the short stories of Sholem Aleichem, Fiddler on the Roof follows Jewish milkman, Tevye (Matthew Woodyatt), in the small village of Anatevka under the rule of the Russian Tsar. With five daughters at home, and little money coming into the family, Tevye relies on the old tradition of the ‘matchmaker’ to find rich suitors for his daughters. However, when his daughters begin to challenge these age-old beliefs,...

Figures in Extinction – Festival Theatre

23Aug

By Nazaret RaneaNo Comments

Scotland

Figures in Extinction – Festival Theatre

The Edinburgh International Festival continues to prove how committed it is to bringing the finest examples of the arts to the city every year, and this time it could not have been otherwise. Figures in Extinction is one of the most elevated ballets I have ever seen, both in terms of technique, concept and production design. Crystal Pite proves herself to be one of the finest choreographers currently working in Europe. What sets her apart is her willingness to look directly at the world around her and to translate difficult, often painful subjects into movement that feels alive, urgent and deeply human. In Figures in Extinction, a trilogy created with Simon McBurney of Complicité and performed by the extraordinary dancers of Nederlands Dans Theater, she turns her attention to the climate c...

18Aug

By Jessie MartinNo Comments

Scotland

Mary, Queen of Scots – Festival Theatre

Scottish Ballet presented their contribution to the Edinburgh International Festival this year with the brooding portrayal of the historical Mary, Queen of Scots. Co-created by choreographer Sophie Laplane and director James Bonas, this is a bold show with outstanding production design and provocative content, contrasting a dark grungy tragedy with moments of ludicrous humour and cyber-punk neons. Bringing modernity to tradition, Scottish Ballet embraces evolution, focusing not only on choreographic motifs but also a heavy-handed stylism that focuses on the way in which the design and story are represented. With Soutra Gilmour’s set and costume design, this is a completely elevated ballet featuring moving walls, a clown dressed in bright lime, and a giant farthingdale-like c...

2Aug

By Tom ScottNo Comments

Scotland

Make It Happen – Festival Theatre

It was a privilege to be in the packed audience at the Festival Theatre for this stunning production of James Graham’s exquisite new play. The 2025 Edinburgh International Festival could not have got off to a better start. This is a co-production by the EIF, the National Theatre of Scotland and Dundee Rep Theatre, brilliantly directed by Andrew Panton. ‘Make It Happen’ was the mantra of the infamous CEO of the Royal Bank of Scotland, Fred Goodwin, who expanded the 300 year old Edinburgh institution at a colossal pace to make it the world’s biggest bank. But in 2008, as global markets tumbled, the RBS faced collapse. Coincidentally both the Prime Minister and the Chancellor in 2008 were Scottish. And the play also reminds us that it was a Scotsman who in effect sparked the growth o...

The Beyond Broadway Experience: Footloose – Festival Theatre

19Jul

By Jessie MartinNo Comments

Scotland

The Beyond Broadway Experience: Footloose – Festival Theatre

Edinburgh’s hit youth-theatre company The Beyond Broadway Experience, took to the Festival Theatre with their rendition of the cult-classic Footloose. Featuring a cast of almost 200 actors aged 8-25, this was a showstopping, full-out musical extravaganza. This cast performs with such flair and professionalism it’s hard to believe the majority of the cast are under 20! With aerials, split leaps, and tumbling, the acrobatic and dancing capabilities of the whole cast was astounding, each cast member bringing maximum energy to their performances. Unfortunately, I cannot provide the names of the actors in this production so will henceforth refer to them by their character names. Our leading ladies, Rusty and Ariel were an unstoppable duo - true triple threats, bri...

4Jul

By Kathleen MansfieldNo Comments

Scotland

Kismet – Festival Theatre

Kismet means destiny or fate and this premiere of two works, the brand new Gallery of Consequence (Dutch choreographer and director, Emma Evelein) and B.R.I.S.A. (Johan Inger - first performed in 2014 by NDT2) present a thought-provoking and intriguing set. The cacophonous movements portrayed personal insecurities and discomfort alongside our outer masks, our human ingenuity and our propensity to gather tribally. Each set offers a robust, confident and energetic take on modern life within our engineered world. Are we fated to exist overshadowed by computer screens and to find the carpets upon which we walk consume us? It's clever. The creative team for Gallery of Consequence knocks it out of the park. AMIANGELICA’s visuals are key aspects of the narrative as is the lighting (Ryan Jos...

26Jun

By Dylan MooneyNo Comments

Scotland

The Croft – Festival Theatre

Returning to the stage after Covid-19 prematurely ended its original run, The Croft, directed by Alastair Whatley and written by Ali Milles provided many a fright when it opened in Edinburgh’s Festival Theatre. Set in a former crofters hut in a remote area of the Scottish Highlands, this production sees Laura (Gracie Follows) and Suzanne (Caroline Harker) arrive for what is meant to be a relaxed weekend trip. It isn’t long before the place’s centuries of history weaves itself into the women’s present. With no phone signal available and only the mysterious David (Gray O’Brien) for company, this thrilling piece of theatre connects past and present as the real truth of The Croft slowly unravels. The whole pace of the show is fantastic. Running at 2 hours, including the interval, audienc...

12Jun

By Oliver GigginsNo Comments

Scotland

Quadrophenia – Festival Theatre

Translating a rock opera to the stage might seem like a logical sequitur, until one remembers that in this case it is translating an album – in which the storytelling is done almost entirely through lyrics (and may still not be the clearest then) – into an entirely non-verbal medium – a ballet. But this was the task of Quadrophenia: A Mod Ballet, taking The Who's (well... really Pete Townshend's) second/third rock opera (depending on whether we count A Quick One While He's Away) 1973's Quadrophenia, stripping out its lyrics and replacing guitars, synths and Moonish drumming for an orchestral version of the album by the Royal Philharmonic Orchestra. While waiting outside, another audience member asked me how many people I thought were there for the music. Having seen at least one The Who...