Edinburgh Playhouse Archives - North West End UK

9Sep

By Wendy McEwanNo Comments

Scotland

High Society – Edinburgh Playhouse

Well-bred socialite Tracy Lord (Helen George) is about to marry oddball accountant George Kittredge (David Seadon-Young), much to the dismay of her upper-crust family. Journalists Mike (Freddie Fox), and Liz (Carly Mercedes Dyer) infiltrate the glitzy wedding, hoping to get a lucrative scoop for their tabloid. Meanwhile, Tracy’s rehabilitated ex-husband Dexter (James Hume) has his own agenda. It’s never a good sign when the characters hold a big party the night before the wedding. Cole Porter’s music and lyrics are timeless, accompanied by a live jazz band. I loved Who Wants to be a Millionaire, sung by Fox and Dyer as the astonished journos explore the mansion and discover how the other half live. As the rowdy party gets underway, the full company performance of Let’s Misbehave capture...

3Sep

By Saira KunjuvalappilNo Comments

Scotland

Mere Mortals – Edinburgh Playhouse

Mere Mortals, which opened in San Francisco in 2024, is an ambitious and visually striking dance production choreographed by the internationally acclaimed Aszure Barton, who has been praised as a brilliant choreographer. Barton, a Bessie Award honouree, has collaborated with renowned artists including Mikhail Baryshnikov, and her experience and creativity are clearly visible throughout this production. At its heart, Mere Mortals explores the fascinating and increasingly relevant theme of artificial intelligence. The production is inspired by the ancient Greek myth of Pandora’s Box. However, rather than imagining a box that releases the evils and sorrows of humanity into the world, Barton reinterprets the myth through the lens of AI. The result is a thought-provoking exploration of what ...

2:22 A Ghost Story – Edinburgh Playhouse

27May

By Greg HolsteadNo Comments

Scotland

2:22 A Ghost Story – Edinburgh Playhouse

The touring production of 2:22 A Ghost Story arrives at the Edinburgh Playhouse carrying a formidable reputation. Danny Robins’ supernatural thriller has already conquered the West End, toured internationally and become one of those modern stage phenomena where audiences arrive already primed, whispering theories before the lights even dim. The premise remains brilliantly simple, a dinner party with four friends descends into a late night argument about belief, scepticism and whatever may or may not arrive each night at precisely 2:22am. What elevates the evening beyond a standard jump scare ghost story is Robins himself. Already well known as the creator of the hugely successful BBC Sounds podcast series Uncanny, Robins has become something of Britain’s modern campfire s...

20May

By Nazaret RaneaNo Comments

Scotland

The Bodyguard – Edinburgh Playhouse

I must admit I went into this musical differently to most people around me because, somehow, I’ve never actually seen the film. Which almost felt embarrassing once the audience started reacting to certain moments with anticipation usually reserved for cult classics. Still, there was something nice about experiencing the story without constantly comparing it to the film version. It meant I could just take the show as it was: glossy, dramatic, a little ridiculous at times, but undeniably entertaining. The production wastes no time throwing you into the spectacle of it all. One minute Edinburgh’s Playhouse is settling, the next there’s a gunshot and suddenly we’re in full concert territory with pyrotechnics, dancers and Queen of the Night blasting through the theatre. It sets the tone ...

Here and Now: The Steps Musical – Edinburgh Playhouse

26Feb

By Jessie MartinNo Comments

Scotland

Here and Now: The Steps Musical – Edinburgh Playhouse

If you’ve ever wanted to experience a fever-dream in real time, Here and Now: The Steps Musical is the show for you. This brand new jukebox musical, written by Shaun Kitchener in association with Steps, is utterly ridiculous. At first that might feel like a negative, but the further the show goes on, the more Here and Now sweeps you into the madness and by the end you’ll be belting out tragedy in the megamix. Its self-aware silliness can’t be denied, and with all of the Steps’ classic hits, it’s hard to resist the “Summer of Love” - I for one, had the time of my life. Set in the Best Better Bargains supermarket, we see four core cashiers make a pact that this is the Summer they get their love lives together. As they attempt to make their moves, we come to find ou...

2Oct

By Greg HolsteadNo Comments

Scotland

Top Hat – Edinburgh Playhouse

Irving Berlin’s Top Hat taps into the Edinburgh Playhouse this week with more sparkle than a sequinned gin palace, and, in a rare feat, manages to float for two and a half hours without ever feeling heavy. Not just that, the sound is also extraordinary, and for a venue sometimes dogged by poor acoustics, this is a revelation: sound clear as a bell, band fizzing with verve, and an audience leaning in from overture to curtain. For context, Top Hat began life in 1935 as an RKO film directed by Mark Sandrich, a vehicle for Fred Astaire and Ginger Rogers, with Berlin supplying the evergreen numbers, “Cheek to Cheek,” “Top Hat, White Tie and Tails,” “Isn’t This a Lovely Day?”. The stage version we see tonight descends from the 2011 UK adaptation by Matthew White and Ho...

Orpheus and Eurydice – Edinburgh Playhouse

18Aug

By Danielle FarrowNo Comments

Scotland

Orpheus and Eurydice – Edinburgh Playhouse

From the lone woman in red descending during the overture to the final full stage that yet starkly reflects the beginning, this multi-company production of the Gluck & Calzabigi Orfeo ed Euridice presents stunning spectacle. Does something so visually focused serve opera? The original 1762 production was part of a reformation of opera which challenged elaborate action and technique centred “extreme sport” opera, as noted in the programme, which also includes Gluck’s own striving for music’s “true office of serving poetry by means of expression and by following the situations of the story, without interrupting the action or stifling it with a useless superfluity or ornaments.” The original opera still included dance, and, for the most part, Yaron Lifschitz - director and set desig...

Moulin Rouge The Musical – Edinburgh Playhouse

2May

By Jessie MartinNo Comments

Scotland

Moulin Rouge The Musical – Edinburgh Playhouse

Premiering at the Edinburgh Playhouse, the musical theatre adaptation of Baz Lurhmann’s 2001 film Moulin Rouge, kicks off the first ever tour in the show's history this month. Set in 1899 Paris in the infamous Moulin Rouge cabaret, we follow the secret love affair between the cabaret’s star performer Satine (played by Verity Thompson), and bohemian writer Christian (played by Nate Landskroner). Despite the grandiosity of the Moulin Rouge, it is struggling financially so owner Harold Zidler (Cameron Blakely) arranges for Satine to seduce The Duke (James Bryers) and in return the Duke will provide Zidler with a large investment to put towards their next show. Satine has to choose between living a life of poverty with her true love Christian or submitting to the Duke in orde...

Now That’s What I Call A Musical – Edinburgh Playhouse

27Feb

By Greg HolsteadNo Comments

Scotland

Now That’s What I Call A Musical – Edinburgh Playhouse

It’s big, bold and cheesier than a Swiss Fondue, but if you can put up with the variably dodgy Brummie accents there is a lot to enjoy in this jukebox musical based on the best musical decade there ever was – the eighties of course! The story, set in Birmingham, follows two school chums Gemma and April and their friends and family between the year 1989 and a class reunion in 2009, and music is the elixir that never grows old – as powerful and evocative twenty years on as it was when they first heard it. It is certainly an interesting and well thought out concept for a musical and on the whole, it works, helped in no small part by a brilliant set which flips very cleverly from bar to lounge to park to video shop (remember those!). The clever and at times very funny script also skips alon...

Queen Extravaganza – Edinburgh Playhouse

12Feb

By Roger JacobsNo Comments

Scotland

Queen Extravaganza – Edinburgh Playhouse

If you love Queen… scratch that, if you like Queen just a bit… don’t miss this. A sell-out crowd was clearly up for it but the first ‘act’ began with a peculiar, muddy version of ‘We Will Rock You’, the band in dull, pub-band regulation black and as the following two tracks travelled past the chief positive was that the sound clicked sharply into place. Though hang on, that vocal pirouette Gareth Taylor dropped at the end of ‘Somebody To Love’ was a bit special, wasn’t it? Then came ‘Under Pressure’, a lump in the throat reflecting that this was written before mental health was a thing; we all had stuff going on, it just wasn’t ok to talk about it. Except that David, Freddie and the band did, producing an epic four-minute pop song that resonates more heavily every single year si...