Assembly Rooms Archives - Page 2 of 2

Wildcat’s Last Waltz – Front Room at Assembly Rooms

7Aug

By KJ EwanNo Comments

Scotland

Wildcat’s Last Waltz – Front Room at Assembly Rooms

This is a warm hug of a show. The former Wildcat of Sheffield herself invites you in for a cup of tea and as many biscuits as she can convince you to eat as she takes you through a life of ups and downs and losses and regrets. And I do mean she literally invites you in for a tea and feeds you biscuits – the set is a comfortably old fashioned living room that we’d all probably recognise from some older relative’s house, and we are all ushered up to the table to pour a cup of tea and help ourselves to a custard cream as things get going. It’s a show that moves seamlessly between comedy and tragedy, with the occasional high energy keep fit routine thrown in for good measure. It could perhaps go further in both directions to get closer to something even more cutting and poignant, but there ...

DOM – The Play – Assembly Rooms, Edinburgh

4Aug

By Tom ScottNo Comments

Scotland

DOM – The Play – Assembly Rooms, Edinburgh

This is a show which hits the ground running - a fast-paced production, directed by Michael Kingsbury. It’s a comedy about Boris Johnson and his erstwhile Chief Adviser, Dominic Cummings, former Director of Vote Leave, and the architect of the Johnson election victory in 2019. It tells the story of the EU Referendum Campaign and the Boris Johnson premiership from the point of view of Cummings. This show, already seen in London and Windsor, has been shortened and updated for the Festival Fringe. The author, we are told, prefers to remain anonymous prompting speculation that it is the work of a Westminster ‘insider’. The play opens with Dom speaking directly to the audience. He greets us as ‘weirdos and misfits’ - a reference to Cummings’s strange blog post in 2020 when he invite...

24Aug

By H.S. BakerNo Comments

Scotland

Earwig – Assembly Rooms

Impeccable timing, fine acting and sustained energy are what make this short play well worthy of a five-star rating. Too short really, I couldn’t believe an hour had passed so quickly and left the venue wanting more. This perky play, set in the silent movie era of the roaring ‘20s, tells the story of Marigold. Now a young woman, Marigold has been deaf since the age of five after contracting meningitis, she now lip reads and speaks perfectly. Although never formally qualified, Marigold has a passion for insects and has become an expert in the field of entomology. She lives with her mother, a snobbish northern woman with aspirations for herself and her daughter that have nothing to do with Marigold’s passion for creepy crawlies. She marries Marigo...

16Aug

By Greg HolsteadNo Comments

Scotland

Changing The Sheets – Assembly Rooms

A long thin room with raked seating to both sides cascades to a bare stage with two floor-mounted LED multi-coloured strip lights. These are the sheets (of light) between which the two actors, Adam and Eve, if you will, play out the age-old mating ritual. In this retelling it is Adam who bites the apple and Eve who kicks him out of Eden (her dad’s flat). For those of us of a certain age, think When Harry Meets Sally meets Groundhog Day. Or, if you have never heard of these classics (Oh dear!) maybe think Normal People meets Lena Dunham’s Girls. Let’s just say there is a lot of ooing and ahhing on stage. This is intimacy without the mess (thank god!) In a show which is light on production, not a Par Cam or Birdie in sight, my hope is that the script and acting are on point. Happily, I am...

Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms

14Aug

By Caroline WorswickNo Comments

Scotland

Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms

Victoria Wood is one of those northern comedians whose expressions find a way into your life, without you really even knowing it. ‘Seventy-two baps Connie, you slice, I’ll spread,’ her joke on how the British deal with the funeral of a loved one. She had a way of looking at life and finding the humour in people’s day-to-day existence. Even though it is six years since she died, she still has a loyal following, and her sense of humour runs through people like the message in a stick of Blackpool rock. As a northern lass and fan of the late Victoria Wood, I went along to spend an hour in the company of other fans who appreciated her and to enjoy reminiscing about her very funny material, but also the amazing skill she had in creating these amusing tunes. Paulus is a fe...

Something About George – Assembly Rooms Spiegeltent

9Aug

By Greg HolsteadNo Comments

Scotland

Something About George – Assembly Rooms Spiegeltent

The songs of George Harrison are something of an enigma to many. More known as a member of The Beatles, the ‘greatest band in the history of the world’, than a solo artist. This show aims to set the record straight, and does a pretty good job of that, although it falls short on other fronts. Through songs like, All Things Must Change, Something and My Sweet Lord, Daniel Taylor, tightly accompanied by Jon Fellowes on Guitar and backing vocals and Jon Thorn on Keyboards takes us at a swift pace through Harrison’s extensive solo repertoire. Along the way Taylor also fills in many of the blanks that few of us were aware of – his difficult marriages, his legal battles, his part in the creation of the worlds first super group, The Travelling Willburys his work in film production, and hi...

9Aug

By Greg HolsteadNo Comments

Scotland

Something About Simon – Assembly Rooms

The songs of Paul Simon are embedded in all of us - The Sound of Silence, Homeward Bound, The Boxer, and of course Bridge Over Troubled Water. Gary Edward Jones turn musical shaman as he draws Paul Simon classics from our very souls, in the almost mystical surroundings of the Assembly Rooms George Street Spiegeltent. Perhaps the only things missing are giant beanbags and joss sticks to make this a truly heavenly experience. There is no doubt that Jones has an innate talent for relaxing his audience – his measured, almost whispered, hypnotic delivery and his great stillness anchor him in front of a rapt audience. You could see this retelling working equally well – perhaps even better - in a church. There is a reverence here, and it is not lost. Having spent twenty years as a singer...