Friday, April 26

Tag: Assembly Rooms

Hello, The Hell: Othello – Assembly Rooms
Scotland

Hello, The Hell: Othello – Assembly Rooms

Love. Murder. Regret. Agony. Love. Murder. Regret. Agony. Love... The repetition of his crime is something Othello fights with every fibre of his being as he faces aeons of punishment in hell. While he is tortured by nightmares, trapped and riddled with pain if he leaves his cage / shrine, Iago somehow roams freely, able to torment him even further. With Desdemona, these antagonists play out scenes of the past and of how Othello wishes to change it. The focused performances are supported by often dramatic music, while costume and lighting colours of red, black, white and gold are striking across a floor of red cloths with just a few hints of white. Knotted hangings form Othello’s cell and other restrictions within the space, completely filled by performers’ movements, which draw on ...
Sunshine on Leith – Assembly Rooms, Bijou (tent) George Street
Scotland

Sunshine on Leith – Assembly Rooms, Bijou (tent) George Street

Set in the inspired venue choice of a giant tent on George Street, Captivate Theatre bring this breezy and lively musical which can easily cope with some background street chatter. In fact, it fits right in (as if it’s meant) to many of scenes; in the pub, on the football terraces or in the hospital. And as for the lighting techie! It took me a while to realise that we were at nature’s mercy, and miraculously it seemed that the light rose and fell at all the right points. Behind a cloud for the sad scenes and full sun for the bright ones. Miraculous! To the wonderful music and lyrics of Scotland’s finest, The Proclaimers, Scottish Country (without the Western), we follow two likely lads, Ally and Davy, discharged from the army and returning home to Edinburgh (no, Leith!) to try to carv...
Edges – Assembly Rooms, Music Hall
Scotland

Edges – Assembly Rooms, Music Hall

This was – Some very fine singing, but ultimately indecipherable and unrelatable! A production from the Royal Conservatoire of Scotland, Edges, the blurb reads: a Musical from the creators of The Greatest Showman, La La Land and Dear Evan Hansen, Edges is a contemporary song-cycle which explores universal issues such as love, commitment, identity, and meaning. Well, great! As a big fan of all of those production, this sounds perfect, I was looking forward to this one. What a let down! This is maybe sounding and looking great and making perfect sense if you are a 20-something angst-ridden American female living in New York City. And I am probably sounding very old and very male now. A bright young thing launches into, Am I fulfilled. Do I care? A production that, on pape...
Ed Byrne – Assembly Rooms Music Hall
Scotland

Ed Byrne – Assembly Rooms Music Hall

That was – An unexpected rollercoaster of emotions, with joyous high points. An absolute master of observational comedy who is not scared to get down in the mud with his audience and let them in on the tough stuff as well as the funny stuff. Oh!…. Very funny indeed! Despite stiff competition from 2020 and 2021, 2022 was a total evil b*stard for Byrne. Pause, Pause, Stop! But 2023 is shaping up now, tomorrow and tomorrow and tomorrow, and you can be sure that Ed is always going to come out swinging, this guy ain’t going down without a fight! Men want information, women want emotion. Men want information, women want emotion. Remember that Ed. The mirror that is severely cracked but still intact and still reflecting. You can be sure that Byrne micro-managed that right down to...
Wildcat’s Last Waltz – Front Room at Assembly Rooms
Scotland

Wildcat’s Last Waltz – Front Room at Assembly Rooms

This is a warm hug of a show. The former Wildcat of Sheffield herself invites you in for a cup of tea and as many biscuits as she can convince you to eat as she takes you through a life of ups and downs and losses and regrets. And I do mean she literally invites you in for a tea and feeds you biscuits – the set is a comfortably old fashioned living room that we’d all probably recognise from some older relative’s house, and we are all ushered up to the table to pour a cup of tea and help ourselves to a custard cream as things get going. It’s a show that moves seamlessly between comedy and tragedy, with the occasional high energy keep fit routine thrown in for good measure. It could perhaps go further in both directions to get closer to something even more cutting and poignant, but t...
DOM – The Play – Assembly Rooms, Edinburgh
Scotland

DOM – The Play – Assembly Rooms, Edinburgh

This is a show which hits the ground running - a fast-paced production, directed by Michael Kingsbury. It’s a comedy about Boris Johnson and his erstwhile Chief Adviser, Dominic Cummings, former Director of Vote Leave, and the architect of the Johnson election victory in 2019. It tells the story of the EU Referendum Campaign and the Boris Johnson premiership from the point of view of Cummings. This show, already seen in London and Windsor, has been shortened and updated for the Festival Fringe. The author, we are told, prefers to remain anonymous prompting speculation that it is the work of a Westminster ‘insider’. The play opens with Dom speaking directly to the audience. He greets us as ‘weirdos and misfits’ - a reference to Cummings’s strange blog post in 2020 when he invit...
Earwig – Assembly Rooms
Scotland

Earwig – Assembly Rooms

Impeccable timing, fine acting and sustained energy are what make this short play well worthy of a five-star rating.  Too short really, I couldn’t believe an hour had passed so quickly and left the venue wanting more. This perky play, set in the silent movie era of the roaring ‘20s, tells the story of Marigold.  Now a young woman, Marigold has been deaf since the age of five after contracting meningitis, she now lip reads and speaks perfectly.   Although never formally qualified, Marigold has a passion for insects and has become an expert in the field of entomology.  She lives with her mother, a snobbish northern woman with aspirations for herself and her daughter that have nothing to do with Marigold’s passion for creepy crawlies.   She marries Marig...
Changing The Sheets – Assembly Rooms
Scotland

Changing The Sheets – Assembly Rooms

A long thin room with raked seating to both sides cascades to a bare stage with two floor-mounted LED multi-coloured strip lights. These are the sheets (of light) between which the two actors, Adam and Eve, if you will, play out the age-old mating ritual. In this retelling it is Adam who bites the apple and Eve who kicks him out of Eden (her dad’s flat). For those of us of a certain age, think When Harry Meets Sally meets Groundhog Day. Or, if you have never heard of these classics (Oh dear!) maybe think Normal People meets Lena Dunham’s Girls. Let’s just say there is a lot of ooing and ahhing on stage. This is intimacy without the mess (thank god!) In a show which is light on production, not a Par Cam or Birdie in sight, my hope is that the script and acting are on point. Happily, I a...
Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms
Scotland

Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms

Victoria Wood is one of those northern comedians whose expressions find a way into your life, without you really even knowing it.  ‘Seventy-two baps Connie, you slice, I’ll spread,’ her joke on how the British deal with the funeral of a loved one.  She had a way of looking at life and finding the humour in people’s day-to-day existence.  Even though it is six years since she died, she still has a loyal following, and her sense of humour runs through people like the message in a stick of Blackpool rock. As a northern lass and fan of the late Victoria Wood, I went along to spend an hour in the company of other fans who appreciated her and to enjoy reminiscing about her very funny material, but also the amazing skill she had in creating these amusing tunes. Paulus is a f...
Something About George – Assembly Rooms Spiegeltent
Scotland

Something About George – Assembly Rooms Spiegeltent

The songs of George Harrison are something of an enigma to many. More known as a member of The Beatles, the ‘greatest band in the history of the world’, than a solo artist. This show aims to set the record straight, and does a pretty good job of that, although it falls short on other fronts. Through songs like, All Things Must Change, Something and My Sweet Lord, Daniel Taylor, tightly accompanied by Jon Fellowes on Guitar and backing vocals and Jon Thorn on Keyboards takes us at a swift pace through Harrison’s extensive solo repertoire.  Along the way Taylor also fills in many of the blanks that few of us were aware of – his difficult marriages, his legal battles, his part in the creation of the worlds first super group, The Travelling Willburys his work in film production, and h...