Saturday, September 26

Latest Articles

Fred – The Kings Arms
North West

Fred – The Kings Arms

Trish and Danny are getting divorced and are having couples counselling to finalise the finer details such as who gets custody of Fred and the couples’ assets, it’s never going to be plain sailing. Their Counsellor Marc has disappeared out of the blue, so they get another counsellor Ellie at the last minute played by Louise Wilson. Louise has appeared in Coronation St as Nurse Lingard. She takes a brilliant part as the slightly unhinged replacement therapist who turns out to be Marc’s partner. Complicated? Yes. The dialogue is carefully concocted to reflect real life woes. Themes of jealousy, infidelity and conflict in relationships are brought to life in a sparklingly realistic way. The gender divide is comically highlighted with seething dialogue as the couple lock horns and take s...
The Lemon Table – Crucible Theatre
Yorkshire & Humber

The Lemon Table – Crucible Theatre

The Lemon Tree is presented by Wiltshire Creative, Malvern Theatres, Sheffield Theatres and Home, in association with MGC. It is two short stories penned by Julian Barnes, co-directed by Michael Grandage and Titus Halder and performed by the actor Ian McDiarmid. Lighting designer Paule Constable, Associate lighting designer Ryan Day and Sound Designer by Ella Wahlstrom make up the creative team. Barnes’ 2005 book of Short Stories are first person accounts on the reality of ageing. The two chosen stories in the Lemon Table are told through the eyes of Jeffrey in ‘Vigilance’ and the Finnish composer Jean Sibelius as he draws to the end of his life, in the second – ‘Silence’. Both these dramatizations are depicted back to back over a 65 minute period by McDiarmid with the ease of a masterc...
Furnace Festival celebrating new artists is back at Leeds Playhouse
NEWS

Furnace Festival celebrating new artists is back at Leeds Playhouse

Leeds Playhouse’s trailblazing Furnace Festival is back after a two-year break celebrating new work in a kaleidoscopic mix of performances, workshops, conversations and social events. Furnace is the Playhouse's development engine that generates new performance work supporting the local creative community. The week- long showcase events that are free or pay-what-you-can shares new work and offers space for artists to explore their practice. Highlights of the Furnace Festival include: Let's Talk - Tuesday 9th November, 10.30am A panel discussion with Disability Arts Online and Leeds Playhouse's Associate Director Amy Leach discussing access and work by disabled artists within the theatre. This is a chance for people to ask questions and air their views in a safe and supportive at...
Three Nights of Ground-breaking New Theatre
NEWS

Three Nights of Ground-breaking New Theatre

Following on from the success of their event at 81 Renshaw Street in July 2019, the Lantern Writers collective were all set to soar again last April until – well, we all know what happened next. But time flies, the world moves on, and so better late than never, they reconvene to deliver another three nights of ground-breaking new theatre at Liverpool’s Royal Court this November. The premise remains the same with twelve pieces of original writing delivered across three evenings with plays typically ranging in length from 15 minutes to half-an-hour, although this time round an hour-long piece opens the proceedings. Covering a wide variety of genres, audiences are guaranteed a diverse mix each night with comedy and drama intermingled to provide an entertaining showcase. One of the gr...
Beauty and the Beast – Edinburgh Playhouse
Scotland

Beauty and the Beast – Edinburgh Playhouse

"Be our guest" and so you should, this toe tapping bonanza of a musical is a treat for the eyes. Mixing pre-recorded projections, detailed set pieces of course some magic, this production is one for the whole family. The story follows a Selfish young Prince turned beast and a bookworm beauty who doesn't quite fit in and find herself pursued by a man who just can't take no for an answer. When her father is held prisoner by the beast, belle volunteers to take his place, thus beginning our love story. Of course, one cannot forget the merry band of living furniture who guide us along the way. Expect classics from Howard Ashman and Tim Rice such as: Beauty and the Beast, Be Our Guest, Human Again and Gaston. Casting for this production does not disappoint for the most part, with the ro...
The Good Life – The Lowry
North West

The Good Life – The Lowry

Modern society is fascinated with the idea of sustainable, eco-friendly living - rightly so, when the threat of mother nature and climate change are knocking on your door. So, its oddly fitting that the 70’s British sitcom, The Good Life, should focus on ecological living. The TV show was enjoyed by millions when it premiered way back when, in 1975. The show was adapted by Jeremy Sams and it now hits stages for the first time, before heading to the West End. It features Tom and Barbara, as we join them on Tom’s 40th Birthday. In the midst of what Barbara describes as a midlife crisis, Tom quits his job as a designer of plastic toys for cereal boxes and the couple decide to commit to a new lifestyle, in a hope to make for a more interesting life. They set off on their quest to become eco...
Vanara — Hackney Empire
London

Vanara — Hackney Empire

Vanara has all the ingredients to make for an epic musical: an ancient legend, a talented cast, a live orchestra, beautiful costumes, and a community of eager eyes awaiting its release. The show had its world premiere this weekend at the Hackney Empire, a fitting venue for the grandeur the story promises. Vanara is the story of two tribes: the Kogallisk, servants of the moon, and the Pana, servants of the sun. The Kogallisk live on a mountain and hone the power of fire, a secret power which they must protect from the thieving Panas, who according to legend can steal a Kogallisk’s inner fire by looking them straight in the eyes. The Panas do not have access to this fire, and so must hunt and trade to remain alive. What then ensues is a battle between the two tribes, with two star-crossed lo...
Chicago – Wolverhampton Grand
West Midlands

Chicago – Wolverhampton Grand

“Chicago” can hardly be described as bursting with colour with a limited design palette of black, white, grey and occasional splatters of bloody red light during the murders it aims to emulate, perhaps, the movies of the period. More accurately it emulates the still photographs of the newspapers of the period and chooses to present it all in a stilted and, oddly, uninvolving fashion. As the production adopts a distancing alienating technique (I’m guessing more a directorial decision than an authorial one) it deliberately stops us from engaging and empathising with the characters or plot - so all that is left to beguile us is technique and design. The band dominate the stage sitting like a jazz orchestra trapped in a roll-top desk leaving just a sliver of fore stage for the remainder of ...
Sessions – Unity Theatre
North West

Sessions – Unity Theatre

Ifeyinwa Frederick’s eloquent and captivating meditation on masculinity and mental health is brought to vibrant life in this touring production from theatre company Paines Plough. Tunde (Joseph Black) is fast approaching his thirtieth birthday and somehow, he feels his life is unravelling. His relationships both with himself and other people seem fragile and fractured, so he seeks help from his unseen therapist in one-to-one sessions to alleviate his anxieties and try to look forward with renewed confidence.  It’s not an easy journey for Tunde as the piece reveals. This one-man performance is a fairly simple construct and much depends on both Fredericks writing and Black’s performance but what could appear to be a simply framed set of monologues morphs into something a lot mo...
The Cat and the Canary – Opera House
North West

The Cat and the Canary – Opera House

With Halloween upon us and the clocks going back at the weekend, our thoughts turn to entertainment of the scary variety, therefore an old-fashioned thriller set in a creepy house should be just what is required as the nights draw in. Unfortunately, the production of 'The Cat and the Canary' which began its week-long run at the Manchester Opera House this evening was a huge disappointment. As a thriller it wasn't scary, as a comedy it wasn't funny, and it wasn't camp enough to be interesting as a pastiche of the genre. Based on the 1921 play by John Willard and adapted by Carl Grose, the production wore its 100 years heavily, with the usual tropes that one would associate with a thriller of this vintage. Creepy old mansion - check; assortment of characters assembled and trapped against ...