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When Billy Met Alasdair – Scottish Storytelling Centre

9Aug

By Roger JacobsNo Comments

Scotland

When Billy Met Alasdair – Scottish Storytelling Centre

Enthralling. Feel free to locate your battered copy of ‘Lanark’ but under no circumstances attempt to speed-re-read two days before the show. Breathe… turns out it’s not necessary. Author & playwright Alan Bissett is the proud owner of a photo showing the two Scots cultural icons at the launch of said tome at Glasgow’s Third Eye Centre in 1981 and wondered how the conversation between the two might have gone. But there’s stuff before we get there… It's a simple set, just Bissett in front of us alternating between Connolly and (attaches glasses, cues the lighting) Gray, telling their own stories in lively monologues, insights into how and why they ended up doing what they do/did. There’s an armchair to Bissett’s left and a table on which sits a bottle of Glenfiddich (a rather spec...

9Aug

By Anne PritchardNo Comments

North West

Footloose – Liverpool Empire

The audience whooped and cheered as the show started, and as the curtains opened, the cast bounded onto the stage. The full company started as they meant to go on with a high energy, enthusiastic rendition of ‘Footloose’/ ’On Any Sunday’ displaying excitement and commitment to their participation in the show. This all singing, all dancing production is based on the 1984 film of the same name featuring Kevin Bacon and Sarah Jessica Parker; it sparkles with the spirit of the era from the portrayal of the 1980’s outfits, use of the period’s colloquialisms and famous hit songs. Writer Dean Pitchford based the story on the town of Elmore City, Oklahoma. The town had banned dancing since it was established in 1898 in an effort to reduce the amount of heavy drinking. Because of the ban on danc...

Measure for Measure – Shakespeare North Playhouse

8Aug

By Johanna RobertsNo Comments

North West

Measure for Measure – Shakespeare North Playhouse

So, how to approach Shakespeare’s plays at time when his work is easily accessible, in written or recorded format, and when every word and nuance has been studied in depth? How to reproduce the spontaneity, the freshness of experiencing the play as if it were for the first time? The answer, according to Shake-Scene Shakespeare, is to use cue-based performance. Originally, rather than each actor having a copy of the entire play, they had only their own part and their cues, plus any direction of when to enter or leave. Reproducing this technique means actors and audience ‘discover’ the play at the same time. Does it work? Based on this production of Measure for Measure, yes. Absolutely. Briefly, the Duke of Vienna (Eugenia Lowe) has allowed the city to become corrupt, so pretends to g...

8Aug

By Dylan MooneyNo Comments

Scotland

1984 – Pleasance Courtyard

It was an overcast morning in August, and the clocks were striking 11:25am for Box Tale Soup’s adaptation of !984, the classic novel by George Orwell. Winston Smith works within the outer layer of ‘the Party’ as he begins to desire change and rebellion. In a world where simple things such as thoughts become crimes, Winston must navigate his hope without getting caught while also finding others who share his dreams and want to launch a rebellion. This is never going to be easy as, of course, Big Brother is always watching. On arrival into the theatre, the first striking detail of this piece is its set. Surrounded by wooden pillars, boxes and an ominous, white, tent-like structure, the space has been filled well. Moreover, all of these set pieces are used in very practical ways. Set p...

8Aug

By Dylan MooneyNo Comments

Scotland

R/Conspiracy – Gilded Balloon

Merging the real world with the realms of the world wide web, R/Conspiracy - written and performed by Ella Hällgren, directed by Emma Ruse - sees Alex, a young girl in her twenties become fascinated by a thread on Reddit suggesting a man with machete has been spotted in the local area. Clearly distracting herself from problems in her life, she becomes obsessed with investigating the so-called ‘machete man’ leading her further and further into the online mystery. Hällgren, who plays Alex, has a lovely brightness to her performance. It is clear to the audience that she’s really enjoying being on stage and speaking the words she has written. However, R/Conspiracy suffers from a big issue in regard to pacing. There is a lot of rise and fall in the piece’s energy levels, so much so that ...

8Aug

By Greg HolsteadNo Comments

Scotland

Philosophy of the World – Summerhall

Every now and then at the Edinburgh Fringe, a show comes along that seems to fracture theatrical logic entirely—while still leaving you entirely gripped. Philosophy of the World, devised by the experimental collective In Bed With My Brother, is one of the most original, unsettling, and oddly moving performances I’ve seen in years. It may well go on to become a cult classic. The show is inspired by The Shaggs, a 1960s rock band made up of three sisters from New Hampshire, whose father was convinced they were destined for greatness. That father, Austin Wiggin Jr., pulled them out of school, forced them to practise endlessly, and produced their only album—widely derided at the time, but now held up as an artefact of outsider art. Philosophy of the World takes this story and explodes it...

8Aug

By Greg HolsteadNo Comments

Scotland

Paldem – Summerhall

Written and created by BAFTA winner, David Jonsson, Paldem is a daring and provocative Fringe debut that boldly ventures into the world of amateur pornography, digital fame, and performative intimacy. Premiering at Summerhall, the play unfolds as an “anti‑romantic comedy” exploring themes of race, desire, artistic ego, and online commodification.The story centres on Kevin (Michael Workeye) and Megan (Tash Cowley), former lovers, who reconnect one night and end up having sex. What neither expects is that they’ve accidentally recorded the whole thing. But when they watch the footage back, they’re surprised: it’s hot, they look great, and the dynamic works. From there, an idea is born. In today’s society—where everything is monetisable and nothing is too intimate for content—they realise they...

8Aug

By Greg HolsteadNo Comments

Scotland

Shitbag – Summerhall

There’s something fitting – perhaps even poetic – about staging a show called Shitbag in the Anatomy Theatre at Summerhall. Once a site of anatomical demonstration, now turned intimate performance space, it adds a certain weight to what is already a deeply bodily piece of theatre. The semi-circular layout draws the audience into close communion with the performer, reinforcing the sense that what we’re witnessing isn’t performance so much as confession. Hayley Edwards, an engaging and fearless Antipodean performer, commands the space well. She navigates the tricky terrain of living with Crohn’s Disease – not with self-pity, but with humour, insight, and an unflinching willingness to discuss things most people would euphemise or avoid entirely. Her rapport with the audience is imme...

Who the hell is Robert Wayne? – Etcetera Theatre

8Aug

By Kira DanielsNo Comments

London

Who the hell is Robert Wayne? – Etcetera Theatre

The Li Zhuolangly’s one-woman, one-act play packs more than a one-two punch. Following a day in the life of aspiring “Ratman” actor Lily Cheng Wangshuo, the action unfolds in a sort of Ariel’s cave of commercial treasures. Nestled amongst the Funko POP, plushies, and posters that line her bedchamber’s walls, Lily Cheng Wangshuo’s diminutive presence is entirely at odds with her super personality. A Chinese import herself, she dreams of incorporating herself into the canon of her favorite hero — a character whose mask she imagines might free her from the tokenization and objectification she faces at every turn. Zhuolangly is a bold stage presence who cuts her audience little slack in the free solo she drags us along on, forcing us to confront our better angels and unmask our egos. Who...

The Beautiful Future Is Coming – Traverse Theatre

8Aug

By Tom ScottNo Comments

Scotland

The Beautiful Future Is Coming – Traverse Theatre

This is an ambitious, well-crafted and very watchable play about the climate crisis. Flora Wilson Brown has written an intriguing drama which covers a period of 246 years. In 1856 we are in New York with Eunice and her husband, John. This part of the story was inspired by the American scientist, Eunice Foote, who discovered the greenhouse effect: that higher carbon dioxide levels lead to a hotter planet. Phoebe Thomas (Eunice) gives a captivating performance as the brilliant scientist who is increasingly frustrated by the fact that men won’t take her seriously because she is a woman. Eunice has apocalyptic nightmares about the fate facing the world if people won’t listen to her warnings. Matt Whitchurch is impressive as her husband, John, who tells his wife she can be ‘difficult’...