Latest Articles - Page 493 of 645

17Feb

By Riana HowarthNo Comments

London

Running With Lions – Lyric Hammersmith

Running With Lions is a colourful, vibrant and life-affirming celebration of family, which also addresses the dark shadows lurking in the corners, where things have been swept away and repressed. Gloria returns to her parents’ home where her daughter has been staying whilst she has been away at a mental health clinic. She struggles to get through to her parents, who feel too ashamed to acknowledge her condition. Problems ensue as desires clash and as the family grapple with the past and the underlying tensions between them. The play begins with Gloria’s perspective but then widens into others showing the inescapable intermingling of worlds. Carter’s writing is very true to life, reflecting conversations which I feel like I have witnessed or had with my own family. She doesn’t compromise...

The Ballad of Maria Marten – Wilton’s Music Hall

17Feb

By Caroline WorswickNo Comments

London

The Ballad of Maria Marten – Wilton’s Music Hall

Set in the 1820’s, writer Beth Flintoff and Artistic Director Ivan Cutting were keen to tell this age-old story of the death of Maria Marten from the viewpoint of the victim. The story has been told in many ways previously, but tended to look at the murderer, William Corder, rather than taking an interest in Maria Marten’s life. Maria (Elizabeth Crarer), lived in a small rural village called Polstead where she had grown up in poverty losing her mother at an early age. This led to her looking after the house at age 10, until her father met and married Ann (Sarah Goddard) who was kindly and took over many of these tasks, so that Maria could finally have a childhood. She played with her friends who formed a club called the ‘hazard club’, in which they dared each oth...

17Feb

By Robert BartleyNo Comments

London

Broken Wings – Charing Cross Theatre

One of the lovely things about being a theatregoer is seeing a show grow from workshops, through to concert productions, and then being finally fully realised on stage. The joy is even greater when it's clearly a passion project of its creators, and you can feel how much work and care has gone into its creation. Such is the journey of ‘Broken Wings’, a British musical which started life 4 years ago as public readings, before enjoying well-received concerts at the Theatre Royal Haymarket and The Other Palace. Its development continues with a new fully staged production at the London’s Charing Cross Theatre, where it opened this week. With music and lyrics by Dana Al Fardan and Nadim Naaman, ‘Broken Wings’ is adapted from Khalil Gibran’s novel of the same name and tells Gibran...

16Feb

By Khushboo ShahNo Comments

London

TRADE – Omnibus Theatre

“We are…human. They try to make us forget it, but we don’t.” TRADE is a powerful narrative reflecting the issue of sex trafficking in Europe. Performed by Tanya Cubric (Jana), Ojan Genc, and Eleanor Roberts, TRADE is directed by Maddy Corner and written by Ella Dorman-Gajic. Jana, a young Serbian woman, prepares to move to London with her first boyfriend, Stefan, to make a living for her family. Little does she know that life will push her into the deep, dark, gruesome world of sex-trafficking. In the years to come, Jana is faced with several moral choices. Once a victim, she now plays the perpetrator. TRADE unravels the motives behind a young, helpless Jana’s transformation into a compliant trafficker, posing complex moral questions on her journey. The play along with the statistical d...

16Feb

By Luke StephensonNo Comments

North West

Blood Brothers – Palace Theatre

Before coming to the theatre, I was told by email that due to restrictions and guidelines there were a couple of cast changes to the evenings show. Once again understudies coming to the rescue so that shows can continue to bring joy, laughter and musical theatre to those who wish to seek it. It’s an incredible thing to see and witness before me on stage. The show in question was Willy Russell’s Blood Brothers. A story about The Johnstone twins, like each other as two new pins, of one womb born on self same day. How one was kept and one given away. Mrs Johnstone (Niki Evans) was excited to start her new job as she was living hand to mouth with endless catalogue purchases and 7 hungry mouths to feed with one on the way. Or so she thought. It came to pass that she was expecting twins an...

16Feb

By Max EdenNo Comments

North West

Private Lives – The Lowry

When you put Patricia Hodge and Nigel Havers on a stage together, you already know it’s going to be a great show. Noel Coward’s Private Lives by the newly formed Nigel Havers Theatre Company does just that, and it’s everything you hoped it would be and more! Set in the 1930s, the play tells the story of Elyot (played by Havers) and Amanda (played by Hodge) who were once married and find themselves in adjoining rooms at a French hotel with their new partners, with the unexpected happening and the couple reconnecting. Havers takes on the role taken by Noël Coward himself in the original production in 1930 with a Suaveness we’ve come to expect, the character being delightfully charming but also quite stubborn and obstinate. Olivier Award winning actress Hodge is effortlessly glamorou...

Kevin Clifton: Burn the Floor – Bridgewater Hall

15Feb

By Lou SteggalsNo Comments

North West

Kevin Clifton: Burn the Floor – Bridgewater Hall

On a wet and windy night in Manchester, former Strictly Come Dancing champion Kevin Clifton is trying to raise the temperature with the delayed revival of Ballroom dancing phenomenon, Burn the Floor. The show is a riotous celebration of dance, fusing traditional waltzes with fiery Latin Tangos; Quicksteps and Rumbas and some good old Rock and Roll to boot. It’s been a two-year wait for tonight’s performance – with Clifton joking at what proved an ill-timed decision for him to quit Strictly for a life in the theatre, just weeks before stages went dark and Covid stole the spotlight. But the show itself has been thrilling audiences for longer than some of tonight’s dancers have been alive, conceived 25 years ago at a birthday bash for Elton John. There’s a slightly contrived start...

15Feb

By Clare ChandlerNo Comments

North West

A Little Requiem – Hallé St Peter’s

This performance marks a special anniversary for the Manchester Collective, it is five years since their first Manchester concert. It is also almost two years since this reviewer saw them on the cusp of the pandemic in the atmospheric White Hotel venue. This evening’s surroundings – a Grade II listed former church where the Hallé Orchestra rehearses – are more refined but equally atmospheric. This venue has Corinthian columns rather than corrugated iron shutters but as ever the Manchester Collective present a programme that duets with the architecture to provide further resonances. A Little Requiem was performed in Bristol the night before but it feels tailor made for this venue, which - like us all - has returned to life following a period of lockdown. A Little ...

15Feb

By Beth EltringhamNo Comments

REVIEWS

Hedda (After Ibsen) – Soho Theatre

Hedda is an avant-garde re-imagining of the early text Hedda Gabler by esteemed realist writer Henrik Ibsen however it can be argued that it goes against everything Ibsen stood for within theatre. Any fan of the original text like myself will be likely to be left with many a mix feelings after watching this one person performance. The story of Hedda and Hedda Gabler (1891) is one in the same, Hedda is a distasteful woman of great social status who has recently married a man who she believes is beneath her. Being away from her social class and stuck in a less than luxurious home she finds herself bored and loathing her current living situation. When a friend from the past shows up with his new manuscript and a pretty young girl at his side Hedda sees an opportunity to take control over h...

14Feb

By Rachel FosterNo Comments

North West

Kattam Katti – The Lowry

Pagrav Dance company comprises of a cast who have Indian heritage, have taken to the road on their latest tour (four musicians and four dancers) who bring their unique take on traditional Indian Kathak dance. Kattam Katti means ‘cutting through,’ and they do that with a mix of dance, singing, music composed especially for the performance and a splice of comedy. The setting is the frenetic energy of the Uttarayan Kite Festival which the performers deftly bring to life with expression and movement. The kites are left to our imaginations, the long strings are shown and woven across the stage creating a barrier or difficulty to dance. While the dancers use performance to illustrate the range of emotions that the kite festival incites. To put into context this festival is such a big deal ...