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The Kids With Nae Hame – C Arts, C Venues

29Aug

By Tom ScottNo Comments

Scotland

The Kids With Nae Hame – C Arts, C Venues

This new play gives a voice to children who have been taken into ‘care’. They are ‘The Kids With Nae Hame’. The script, written by Geraldine Smith, is based on the personal experiences of the care system by some of the cast members. The company formed to present this play is called ‘It’s About Time (Scotland)’. That title encapsulates the campaigning spirit of this play. Children in care have, for a variety of reasons, been taken away from their parental homes. But sadly, in the care system they’re not necessarily getting the care and attention they need. In this play we see acts of emotional ill-treatment, even cruelty, by care workers. There seems to be a continuous battle being waged between the staff and the teenagers. The ongoing Scottish Child Abuse enquiry has hear...

Desfazenda – Bury me out of this place – Ukraine Fringe

28Aug

By Donna M DayNo Comments

REVIEWS

Desfazenda – Bury me out of this place – Ukraine Fringe

O Bonde’s Desfazenda – Bury me out of this place, is a unique play exploring the lives of four people, 40 (Ailton Barros), 23 (Filipe Celestino), 12 (Jhonny Salaberg) and 13 (Marina Esteves), who were taken to a farm as children and enslaved. They are supervised by Zero, a foreman who is the only one who sees the priest who owns the farm. Directed by Roberta Estrela D’Alvia, and written by Lucas Moura, this original drama is both heartbreaking and horrifying, as the characters realise that the world outside the farm might not be exactly what they’ve been told it is. The play was originally performed in São Paulo and is performed in Portuguese with English subtitles. The piece opens with haunting singing and an upside-down view of the sea. We hear a mother and child discussing an animal ...

007 Voices of Bond – theSpace @ Symposium Hall

28Aug

By Ben PearsonNo Comments

Scotland

007 Voices of Bond – theSpace @ Symposium Hall

007 Voices of Bond is any James Bond fan’s dream. Brought to the Edinburgh Fringe Festival by Night Owl Shows, this hour-long concert takes the audience on a journey through the title tracks of Bond. Other than the opening number, Diamonds are Forever, the songs are performed in chronological order of release date, charting the evolving style of the music through the decades. Between each song either Maia Elsey, the truly phenomenal lead singer, or a pre-recorded video of ‘Mike’ (a hilarious yet informative M stand in), provide the audience with the context of each track. How they came to be made, what the meaning behind the song is, and its place within the wider world of music. These brief interludes were fascinating, and enhanced the experience from beyond just spectacle, to a genuine e...

28Aug

By Donna M DayNo Comments

REVIEWS

Mary & Mietek – Ukraine Fringe

Katla Theatre’s Mary & Mietek is a dramatic, dual timeline love story, written by Maria Laumark in association with director Abi Smith, and inspired by the real-life love letters between wartime sweethearts, Mary, an English bank clerk and Mietek, a Polish soldier she met at a dance. In the play, Mary and Mietek are Ben’s (Louis Cruzat) grandparents, and he has brought their letters to the airport where he recently ex-girlfriend, Alma (Laumark) is waiting for a flight back to her home country of Denmark following the breakdown of their relationship. The play opens with Laumark stood on an empty stage holding a suitcase with Joel Marten in the background performing music he composed specifically for the show. A feeling of poignancy is created with this gentle music from the start and...

Yippe Ki Yay – Gilded Balloon at the Museum

28Aug

By Oliver GigginsNo Comments

Scotland

Yippe Ki Yay – Gilded Balloon at the Museum

The phrase “Yippe Ki Yay” originated in the 19th-century Western United States, making its way into the 1988 film Die Hard entirely within the context of old Westerns: it closes a scene in which Alan Rickman's Hans Gruber accuses Bruce Willis's John McClane of having seen to many John Wayne films and the latter answers he always preferred Roy Rogers. Though the show adds the words “the Die Hard parody” in brackets at the end of its title just to be sure, I wouldn't imagine there is a soul on Earth that went into a show named Yippe Ki Yay looking for a musical about the Old West, such is the hold Die Hard now has over the phrase. It has since been said in every sequel (and a poster) without even an attempt at another cowboy reference, the franchise itself providing its context now. ...

A Night With Me, Myself and Bipolar Brenda – theSpace @ Symposium Hall

27Aug

By Amy HolsteadNo Comments

Scotland

A Night With Me, Myself and Bipolar Brenda – theSpace @ Symposium Hall

Bipolar UK ambassador Natasha Rea performed solo in this emotive and raw show which was part autobiographical drama and part persuasive monologue. Natasha is a talented actress who cares deeply about how her performance represents and advocates for the bipolar community. The show detailed the ups and downs of bipolar disorder (BPD) and everything in-between without romanticising the mental health condition. Personal antidote was interlaced with shocking statistics such as people with bipolar disorder are 20 times more likely to commit suicide. As the end approached Natasha made an emotionally driven plea for the audience to help make systemic changes to the Mental Health system through political action. She also urged us to do more for friends and family struggling with their menta...

27Aug

By Adam WilliamsNo Comments

North West

Coke, Machines, Stars & Kisses – 53two

There can’t be a better physical representation of the ups and downs of life, relationships and self-discovery than a trampoline and here there is one slap, bang centre-stage and it is physically and metaphorically central to this play. As it begins Lewis is enjoying himself on the trampoline. He is sure of himself, knows how to control his body and can even perform a few tricks. Lewis appears to be a self-assured, confident, working-class lad who sniffs a bit of coke as he drinks and smokes. Not only is he the last to leave Dale’s party but he was also uninvited. Dale has returned to Manchester after living in London and he wants Lewis to leave. Yet they get talking and start out on a journey of self-discovery for both of them which will take them up to the stars and back down to ea...

Cricket & The Freebugs – The Courtyard Theatre

27Aug

By Anisha PucadyilNo Comments

London

Cricket & The Freebugs – The Courtyard Theatre

Frisky Halfspeed Productions brings together a motley crew of bugs that make a band tiding over loneliness and alienation. Want to be your niece's favourite aunt? Head to the Courtyard theatre near Shoreditch and settle them down for this delightful musical; pair it with going to a meadow and looking for the crickets, ladybirds, dung beetles, walking stick, ants and spiders you just saw! Written and directed by Johan Ribbing, it combines soul-funk music, memorable characters and witty lines. There is something for adults and kids, being a musical that platforms diverse instruments like the saxophone, tambourine, guitar, piano, ukelele, drums and trumpet. We are taken on the transformational journey of Crickety Cricket, setting out on an adventure to find a band of his ow...

27Aug

By Gemma PrinceNo Comments

London

A Mirror – Almeida Theatre

‘This Play is a Lie’ is the perfect way to describe Sam Holcroft’s bold new play. Directed by Jeremy Herrin, A Mirror explores censorship, free speech and what it means to be an author and artist in an Orwellian world. The foyer is decked out in pastel-hued balloons, fairy lights, and a disco ball to look like a wedding reception. Upon entering the theatre, the actors were milling around the stage like wedding guests and we are asked to stand for the bride as she makes her entrance. All the little details point to an ordinary marriage ceremony until you glance at the Order of Service placed on each chair, with a slightly sinister Oath of Allegiance on the back page. It is then revealed that the wedding is merely a cover, as soon as the uniformed guards are away, the flowers are quickly ...

Grown Up Orphan Annie – Gilded Balloon, Patter Hoose

27Aug

By Wendy McEwanNo Comments

Scotland

Grown Up Orphan Annie – Gilded Balloon, Patter Hoose

Little Orphan Annie (Katherine Bourne-Taylor) has grown up into a lovable, but insecure, girl-woman with a serious Ovaltine habit. Her happy ending with Daddy Warbucks was a sham: he took all her money, he controls the rights to all her hit songs, and he even stole her dog. Life has been cruel to Annie, but she bustles on with her characteristic optimism infused with desperation. We like her, but she is hard work. This is a one-woman show, but Annie longs for connection and Bourne-Taylor interacts with the audience, and the tech guy, throughout. She asks us if she can go to our “hang” after the show, enlists an audience member to help her onstage, and calls us all her “Fannies”. (I am now the proud owner of a sticker that says “#1 Fannie”.) We catch up with Annie after the ...